"Characterless" Quotes from Famous Books
 ... looked at her gravely. What a helpless, childish creature she was, with her pretty face, and her baby, and her characterless, frightened way. She was only one of many—poor Liz, ignorant, emotional, weak, easily led, ready to err, unable to bear the consequences of error, not strong enough to be resolutely wicked, not strong enough to be anything in particular, but that which her surroundings made her. If she ...
— That Lass O' Lowrie's - 1877 • Frances Hodgson Burnett
... Buchanan is a type of artist that every age produces unfailingly: Catulle Mendès is his counterpart in France,—but the pallid Portuguese Jew with his Christ-like face, and his fascinating fervour is more interesting than the spectacled Scotchman. Both began with volumes of excellent but characterless verse, and loud outcries about the dignity of art, and both have—well...Mr Robert Buchanan has collaborated with Gus Harris, and written the programme poetry for the Vaudeville Theatre; he has written a novel, the less said about which the better—he ...
— Confessions of a Young Man • George Moore
... at him; he was very handsome, and looked so to her, after the broad, blunt, characterless faces of the Walloon peasantry around her. He walked with an easy grace, he was clad in picture-like velvets, he had a beautiful poetic head, and eyes like deep brown waters, and a face like one of Jordaens' or Rembrandt's cavaliers in the galleries where she used to steal in of a Sunday, and ...
— Bebee • Ouida
... 'Blackwood,' written in 1825 for the express purpose of vindicating his character, admits that his name had been coupled with those of three, four, or more women of rank, whom it speaks of as 'licentious, unprincipled, characterless women.' ...
— Lady Byron Vindicated • Harriet Beecher Stowe
... a period antedating the XVII century are seldom so uninteresting. Nothing more meagre nor dreary can be conceived than the facade with its three, poor, characterless portals. They open on a large vaulted hall, with chapels in its six bays and a small and narrow choir. The principal charm of the interior is negative; its dim misty light, by concealing a mass of tasteless decorations and the ...
— Cathedrals and Cloisters of the South of France, Volume 1 • Elise Whitlock Rose
... His door-keeper and sub-clerk at the main hut was an old Russian aristocrat with a face that reminded one of Alexander III. "Well, Count?" Davidson would query when he saw him, and smile cheeringly; "anything fresh?" The Count had a rather characterless and cruel lower lip like a bit of rubber. He was capable of a great deal, but he was quiet and obedient in the presence of Davidson as if he had found ...
— Europe—Whither Bound? - Being Letters of Travel from the Capitals of Europe in the Year 1921 • Stephen Graham
... a Girondin; every time I have read it since I have read it differently—being influenced & changed, little by little, by life & environment (& Taine & St. Simon); & now I lay the book down once more, & recognize that I am a Sansculotte!—And not a pale, characterless Sansculotte, but a Marat. Carlyle teaches no such gospel, so the change is in me—in my vision of ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... minute," she shouted crossly, and let her shoulders sink once more under the comforting water. It was the first warm water she had encountered since that night when Mademoiselle had carried the jugs upstairs. Her soap, so characterless in the chilly morning basin lathered freely in the warmth and was fragrant in the steamy air. When Jimmie's knocking came she was dreaming blissfully of baths with Harriett—the dissipated baths of the last six months between tea and dinner with a theatre or a dance ahead. Harriett, ...
— Pointed Roofs - Pilgrimage, Volume 1 • Dorothy Richardson
... within was written in the same straggling, characterless caligraphy,—I should have said, had I been asked offhand, that the whole thing was the composition of a servant girl. The composition was about on ...
— The Beetle - A Mystery • Richard Marsh
... and many others, belonged to a respectable but somewhat characterless type of aristocrat; these formed a considerable and a powerful section of the senate, where they were an obstacle to reform and administrative efficiency. They were really a survival from the old type of Roman noble, which had done excellent work in its day; men in whom the individual ...
