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Shakespearean   /ʃˌeɪkspˈɪriən/   Listen
Shakespearean

adjective
(Written also Shakespearian, Shakspearean, Shakspearian, Shaksperean, Shaksperian, etc)
1.
Of or relating to William Shakespeare or his works.  Synonym: Shakespearian.



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"Shakespearean" Quotes from Famous Books



... and in 1571 he "offered his account for the new buildings." In 1575 the fine carved oak screen was put up. Towards the cost of this contributions were made by the masters of the bench, the masters of "le Utter Barre," and other members of the society. In this hall took place the interesting Shakespearean performance recorded by John Manningham, barrister, in his diary (1601-2). "At our feast wee had a play called Twelve Night or what you will, much like the Commedy of Errores or Menechmi in Plautus, but most like and neere to that in Italian ...
— Memorials of Old London - Volume I • Various

... the orchestra. Had an actor been engaged who was capable of playing Macbeth, and had a company been engaged to support him, the tragedy would doubtless have been well played. There was really little else wanting to make it a meritorious Shakespearean revival. ...
— Punchinello, Vol.1, No. 4, April 23, 1870 • Various

... those problems passed away; and during the last fifteen years of Elizabeth's reign national feelings found increasing expression in parliament and in popular literature. In all forms of literature, but especially in the Shakespearean drama, the keynote of the age was the evolution of a national spirit and technique, and their emancipation from the influence of classical and foreign models. In domestic politics a rift appeared between ...
— The History of England - A Study in Political Evolution • A. F. Pollard

... some of the famous Romeos who played opposite this bewitcher of all sexes. There was Reginald Bug, a young Englishman, who loved her passionately for a few years; then the renowned Pierre Dentifrice from the Comedie Francaise; then Angelo Carlini, and Basto Caballero (founder of the Shakespearean Theatre in Barcelona); then Dimitri Chuggski, a very temperamental, highly strung Russian (it is in Volume VIII. of Edgar Sheepmeadow's "Beds and their Inmates" that he relates the story of Chuggski's desertion of Gretchen; he contends that he ...
— Terribly Intimate Portraits • Noel Coward

... following the traditions of the theatre as preserved by the pictures. The figures gained by hiding their legs, but Joseph of Arimathaea and Nicodemus had not this advantage. They were princes and were like Shakespearean young men of the brilliant water-fly type, such as Osric. Misandro was also a prince. He was a swaggerer and behaved as badly as any paladin, but he was not a buffo. When they do the Nativita at Christmas a buffo is permitted, ...
— Castellinaria - and Other Sicilian Diversions • Henry Festing Jones

... one, the dog of the Seven Sleepers the other. This is no small distinction. From what has been written about this beast might be compiled a library of great splendor and magnitude, rivalling that of the Shakespearean cult, and that which clusters about the Bible. It may be said, generally, that all literature is ...
— The Devil's Dictionary • Ambrose Bierce

... can't have literature without 'em. I might have written those passages myself. In fact, I can hardly distinguish—" His face shook over it; she noticed the tremor of imminent revision. "Still, I think I should prefer 'babbling streams' here to 'purling streams.' Shakespearean." ...
— Mr. Waddington of Wyck • May Sinclair

... blue pencil, eyebrowed with brown grease-paint; whose long, shapeless body, eloquent, expressive hands, and legs that were very good as legs go, taking them separately, but did not match, had been that night, his admirers declared, moved and possessed by the very spirit of Shakespearean Tragedy—"He was so great! Don't you agree with ...
— The Dop Doctor • Clotilde Inez Mary Graves

... of searching criticism. It indicates the high-water mark of Shakespearean scholarship. All recognized authorities are represented in the notes and explanatory matter, among them being Dyce, Coleridge, Dowden, Johnson, Malone, White and Hudson. The sets are in thirteen handsome volumes—size 7-1/2 x 5-1/2 inches—containing ...
— The Mayflower, January, 1905 • Various

... Shakespeare Society, devoted itself to the study and dramatic presentation of Shakespeare. Its first open-air play was "As You Like It", given in 1889; and until 1912, when it conformed to the new plan of biennial rotation, this society gave a Shakespearean ...
— The Story of Wellesley • Florence Converse

... Shakespearean scholarship within the last half-dozen years seem to justify the writing of another manual for school and college use. The studies of Wallace in the life-records, of Lounsbury in the history of editions, of Pollard ...
— An Introduction to Shakespeare • H. N. MacCracken

... literary testimonies that I consider the most striking evidence of the influence of Italian professional technique on English professional actors. It is a remarkable discovery made by the highly esteemed Shakespearean archaeologist, Edmund Malone, about a century ago, in Dulwich College, that mine of ancient English dramatic research, founded by ...
— The Great Events by Famous Historians, Vol. 1-20 • Various

