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Stanza   Listen
noun
Stanza  n.  (pl. stanzas)  
1.
A number of lines or verses forming a division of a song or poem, and agreeing in meter, rhyme, number of lines, etc., with other divisions; a part of a poem, ordinarily containing every variation of measure in that poem; a combination or arrangement of lines usually recurring, whether like or unlike, in measure. "Horace confines himself strictly to one sort of verse, or stanza, in every ode."
2.
(Arch.) An apartment or division in a building; a room or chamber.






Collaborative International Dictionary of English 0.48








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"Stanza" Quotes from Famous Books



... characters in different clauses of a sentence, which results in a kind of parallelism or rhythmic balance. This parallelism is a noticeable feature in ordinary poetical composition, and may be well illustrated by the following four-line stanza: ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 2 - "Chicago, University of" to "Chiton" • Various

... there actually grew up an American school of composition, quaint, rude, and ungrammatical, which had great vogue toward the end of the last century, and is even now remembered by some with admiration and regret. It was devoted mainly to psalmody tunes of an elaborate sort, in which the first half-stanza would be sung in plain counterpoint, after which the voices would chase each other about in a lively imitative movement, coming out together triumphantly at the close. They abounded in forbidden progressions and empty chords, but were often characterized by fervor of feeling and by strong ...
— A History of American Christianity • Leonard Woolsey Bacon

... dedicatory stanza. It is the gracious fooling of a philosopher who understood his company. "There are folks," says Mr. Counsellor Pleydell, "before whom a man should take care how he plays the fool, because they have either ...
— Biographical Study of A. W. Kinglake • Rev. W. Tuckwell

... clasped her hand in his and folding it to his heart, asked so earnestly, "Do you love Jesus too? Oh, yes, I love him. I do not fear to die, for then I shall join my dear mother who taught me to love him." He then repeated with great distinctness a stanza of the hymn, "Jesus can make a dying bed," etc., and inquired if she could sing. She could not, but she read several hymns to him. His joy and peace made him apparently oblivious of his suffering from the fever, and he endeavored as well as his failing strength would permit, to tell her ...
— Woman's Work in the Civil War - A Record of Heroism, Patriotism, and Patience • Linus Pierpont Brockett

... sister to one of his brethren of the Excise, watching over him with moist eyes, and tending him with the care of a daughter; he rewarded her with one of those songs which are an insurance against forgetfulness. The lyrics of the north have nothing finer than this exquisite stanza:— ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham

... Hurwitz's Hebrew muse, and at the centennial celebration of the surrender of Riga to Peter the Great (July 4, 1810), the craving of the Jewish heart, avowed in a German poem, was expressed "in the name of the local Hebrew community to their Christian compatriots." The last stanza runs as follows: ...
— The Haskalah Movement in Russia • Jacob S. Raisin

... even in the court of France, sated as it was with novelties, laying a world under tribute for amusements, that wild, weird melody never rose before nor since. One stanza I sang translated into French that ...
— The Black Wolf's Breed - A Story of France in the Old World and the New, happening - in the Reign of Louis XIV • Harris Dickson

... not only restricted to style; it was expanded to include the style of the poets as well as that of the prose writers, as the last stanza shows. If Lydgate thought poetry to include anything more than this style, he does ...
— Rhetoric and Poetry in the Renaissance - A Study of Rhetorical Terms in English Renaissance Literary Criticism • Donald Lemen Clark

... THIS stanza from "The Raven" was recommended by James Russell Lowell as an inscription upon the Baltimore monument which marks the resting place of Edgar Allan Poe, the most interesting and original figure in American letters. And, to signify that peculiar musical quality of Poe's genius which inthralls ...
— The Works of Edgar Allan Poe - Volume 1 (of 5) of the Raven Edition • Edgar Allan Poe

... of an inn with a mug of drink for the singer, who checked his song at about the hundred-and-fiftieth stanza, to take the mug with a "Thank ye, mate," and hand it to his sick friend. The sick man took the mug with his left hand, opening the fingers curiously, and still looking hard at me. My heart gave a great ...
— Jim Davis • John Masefield

... cheat themselves with the thought that they heard an answering voice; but it was not until the end of the fourth week, when singing outside the castle of Diernstein, that a full rich voice, when Blondel ceased, sang out the second stanza of the poem. With difficulty Blondel and Cuthbert restrained themselves from an extravagant exhibition of joy. They knew, however, that men on the prison wall were watching them as they sat singing, and Blondel, with a final strain taken from a ballad of a knight who, having ...
— Winning His Spurs - A Tale of the Crusades • George Alfred Henty

... with a fine, swinging rhythm. "I think that last stanza's perfectly exquisite—don't you?" Missy enquired of her mute audience. And she repeated it, as unctuously as though she were the poet herself. Then, quite naturally, this romance recalled to her the romance next door, so deliciously absorbing her waking and dreaming hours—the ...
— Missy • Dana Gatlin