— Social life at Rome in the Age of Cicero • W. Warde Fowler
... less perfectly expressed; she is everybody's "Maid," more or less adequately embodied. The statue is the antipodes of the conventional much more so, even, to our modern sense, than that of Rude; it suggests no competition with that at Versailles or the many other characterless conceptions that abound. It is full of expression—arrested just before it ceases to be suggestive; of individuality restrained on the hither side of peculiarity. The "Maid" is hearing her "voices" as distinctly as Bastien-Lepage's figure ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... as a bait for chequemen. She came from Sydney, they said, and her name was Alice. She was tall, boyishly handsome, and characterless; her figure might be described as "fine" or "strapping", but her face was very cold—nearly colourless. She was one of those selfishly sensual women—thin lips, and hard, almost vacant grey eyes; no thought of anything but her own pleasures, none for the man's. Some shearers would ...
— Over the Sliprails • Henry Lawson
... left two sons, Feodor and Dmitri. Feodor, who succeeded his father, was twenty years of age, weak, characterless, though quite amiable. In his early youth his chief pleasure seemed to consist in ringing the bells of Moscow, which led his father, at one time, to say that he was fitter to be the son of a sexton than of a prince. Dmitri was an infant. ...
— The Empire of Russia • John S. C. Abbott
... grind of her puddlers, the splashing of the slurry, and the occasional solemn, significant clang of a knocker. They passed the old Red Hand shaft, long since deserted and denuded of poppet legs and engine-houses, its comparatively ancient tips almost overgrown and characterless, with lusty young gums flourishing amongst its scattered boulders. Waddy venerated the old Red Hand as something so ancient that its history left openings for untrammelled conjecture, and the boys associated it with not a few of the mysteries of those grand far-off ages when dragons abducted ...
— The Gold-Stealers - A Story of Waddy • Edward Dyson
... newspaper that Smith would make; careful, conscientious, regular in politics, loyal to what it deemed the best interests of the community, single-minded in its devotion to the Smith family and its properties; colorless, characterless, and without vision or leadership in all that a newspaper should, according to Banneker's opinion, stand for. So he talked with the fervor of an enthusiast, a missionary, a devotee, who saw in that ...
— Success - A Novel • Samuel Hopkins Adams
... enjoying in its main thoroughfares the luxury of grass-grown "front gardens," untrodden by the foot of man save as to the path from the gate to the hall door; but blighted by an intolerable monotony of miles and miles of graceless, characterless brick houses, black iron railings, stony pavements, slaty roofs, and respectably ill dressed or disreputably poorly dressed people, quite accustomed to the place, and mostly plodding about somebody else's work, which they would not do if they themselves could help it. The little ...
— Candida • George Bernard Shaw
... for their associations, were the paintings of Raphael and Guido Reni. Nor do we find in him any of those new metrical effects, those sublime inventions in prosody, with which the great masters astonish us. Blank verse is a test of poets in this respect, and Shelley's blank verse is limp and characterless. Those triumphs, again, which consist in the beauty of complicated wholes, were never his. He is supreme, indeed, in simple outbursts where there is no question of form, but in efforts of longer breath, where architecture ...
— Shelley • Sydney Waterlow
... of Overtones. The presence of overtones determines the quality of the sound produced. If the string vibrates as a whole merely, the tone given out is simple, and seems dull and characterless. If, on the other hand, it vibrates in such a way that overtones are present, the tone given forth is full and rich and the sensation is pleasing. A tuning fork cannot vibrate in more than one way, and hence has no overtones, and its tone, while clear and sweet, is ...
— General Science • Bertha M. Clark
... necessary to it as long summers. It is its half-century's struggle with the elements for existence, wrestling with the storm, fighting for its life from the moment that it leaves the acorn until it goes into the ship, that gives it value. Without this struggle it would have been characterless, staminaless, nerveless, and its grain would have never been susceptible of high polish. The most beautiful as well as the strongest woods are found not in tropical climates, but in severe climates, where they have to fight the frosts and ...
— Pushing to the Front • Orison Swett Marden |