... dinner to-morrow night. You will have to come home earlier than usual, for it is such a long drive, and it will never do to keep his mulligatawny waiting. And, by the way, I made a new engagement for you to-day. Mrs. General Leighton has invited us to join the Shakespearean Club which she is getting up. It is to be very select. Will meet at the different houses, you know, with a choice little supper at the close. She says the one she belonged to in Atlanta was a brilliant affair. She comes from one of Georgia's ...
— A Beautiful Possibility • Edith Ferguson Black

... drama in India. In India, at the beginning of the Christian era, there was a development of drama of a high character. The one called the Clay-waggon (a child's toy) is described as of very great literary merit,—realistic, graphic, and Shakespearean in its artistic representation of life.[2078] Every drama which has that character must be in and of the mores. In the Clay-waggon the story is that of a Brahmin of the noblest character, who marries a ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner

... Marriott's Collection of English Miracle-Plays, 1838; in Hone's Ancient Mysteries; in T. Sharpe's Dissertaion on the Pageants.. . anciently performed at Coventry, Coventry, 1828; in the publications of the Shakespearean and other societies. See especially The Harrowing of Hell, a miracle-play, edited from the original now in the British Museum, by T. O. Halliwell, London, 1840. One of the items still preserved is a sum of money paid for keeping a fire burning in hell's mouth. Says Hase (as ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White

... glories, Canterbury began to decline, and the dissolution of the two great monasteries and the demolishing of Becket's shrine must have been to the city, on a much larger scale, what the sweeping away of all the Shakespearean landmarks and relics from Stratford-on-Avon of to-day would imply. Nevertheless the city could afford to present Queen Elizabeth with l. 30 in a scented purse when she came thither in 1564, and the fact that Canterbury remained the chief centre of the authority ...
— Beautiful Britain • Gordon Home

... resistless flood that deluged the world of literature with its glory. The succeeding poets are but survivors as by the ark, and, like the ancient dove, they gather and weave into garlands only the "flotsam" of beauty which floats on the bosom of the Shakespearean flood. ...
— Gov. Bob. Taylor's Tales • Robert L. Taylor

... Mrs. Jameson, the Shakespearean commentator, has given us a penetrating example of the effect of inflection; "In her impersonation of the part of Lady Macbeth, Mrs. Siddons adopted successively three different intonations in giving ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein

... comedy, "Cleopatsy," featuring the famous clown Toto, was a striking example of how a slap-stick comedy today is unhesitatingly given as elaborate and sumptuous a scenic investiture as was accorded a few years ago to screen-versions of Shakespearean or other "classic" plays. The laughs in this Pathe production were produced, principally, by the introduction of business and situations that simply could not have happened in the time of Cleopatra, Antony and ...
— Writing the Photoplay • J. Berg Esenwein and Arthur Leeds

... form and force." Malone, himself a lawyer, wrote: "His knowledge of legal terms is not merely such as might be acquired by the casual observation of even his all-comprehending mind; it has the appearance of technical skill." Another lawyer and well-known Shakespearean, Richard Grant White, says: "No dramatist of the time, not even Beaumont, who was the younger son of a judge of the Common Pleas, and who after studying in the Inns of Court abandoned law for the drama, ...
— Is Shakespeare Dead? - from my Autobiography • Mark Twain

... defying the lightning, or as King Lear upon the blasted heath. One of them some time ago called on a popular painter who, happening at the moment to require his services, engaged him, and told him to begin by kneeling down in the attitude of prayer. 'Shall I be Biblical or Shakespearean, sir?' asked the veteran. 'Well—Shakespearean,' answered the artist, wondering by what subtle nuance of expression the model would convey the difference. 'All right, sir,' said the professor of posing, and he solemnly knelt down and began to wink ...
— Miscellanies • Oscar Wilde

... the strange thing about theatrical success. However great, it is limited in its force and duration, as we found out at the Lyceum twenty years later. It was not only because the Bancrofts were ambitious that they determined on a Shakespearean revival in 1875: they felt that you can give the public too much even of a good thing, and thought that a complete change might bring their theater new popularity as ...
— The Story of My Life - Recollections and Reflections • Ellen Terry

... desire of Mr. William Redmond to have his son with him in London. Certainly John Redmond was there during the session of 1876, for on the introduction of Mr. Gladstone's second Home Rule Bill he recalled a finely apposite Shakespearean quotation which he had heard Butt use in a Home Rule debate of that year. In May 1880 his father procured him a clerkship in the House. The post to which he was assigned was that of attendant in the Vote Office, so that his days (and a great ...
— John Redmond's Last Years • Stephen Gwynn