... as this was her husband's only cause of disquiet, took his hand, and with a radiant face and smile began to warble that stanza from the favourite song of "Wapping Old Stairs," in which the heroine, after rebuking her Tom for inattention, promises "his trousers to mend, and his grog too to make," if he will be constant and kind, and ...
— Vanity Fair • William Makepeace Thackeray

... unusual to see in the literary columns of a daily newspaper inquiries as to where certain poems may be found of which a single stanza is faintly recalled. Many of these prove to be fragments of pieces that are found in the McGuffey Readers. Quite lately Theodore Roosevelt made the public statement that he did not propose to become a "Meddlesome Matty." This allusion was perfectly clear to the millions of ...
— A History of the McGuffey Readers • Henry H. Vail

... stanza of this jingle was long attributed to Longfellow as an impromptu made on one of his children. He took occasion to deny this, as well as the authorship of the almost equally famous "Mr. Finney had a turnip." The last two stanzas bear ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry

... next is Bliss, which is progressive. First comes existence in the same place as God. Second, nearness to God. Third, likeness to God. Fourth, identity with God. Then he quoted from a classic beloved by all the old Tamil school, stanza after stanza, to prove the truth of the above, ending with one which Dr. Pope has ...
— Things as They Are - Mission Work in Southern India • Amy Wilson-Carmichael

... of the wholesale way in which our author is conveyed by Elizabethan poets, he had in mind this and the following chapters. A single example will show this. Let the reader compare the account of the peacock with the following stanza ...
— Mediaeval Lore from Bartholomew Anglicus • Robert Steele

... like "another morn risen on mid-noon." There is no passage that is not made up of blushing lines, no line that is not enriched with a sparkling metaphor, no image that is left unadorned with a double epithet—all his verbs, nouns, adjectives, are equally glossy, smooth, and beautiful. Every stanza is transparent with light, perfumed with odours, floating in liquid harmony, melting in luxurious, evanescent delights. His Muse is never contented with an offering from one sense alone, but brings another rifled ...
— The Spirit of the Age - Contemporary Portraits • William Hazlitt

... is hardly equal to his morals ('Gosse', p. 101): "Ask me no more where Jove bestows, When June is past, the fading rose; For in your beauty's orient deep These flowers, as in their causes, sleep." Few better things have been written than this, the second stanza of Jonson's 'Drink to me only with thine eyes' ('Gosse', p. 80): "I sent thee late a rosy wreath, Not so much honouring thee As giving it a hope that there It could not withered be. But thou thereon did'st only breathe, And sent'st it back to me; Since when it grows and ...
— Select Poems of Sidney Lanier • Sidney Lanier

... the dancing-room, he had commenced lisping to Miss Biddy, in a tender love-subdued tone, a couplet which he had committed to memory for the occasion, when a glance of terrible meaning from Terence's eye met his—the unfinished stanza died in his throat, and without waiting the nearer encounter of his dreaded rival, he retreated to a distant corner of the apartment, leaving to Terence the post of ...
— Punch, or the London Charivari, Vol. 1, August 14, 1841 • Various

... short measure, and encumbered with such a profusion of rhimes, as makes the poet appear almost as ridiculous as those he endeavours to expose. In his more serious pieces he is not guilty of this absurdity; and confines himself to a regular stanza, according to the then reigning mode. His Bouge of Court is a poem of some merit: it abounds with wit and imagination, and shews him well versed in human nature, and the insinuating manners of a court. The allegorical characters are finely described, and well ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Volume I. • Theophilus Cibber

... of Scotland bordering on England. Who is the hero? Give your opinion of him. Find the expressions used by the poet to inspire admiration for Lochinvar. Give your opinion of the bridegroom. Quote lines that express the poet's opinion of him. What word is used instead of thicket in the second stanza? a loiterer? a coward? Why do you suppose the bride had consented? Why did her father put his hand on his sword? What reason did Lochinvar give for coming to the feast? Why did he act as if he did not care? Was the bride willing to marry ...
— The Literary World Seventh Reader • Various

... are you? Stretched along the deck like logs— Bear a hand, you jolly tar, you! Here's a rope's end for the dogs. Hobhouse muttering fearful curses, As the hatchway down he rolls, Now his breakfast, now his verses, Vomits forth—and damns our souls. "Here's a stanza[6] On Braganza— Help!"—"A couplet?"—"No, a cup Of warm water—" "What's the matter?" "Zounds! my liver's coming up; I shall not survive the racket Of this brutal ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron

... upon a passage, which the reader will find attempted in the fourth line of stanza xxxi. of ...
— Mediaeval Tales • Various

... too, and the most lovable of all dogs. He does not look it. The sweetness of his disposition would not strike the casual observer at first glance. He resembles the gentleman spoken of in the oft-quoted stanza: ...
— Evergreens - From a volume entitled "Idle Thoughts of an Idle Fellow" • Jerome K. Jerome

... was growing old. As he sat before the fire in the grand salon, the flickering yellow light playing over his features, which had a background of moving, deep velvet-brown shadows, he might have been the theme of some melancholy whim by Rubens, a stanza by Dante. His face was furrowed like a frosty road. Veins sprawled over his hands which rested on the arms of his chair, and the knuckles shone like ivory through the drawn transparent skin. The long fingers drummed ceaselessly ...
— The Grey Cloak • Harold MacGrath

... answer that they had come from the stable where the Saviour was born; and so, in alternate questions and answers, they described all that they had seen. The two groups, having advanced a step or two at each stanza, now met, and went back to the manger together, singing the same air the ...
— In the Yule-Log Glow, Book II - Christmas Tales from 'Round the World • Various

... fire that they may see the frightened poet drop from the window, half dead with alarm; old Foulis, the Glasgow printer, volunteers to send from his press such, a luxurious edition of Gray's poems as the London printers can not match; Dr. Johnson, holding the page to his eyes, growls over this stanza, and half-grudgingly praises that. I had spent perhaps the pleasantest day which the fates vouchsafed me during my sojourn in England; and here I was back again in Slough Station, ready to return to the noisy haunts of men. ...
— Seeing Europe with Famous Authors - Vol. II Great Britain And Ireland, Part Two • Francis W. Halsey

... waking of Brynhild, and her wise redes to Sigurd, taken from the Lay of Sigrdrifa, the greater part of which, in its metrical form, is inserted by the Sagaman into his prose; but the stanza relating Brynhild's awaking we have inserted into the text; the latter part, omitted in the prose, we have translated for the ...
— The Story of the Volsungs, (Volsunga Saga) - With Excerpts from the Poetic Edda • Anonymous

... enter into the unpleasing work of reflecting, whatever cause there was for it, upon the unthankfulness and return of all manner of wickedness among us, which I was so much an eye-witness of myself. I shall conclude the account of this calamitous year therefore with a coarse but sincere stanza of my own, which I placed at the end of my ordinary memorandums the same year they ...
— A Journal of the Plague Year • Daniel Defoe

... love of song and minstrelsy was still alive, had entered the room at the sound of Edward's voice, in sufficient time to accompany the second stanza on the violin. He now, with the air of one who was entitled to judge in these matters, expressed his ...
— Fanshawe • Nathaniel Hawthorne

... furnished Pope with an illustration of the power of music, for his "Ode for St. Cecilia's Day" The following stanza relates the ...
— Bulfinch's Mythology • Thomas Bulfinch

... first of the stanza, and howled straight through it, for all that the lieutenant spoke ...
— Frank Merriwell's Chums • Burt L. Standish

... and recited a poem called "The Maniac," each stanza ending with the line: "I am not mad, ...
— The Young Musician - or, Fighting His Way • Horatio Alger

... by the great ones as not of their clique; These reclined round a mole hill, and each dipp'd his paw In a cocoa-nut bowl fill'd with rice, "en pillau." And the harvest mouse took most exceeding great pains To squeak them a stanza in honour of grains. ...
— The Quadrupeds' Pic-Nic • F. B. C.

... barracked, has a most beautiful name — Bellinglise. Isn't it pretty? I shall have to write a sonnet to enclose it, as a ring is made express for a jewel. It is a wonderful old seventeenth-century manor, surrounded by a lordly estate. What is that exquisite stanza in 'Maud' about 'in the evening through the lilacs (or laurels) of the old manorial home'?* Look it up and send it to me." Ten days later he ...
— Poems • Alan Seeger

... unthankfulness and return of all manner of wickedness among us, which I was so much an eyewitness of myself. I shall conclude the account of this calamitous year, therefore, with a coarse but a sincere stanza of my own, which I placed at the end of my ordinary memorandums the same year they ...
— History of the Plague in London • Daniel Defoe

... In the stanza following upon this, Traherne makes a statement which is of particular importance in the context of our present discussion. After some additional description of the absence of ...
— Man or Matter • Ernst Lehrs

... you read the four remaining lines of the stanza you will see that in each one of these the second syllable bears the accent, until you come to the last line, where in the word fluttering, which, by the way, you pronounce flutt'ring, the accent is on the first syllable. If the poet did not now and then change ...
— Journeys Through Bookland, Vol. 7 • Charles H. Sylvester

... sequence, nor the absolute or relative intensity of the components of the group; it is the quality of the groups as individuals, and the form of the sequence as a whole. The phrase and verse are as vividly conceived as the unit group; the stanza or the passage is apprehended as immediately and simply as the bar or the measure. Of the number and relation of the individual beats constituting a rhythmical sequence there is no awareness whatever on the part ...
— Harvard Psychological Studies, Volume 1 • Various