... heath. Edgar, still attired as a lunatic, soliloquizes in stilted terms about the instability of fortune and the advantages of a humble lot. Then there comes to him somehow into the very place on the heath where he is, his father, the blinded Gloucester, led by an old man. In that characteristic Shakespearean language,—the chief peculiarity of which is that the thoughts are bred either by the consonance or the contrasts of words,—Gloucester also speaks about the instability of fortune. He tells the old man who leads him to leave him, but the old man points out to him that he can not see his ...
— Tolstoy on Shakespeare - A Critical Essay on Shakespeare • Leo Tolstoy

... person, a son of Samuel Ireland, who was a distinguished draughtsman and engraver, about the end of the eighteenth century fabricated a pretended Shakespeare MSS., which as a literary forgery was the most remarkable of its time. Previous to his confessions it had been accepted by the Shakespearean scholars as unquestionably the work of the immortal bard. The following is a citation ...
— Forty Centuries of Ink • David N. Carvalho

... worship that which is not-me, the Selfless world, though we would fain bring in the Self to help us. We are shouting the Shakespearean advice to warriors: 'Then simulate the action of the tiger.' We are trying to become again the tiger, the supreme, imperial, warlike Self. At the same time our ideal is the selfless ...
— Twilight in Italy • D.H. Lawrence

... who had taken his High School examinations and is now at the head of a department in a large department store and a prominent member of a political study club. The others, who had expected to play prominent Shakespearean parts with little or no work, were easily discouraged, dropped off and were seen no more. The reading of very simple plays at first is a good stepping-stone to a study of Shakespeare later, but the plays must be interesting enough to hold the attention ...
— Library Work with Children • Alice I. Hazeltine

... is soon explained. We find the Shakespearean name with their thoughts and deeds turned into ...
— The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley

... improbable in this description. But he was far better educated than the modern artisan. Not that a single quotation from Menander (1 Cor. xv. 33) shows him to be a good Greek scholar; an Englishman may quote 'One touch of nature makes the whole world kin' without being a Shakespearean. But he was well educated because he was the son of a strict Jew. A child in such a home would learn by heart large pieces of the Old Testament, and, at the Synagogue school, all the minutiae of the Jewish Law. The pupil was not allowed to write anything down; all was ...
— Outspoken Essays • William Ralph Inge

... a quaint-minded and ingenious person, modest in stature but with a twinkling and roving eye. He was one of the leading spirits of the OUDS, known in full as the Oxford University Dramatic Society, and his ability to portray females of the lower classes had been the delight of more than one Shakespearean rendering. No one who saw him as Juliet's nurse in a certain private theatrical performance in the hall of New College can recall the occasion ...
— Kathleen • Christopher Morley

... THEATRE, OR PASQUIN TURN'D DRAWCANSIR in two acts (Larpent 96) which is here reproduced in facsimile.[1] It is an interesting example of that mid-eighteenth-century phenomenon, the afterpiece, from a period when not only Shakespearean stock productions but new plays as well were accompanied by such farcical appendages.[2] This particular afterpiece is worth reproducing not only for its catalogue of the social foibles of the age, but as an illustration of satirical writing for ...
— The Covent Garden Theatre, or Pasquin Turn'd Drawcansir • Charles Macklin

... Ibsen can be said to show maturity of craftsmanship is The Vikings at Helgeland. It is curious to note that both in The Vikings and in The Pretenders, two plays which are in some measure comparable with Shakespearean tragedies, he opens with a firmly-touched einleitende Akkord. In The Vikings, Ornulf and his sons encounter and fight with Sigurd and his men, very much after the fashion of the Montagues and Capulets in Romeo and Juliet. In The ...
— Play-Making - A Manual of Craftsmanship • William Archer

... No Shakespearean dissector has, to my knowledge, affirmed that Hamlet's advice to Ophelia, "Get thee to a nunnery," and his assertion, "I have heard of your paintings, too," prove that Ophelia was an artist and a nunnery a favorable ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement

... the Elizabethan critics thought little of Shakespeare because he failed to follow in the footsteps of the great Greeks, so some modern critics care naught for the best work of the dramatists of our own time, because this is not cast in the Shakespearean mold. The Elizabethan critics could not know the difference between the theater of Dionysius in Athens and the bare cockpit of the Globe in London; and there are their kin to-day who cannot perceive the difference ...
— Inquiries and Opinions • Brander Matthews

... educational like the classic, and what is of the new. With the commercial we have of course no traffic; the classic is a place for those still learning what has already been said, a place for orientisation, for finding out where one stands. In this category are the Shakespearean performances at the theatre. In any case the classic is necessarily subordinate to the new literature, the literature of pioneering and discovery, the literature of ourselves. It is the school which prepares for the stepping ...
— A Tramp's Sketches • Stephen Graham