... me that he had been writing poetry. He handed me a type-written copy of a ballad, and asked me what I thought of it. I told him that I felt the want of an explanatory stanza near the beginning. "Yes," he said; "But I can't take your advice, because then it would not be quite my own." He told me the wild picturesque story (of a murder in Connaught) which had inspired the ballad. His relish of the savagery ...
— John M. Synge: A Few Personal Recollections, with Biographical Notes • John Masefield

... after the use of prayers and charms. Sir Joseph Banks noted that Maori chiefs wore little bundles of perfumes around their necks, and Cook made the same observation concerning the young women. References to the four chief Maori perfumes are contained in a stanza which is still often hummed to express satisfaction, and sung by ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis

... of their somewhat bombastic legend "We hold a vaster Empire than has been". This was taken from the jubilee ode written by Sir Lewis Morris on the occasion of Queen Victoria's Diamond Jubilee, the last stanza of which reads ...
— The Stamps of Canada • Bertram Poole

... interest in that study made every camp just the place he wished to be. He always claimed that there was more of pure ethics and even of moral evil and good to be learned in the wilderness than from any book or in any abode of man. He was fond of quoting Wordsworth's stanza: ...
— Alaska Days with John Muir • Samual Hall Young

... all her ears, and was at the end, like Faust, no wiser than before. What did it all mean? She groped, dazzled, among the Meredithian mists and splendours. But Helena read with a growing excitement, as though the flashing mysterious verse were part of her very being. When the last stanza was done, she flung herself fiercely down on a stool at ...
— Helena • Mrs. Humphry Ward

... own behalf as much as in that of his readers. An entire philosophy, ten volumes of theology, an abstract science, a special library, an important branch of erudition, of human experience and invention, is thus reduced in his hands to a phrase or to a stanza. From the enormous mass of riven or compact scorioe he extracts whatever is essential, a grain of gold or of copper as a specimen of the rest, presenting this to us in its most convenient and most manageable form, in a simile, in a metaphor, in an epigram that becomes a proverb. In ...
— The Origins of Contemporary France, Volume 1 (of 6) - The Ancient Regime • Hippolyte A. Taine

... Screening her face she sobbed more steadily than she had yet done, her shoulders rising and falling with great regularity. It was this figure that her husband saw when, having reached the polished Sphinx, having entangled himself with a man selling picture postcards, he turned; the stanza instantly stopped. He came up to her, laid his hand on her shoulder, and said, "Dearest." His voice was supplicating. But she shut her face away from him, as much as to say, ...
— The Voyage Out • Virginia Woolf

... feature of London street-life as sellers of apples and other small wares at street corners, were often hardened smokers; and so were, and doubtless still are, many of the gipsy women who tramp the country. An old Seven Dials ballad has the following choice stanza...
— The Social History of Smoking • G. L. Apperson

... any extension of the infinite ("a contradiction," and also, it would seem, a fruitless inquiry); but he soon changed his mind. The preface to Democritus Platonissans reproduces those stanzas of the earlier poem which deny infinity (34 to the end of the canto) with a new (formerly concluding) stanza 39 and three further stanzas "for a more easie and naturall leading to the present Canto," i.e., Democritus Platonissans, which More clearly intended to be an addition, a fifth canto to Psychathanasia (Book III); and although Democritus Platonissans first ...
— Democritus Platonissans • Henry More

... pronounce them silly." Yes, indeed; the idiom was undoubtedly his happiest hit. Yet Dr. Moore, in 1789, writes to Burns, "If I were to offer an opinion, it would be that in your future productions you should abandon the Scotch stanza and dialect, and adopt the measure and language of ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman

... attitudes of attention, hypnotized by the solemnity of my demeanor. If they got any inkling of what the hail of big words was about, it must have been through occult suggestion. I fixed their eighty eyes with my single stare, and gave it to them, stanza after stanza, with such emphasis as the lameness of ...
— The Promised Land • Mary Antin

... and life. Rather than lose these I would have missed all the sermons I have ever heard." Many another can say substantially the same, can trace his best deeds very largely to the influence of some little stanza or couplet early stored away in his memory and coming ever freshly to mind in after years as the embodiment ...
— Poems with Power to Strengthen the Soul • Various

... my rascally steward showed me my accounts, and I resign myself to the inevitable with a good grace. Besides, in leaving this palace, created with so much love, I am like the poet who has written the last stanza to his poem, the artist who has given the last touch to his canvas; there still remains the imperishable glory of having achieved a masterpiece. This palace is a monument of art and magnificence; it shall always be the temple of luxury, ...
— A Cardinal Sin • Eugene Sue

... A VIOLINIST.'—Letters to make the ordinary writer envious, and to awaken in lovers thanks to the poetical pen that has given forth utterances so suited to their good health or malady. Here a verse to cheer the almost hopeless; a stanza to teach the refraining a lesson in charge and capture; lines to fall in love with the memory, to charm the darkness, and be another light to rule the day. London was yawning behind her giant hand. The moment ...
— The Song of the Flag - A National Ode • Eric Mackay

... Suddenly, from somewhere in the room, came the sound of singing—"Mine eyes have seen the glory of the coming of the Lord!" The old battle-hymn seemed to strike the very mood of the meeting; the whole throng took it up, and they sang it, stanza by stanza. It was rolling forth like a mighty organ-chant as they came ...
— The Metropolis • Upton Sinclair

... I find what Sir Egerton calls a "parody." It is, in reality, another poem, bearing the title of "The Soul's Errand," consisting of twenty stanzas, all of four lines each, excepting the first stanza, which has six. "The Lie" consists of but thirteen stanzas, of six lines each, the fifth and sixth of which may be termed the refrain or burden of the piece. I annex copies of the two poems; Sir Walter's (so called) is taken from Percy's "Reliques," and Sylvester's ...
— The Atlantic Monthly, Volume 20, No. 121, November, 1867 • Various

... pocket till she found tuppence. The sailor took the money, rolled his eyes, gave her a magnificent bow, and continued on his way with a fresh stanza: ...
— Jonah • Louis Stone

... just a touch of foreign feeling. The artful employment of imperfect rhymes in "Raymond and Ida" illustrates what I mean. Occasionally, too, Mr. Ghose produces exactly the right phrase by means of a felicitous simplicity. Notice the line which I have italicised in the following stanza: ...
— Primavera - Poems by Four Authors • Stephen Phillips, Laurence Binyon, Manmohan Ghose and Arthur Shearly Cripps

... stanza of each ode. It may or may not have a connection with the stanzas following, but its function is to give ...
— Hymns of the Greek Church - Translated with Introduction and Notes • John Brownlie

... rhyme"[440] or from the oversmoothness of Augustan verse, the more popular translators set the stamp of their approval on the couplet in its classical perfection. Grainger, who translated Tibullus, discusses the possibility of using the "alternate" stanza, but ends by saying that he has generally "preferred the heroic measure, which is not better suited to the lofty sound of the epic muse than to the complaining tone of the elegy."[441] Hoole chooses the couplet for his version of Ariosto, because it occupies ...
— Early Theories of Translation • Flora Ross Amos

... feeling, "it had been my good fortune to have had such a Mentor. No author," he observed, "had deserved more from the public, or has been so liberally rewarded. Poor Milton got only 15l. for his 'Paradise Lost,' while a modern poet has as much for a stanza." I know not if he made any allusion to himself in this remark, but it has been said that Murray paid him that sum for every verse of ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 385, Saturday, August 15, 1829. • Various

... a stanza he looked around with an injured air, as if reproaching the others for not ...
— Opening a Chestnut Burr • Edward Payson Roe

... Hero can be Poet, Prophet, King, Priest or what you will, according to the kind of world he finds himself born into. I confess, I have no notion of a truly great man that could not be all sorts of men. The Poet who could merely sit on a chair, and compose stanzas, would never make a stanza worth much. He could not sing the Heroic warrior, unless he himself were at least a Heroic warrior too. I fancy there is in him the Politician, the Thinker, Legislator, Philosopher;—in one or the other degree, he could have been, he is all these. ...
— Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in History • Thomas Carlyle

... wherewith to answer for the present hour, I am very easy with regard to anything further. Even the last worst shift of the unfortunate and wretched does not greatly terrify me." Just one year later this sentiment was sent current in the well-known stanza concluding— ...
— The Letters of Robert Burns • Robert Burns

... Thisbe with their innocent meeting out-of-doors in an arbor, amid violets and damask roses. He has Venus, enraged at seeing these youngsters engaging in child-like rather than erotic play, command Cupid to shoot his arrows at them "As nought but death, their love-dart may remove" (Stanza 8). There is no counterpart to this ...
— Seven Minor Epics of the English Renaissance (1596-1624) • Dunstan Gale

... so pleased with the friendly turn which the latter part of Harry's song took that he joyfully stretched out his hand, and even joined in chorus to the concluding stanza. ...
— Stories by English Authors: Ireland • Various

... discovered that the leader of the worship had a book of prayers and hymns before him. He would read them, line by line, each Sabbath for the others to memorize. To make this task of memorization easier many of the Jewish hymns were written in acrostic form—that is, each line or stanza began with a different letter in the order ...
— Hebrew Life and Times • Harold B. Hunting

... where every one sang a little song or stanza, of which the burden was "Bannissons la Melancolie," when it came to his turn to sing, after the performance of a young lady that sat next him, he produced ...
— Lives of the English Poets: Prior, Congreve, Blackmore, Pope • Samuel Johnson