... jaunt. The 'Well I never, sir,' even of a rural parishioner did in some sort minister to his vanity. An audience was a necessity to him. He regretted that his cloth forbade him to indulge in private theatricals, but he encouraged Shakespearean readings and often 'dressed up to please the children.' Sometimes of an evening he would perform upon the piano, indulging in a series of broken chords which he called improvisation, and upon these occasions he felt that he was a kind and ...
— Peter and Jane - or The Missing Heir • S. (Sarah) Macnaughtan

... a Shakespearean ending, stage fairly littered with corpses," struck in Major Carstairs. "I wonder Tochatti didn't put the finishing touch ...
— Afterwards • Kathlyn Rhodes

... saving clause as to exceptions), and I have often thought that it must have been Shakespeare's too, for does he not ascribe a command of tongues to the man who is perhaps the most consummate idiot in the whole range of Shakespearean portraiture? ...
— Isopel Berners - The History of certain doings in a Staffordshire Dingle, July, 1825 • George Borrow

... other meaning can the Shakespearean "To be or not to be" have, or that passage in Coriolanus where it is said of Marcius "He wants nothing of a god but eternity"? Eternity, eternity!—that is the supreme desire! The thirst of eternity is what is called love among men, and whosoever loves another wishes to eternalize ...
— Tragic Sense Of Life • Miguel de Unamuno

... consideration but a few points of the myth—that the fairy-superstition and the elf-superstition were melted together in the popular pre-Shakespearean mind, and that Shakespeare himself, making a new division of the characteristics of the two, yet re-welded the whole into one realm by putting the Puck in subjection ...
— The Sources and Analogues of 'A Midsummer-night's Dream' • Compiled by Frank Sidgwick

... are hearkening to a note which is not Shakespearean at all, not practical, not English. And we want ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch

... read your appreciation of Rodin's "Balzac" with intensest pleasure, and I am looking forward to more Shakespeare—you will of course put all your Shakespearean essays into a book, and, equally of course, I must have a copy. It is a great era in Shakespearean criticism—the first time that one has looked in the plays not for philosophy, for there is none, but for ...
— Oscar Wilde, Volume 2 (of 2) - His Life and Confessions • Frank Harris

... departed Mary Brooks would say," declared Katherine, "is: Blessings brighten as diplomas come on apace. Between trying not to miss any fun and doing my best to distinguish myself in the scholarly pursuits that my soul loves, I am well nigh distraught. Don't mind my Shakespearean English, please. I'm on the senior play committee, and I ...
— Betty Wales Senior • Margaret Warde

... Wordsworth, has also been an intense admirer of Shakespeare's warrior-hero, Henry the Fifth, and has frequently read aloud to friends, with exclamations of admiration, the stirring speeches of Henry in the Shakespearean play. ...
— Woodrow Wilson as I Know Him • Joseph P. Tumulty

... in existence in the British Colonial Service, and in all branches which affect the agents and the servants of the Colonial Office, an emergency code which is based upon certain characters in Shakespearean plays. ...
— Bones - Being Further Adventures in Mr. Commissioner Sanders' Country • Edgar Wallace

... exhausting emotionally as the Passion Play is said to be. I had the vision of a great period of Communist art, more especially of such open-air spectacles, which should have the grandeur and scope and eternal meaning of the plays of ancient Greece, the mediaeval mysteries, or the Shakespearean theatre. In building, writing, acting, even in painting, work would be done, as it once was, by groups, not by one hand or mind, and evolution would proceed slowly until once again the individual ...
— The Practice and Theory of Bolshevism • Bertrand Russell

... several of the plants, which I had added with a special reference to the horticultural character of "The Garden" newspaper. But I decided to retain them, on finding that they interested some readers, by whom the literary and Shakespearean notices were ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe

... What Shakespearean characters does Geoffrey of Monmouth introduce? How is Layamon's Brut related to Geoffrey's chronicle? Point out a likeness between the Brut and the work ...
— Halleck's New English Literature • Reuben P. Halleck

... one of the "Children of the Queen's Revels," and had performed in Jonson's Cynthia's Revels, 1600, and Poetaster, 1601. He seems to have joined the King's players soon after 1614, and his name appears in the list of "the principall actors in all these playes" prefixed to the first Shakespearean Folio of 1623. Not long after this period, Field, who by his Woman is a Weathercock (1612) and his Amends for Ladies (1618) had made a reputation as a dramatist as well as an actor, is believed to have retired from the stage, ...
— Bussy D'Ambois and The Revenge of Bussy D'Ambois • George Chapman

... even." There was no touch of coarseness in her rollicking laughter, no hoydenish swagger in her masquerading; it was all subtly, irresistibly feminine. And George Travis, watching from the obscurity of a back seat, pounded his knee with triumph and swore he would make her the greatest Shakespearean actress of ...
— Seven Miles to Arden • Ruth Sawyer



Words linked to "Shakespearean" :   Shakespeare, scholarly person, bookman, scholar, student



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