... fuhren, Die Gottgesandte nahte mir: Doch ach! sie frevelnd zu beruhren Hob ich den Lasterblick zu ihr! O! du, hoch uber diesen Erdengrunden, Die mir den Engel meines Heil's gesandt: Erbarm' dich mein, der ach! so tief in Sunden Schmachvoll des Himmels Mittlerin verkannt!" In this stanza and in this song lies the whole significance of the catastrophe of Tannhauser, and indeed of the whole essence of Tannhauser; all that to me makes him a touching phenomenon is expressed here alone. His grief, his sad pilgrimage of grace—all this springs forth from the meaning of ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)

... authors of this, and called on the authorities of Panama to interfere by sending a vessel to take them from the desolate spot, while some of them might still be found surviving the horrors of their confinement. The epistle concluded with a stanza, in which the two leaders were stigmatized as partners in a slaughter-house; one being employed to drive in the cattle for the other to butcher. The verses, which had a currency in their day among the colonists to which they were certainly not entitled by their poetical ...
— History Of The Conquest Of Peru • William Hickling Prescott

... praising a contemporary translation by Cook, who (we believe) was the immediate predecessor of Porson in the Greek chair. As a specimen of this translation, [Footnote: It was printed at the end of Aristotle's Poetics, which Dr. Cook edited.] we cite one stanza; and we cannot be supposed to select unfairly, because it is the stanza which Mathias praises in extravagant terms. "Here," says he, "Gray, Cook, and Nature, do seem to contend for the mastery." The English quatrain must be ...
— Narrative And Miscellaneous Papers • Thomas De Quincey

... measures distinguish this branch of the Ode from the Hymn which was composed in heroic measure[52], and from the Pindaric Ode (as it is commonly called) to which the dithyrambique or more diversified stanza was particularly appropriated. Of the shorter Ode therefore it may be ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie

... as, even when allowance is made for haste of composition (it was written in a single summer), a naturally delicate ear would never have passed; he apologises in the preface for one alexandrine (the long last line which should exceed the rest by a foot) left in the middle of a stanza, whereas in fact there are some eight places where obviously redundant syllables have crept in. A more serious defect is the persistence, still unassimilated, of the element of the romantic-horrible. When Laon, chained to the ...
— Shelley • Sydney Waterlow

... with Hibernian composition. The rhymes are, it must be granted, in the generality of such productions, very latitudinarian indeed, and as a veteran votary of the muse once assured me, depend wholly upon the wowls (vowels), as may be seen in the following stanza of the famous ...
— The Purcell Papers - Volume II. (of III.) • Joseph Sheridan Le Fanu

... But as we have no Bill present, we will take his part ourselves, and, like other acting substitutes, go through the part, reading. "Now we hope," addressing our Moses, "you have not lengthened out your Latin to four lines for the four short English in each stanza. If you have, ...
— Blackwood's Edinburgh Magazine, No. CCCXXXII. - June, 1843.,Vol. LIII. • Various

... titterings from the younger people in the audience marked the opening stanza, while a certain restlessness, and a changing to more attentive positions seemed the general tendency. The old Professor, in the meantime, had sunk into one of the empty chairs. The speaker went on with ...
— Complete Works of James Whitcomb Riley • James Whitcomb Riley

... voice that had last interrupted, again broke into the Secretary's touching words. This time the interrupter roared out a stanza or two of ...
— The Mark of the Beast • Sidney Watson

... of Verse.—A single line of poetry is called a verse. A stanza is composed of several verses. When a verse consists of one foot, it is called a monometer; of two feet, a dimeter; of three feet, a trimeter; of four feet, a tetrameter; of five feet, a pentameter; and of ...
— Composition-Rhetoric • Stratton D. Brooks

... take a strong hand held out as it walked over rough country, so he accepted this quite readily and happily, as from that Power who was never far from him, and in whose service, beyond most people, he lived and moved. Low but clear and deep his voice went on, following one stanza ...
— Short Stories for English Courses • Various (Rosa M. R. Mikels ed.)

... from this, partly by a real modesty which was not only never marred, but which I used to think increased with the years. There is a story of William Morris, that he could read aloud his own poetry, and at the end of a fine stanza would say: "That's jolly!" with an entire freedom from conceit, just as dispassionately as he could praise the work of another. I used to feel that when Hugh mentioned, as I have heard him do, some course of sermons that he was giving, and described ...
— Hugh - Memoirs of a Brother • Arthur Christopher Benson

... the garden and the yew tree in the churchyard. We are vividly conscious of the summer's breeze which tumbles the pears in the orchard, and the winter's storm when the leafless ribs of the wood clang and gride. As the perfect stanza lingers in our memory, our eyes are opened and we are taught to observe the marvels of nature for ourselves. Here, more than anywhere else, is he the true successor of Wordsworth, the Wordsworth of the daisy, the daffodil, and the lesser celandine, though ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore

... mark!—and was tolerably well convinced that, except Tom Moore (if he did except even him), there was not a man in the British dominions his equal at a lyric. He sang, too, with a kill-me-quite air, as if no lady could resist his strains; and to "give effect," as he called it, he began every stanza as loud as he could, and finished it in a gentle murmur—tailed it off very taper, indeed; in short, it seemed as if a shout had been suddenly smitten with consumption, and died in a whisper. And this, his style, he never varied, whatever the nature ...
— Handy Andy, Volume One - A Tale of Irish Life, in Two Volumes • Samuel Lover

... even when it outraged common sensibilities, must enjoy it as much as he. Who but Eugene, after being the welcome guest, at a European capital, of one of our most ambitious and refined ambassadors, would have written a lyric, sounding the praises of a German "onion pie," ending each stanza with ...
— The Holy Cross and Other Tales • Eugene Field

... Epic Hexameter The Distich The Eight-line Stanza The Obelisk The Triumphal Arch The Beautiful ...
— The Works of Frederich Schiller in English • Frederich Schiller

... them!" added Mr. Punch, taking a banjo from one of the crowd and placing it in Father TIME's hands. "Give them a stanza ...
— Punch Among the Planets • Various

... is the colour.] This stanza seems to have been imitated in "Greenes Funeralls," 4to. London, 1594. See the "First Sketches of ...
— The Affectionate Shepherd • Richard Barnfield

... been a respectable composer who has utilized ideas as platitudinous as the ones employed in the first movement of the First Symphony, or the brassy, pompous theme that opens the Eighth, or the tune to which in the latter work the mystic stanza beginning ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld

... had watched him some little time, burst into song. "Suits me!" he reiterated, more or less ambiguously, by the way, for he had just concluded another ornate stanza ...
— Sundown Slim • Henry Hubert Knibbs

... small, dim chamber next to it came Barbara's softened moan. The mother sang low a child hymn. The father sat down at a window, and strove to meditate. But his arm ached. The mother sang on, and presently he found himself waiting for the fourth stanza. It did not come; the child was still; but ...
— John March, Southerner • George W. Cable

... regretted leaving the chapel at college which had so comforted and helped him, there was now daily service at Redclyffe Church. The last thing in his mind, before reflection was lost in sleep, was this stanza...
— The Heir of Redclyffe • Charlotte M. Yonge

... once a little poem which I fancy mightily; it is entitled "Winfreda," and you will find it in your Percy, if you have one. The last stanza, as I recall ...
— The Love Affairs of a Bibliomaniac • Eugene Field

... excessive brightness. I paused several times in my walk, as broader expanses opened between the great elms that gave to our town a sylvan beauty, and repeated, with a rapt feeling of awe and admiration, the opening stanza of ...
— The Allen House - or Twenty Years Ago and Now • T. S. Arthur

... developed the organism the higher the intelligence. But in the interpretation of this thought we are hampered by the characteristic vagueness of expression, which may best be evidenced by putting before the reader two English translations of the same stanza. Here is Ritter's rendering, as made into English ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams

... God, my God, in my sickness,"—this description of mine will at once suggest the origin of the picture. I had read some verses of it to him in his convalescence; and, having heard them once, he requested them often again. The first stanza runs thus:— ...
— The Vicar's Daughter • George MacDonald

... second stanza. Note the hint I drop about the baby's parentage: So delicately too! A maid might sing, And never blush at it. Girls love these songs Of sugared wickedness. They'll go miles about, To say a foul thing in a cleanly way. A decent immorality, my lord, Is art's specific. Get the passions up, But never ...
— Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini • George Henry Boker

... developed and was very generally used by people of all classes. This facility is still possessed by rural populations, among whom songs are still composed as they are sting, each member of the company contributing a new verse or a variation, suggested by local conditions, of a well-known stanza. When to the possession of a mass of traditions and stories and of facility of improvisation is added the habit of singing and dancing, it is not difficult to reconstruct in our own thought the conditions under which popular poetry came into ...
— The Book of Old English Ballads • George Wharton Edwards

... steals the infant heir of his father's enemy, who, reared up amongst the Gypsies, becomes a chief, and, in process of time, hunting over the same ground, slays Count Pepe in the very spot where the blood of the Gypsy had been poured out. This tradition is alluded to in the following stanza:- ...
— The Zincali - An Account of the Gypsies of Spain • George Borrow

... understood, so that Thorolf lived like a beggar in his youth, eating crushed bones (of dried fish; the dried fish are beaten with a hammer so as to crush the bones and separate them from the meat), and gnawing the bark of trees. (H. Hermannsson.) The lines are from a stanza made by one Gudmund Asbjarnason on ...
— Poet Lore, Volume XXIV, Number IV, 1912 • Various

... you'll recognize, as you are an old Pumpernickelaner." And so I did, in truth: it was a little book after the fashion of German albums, in which good simple little ledger every friend or acquaintance of the owner inscribes a poem or stanza from some favorite poet or philosopher with the transcriber's own name, ...
— The Fitz-Boodle Papers • William Makepeace Thackeray

... by the time Absalom's turn to read was reached, "Thanatopsis" had been finished, and so the first stanza of "The Bells" fell to him. It had transpired in the reading of "Thanatopsis" that a grave and solemn tone best suited that poem, and the value of this intelligence was made manifest when, in a voice of ...
— Tillie: A Mennonite Maid - A Story of the Pennsylvania Dutch • Helen Reimensnyder Martin

... trimeter of Sophocles or the blank verse of Shakspere, but roughly corresponds to the Greek choruses or the occasional rhymed songs of the Elizabethan stage. In other words, the verse portion of a Sanskrit drama is not narrative; it is sometimes descriptive, but more commonly lyrical: each stanza sums up the emotional impression which the preceding action or dialogue has made upon one of the actors. Such matter is in English cast into the form of the rhymed stanza; and so, although rhymed verse is very rarely employed in classical Sanskrit, it seems the most ...
— The Little Clay Cart - Mrcchakatika • (Attributed To) King Shudraka

... this be true of a stanza, a line, a word here or there, inserted as an afterthought, is there use or sense in printing a number of trifling or, apparently, accidental variants? Might not a choice have been made, and the jots and tittles ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge

... and crawl between, Complaining all the while In horrid, hooting stanza; Then chase itself ...
— Poems: Three Series, Complete • Emily Dickinson

... to self-indulgence than the food specialist has to answer for, so we will be on our way. For instance, there is the spendthrift; surely he is entitled to a short stanza. We all know him. He goes on the theory that he has all the spending money in the world, and that long after he is dead those on whom he spent it will remember his generosity. Vain hope!—Whatever ...
— Laugh and Live • Douglas Fairbanks

... undulating hillocks, the "chequered cross-sticks," the clustered headstones, and the black and portentous yew-trees, as upon "old familiar faces." He mused, for a few moments, upon the scene, apparently with deep interest. He then walked beneath the shadows of one of the yews, chanting an odd stanza or so of one of his wild staves, wrapped the while, it would seem, in affectionate contemplation of the subject-matter ...
— Rookwood • William Harrison Ainsworth

... upon it; Now the Holy Young Man [Young Woman, in second stanza], With the great plumed arrow, Verily his own sacred implement, His treasure, by virtue of which he is ...
— The Mountain Chant, A Navajo Ceremony • Washington Matthews

... with their hands in their waistcoats, as usual, and had just come to the "o-o-o," at the end of the chorus of the forty-seventh stanza, when Orlando started: "That's a scream!" says he. "Indeed it is," says I; "and, but for the fashion of the thing, a very ugly scream too:" when I heard another shrill "Oh!" as I thought; and Orlando bolted off, crying, "By heavens, ...
— Burlesques • William Makepeace Thackeray

... Actaeon-like, and now he fled astray With feeble steps o'er the world's wilderness; And his own Thoughts, along that rugged way, Pursued like raging hounds their father and their prey." Adonais, stanza 31. ...
— TITLE • AUTHOR

... honours, that admirer of Portuguese literature, Viscount Strangford, of Great Britain—who, I believe, once went out Ambassador Extraordinary to the Brazils—it was a pity that he was not present on this occasion, to yield his tribute of "A Stanza to Braganza!" For our royal visitor was an undoubted Braganza, allied to nearly all the great families of Europe. His grandfather, John VI., had been King of Portugal; his own sister, Maria, was now its queen. He was, indeed, a distinguished ...
— White Jacket - or, the World on a Man-of-War • Herman Melville

... Psycho-composite Rhymes as set forth in "The Study——" of our volume. The Negroes repeating this rhyme did not always give the names Jack, Dinah, and Billy, as we here record them, but at their pleasure put in the individual name of the Negro in their surroundings whom the stanza being repeated might represent. Thus this little rhyme was the scientific dividing, on the part of the Negroes themselves, of the members of their race into three general classes with respect ...
— Negro Folk Rhymes - Wise and Otherwise: With a Study • Thomas W. Talley

... the "Proverbs of Alfred"[96] (supposed to date from this very time), the "Proverbs of Hendyng"[97] a little later, are not likely to have been the only collections of the kind. The Alfred Proverbs are in a rude popular metre like the old alliteration much broken down; those of Hendyng in a six-line stanza (soon to become the famous ballad stanza) syllabled, though sometimes catalectically, 8 8 6 8 8 6, and rhymed a a b c c b, the proverb and the coda "quod Hendyng" being added to each. The Owl and the Nightingale is, however, as we might ...
— The Flourishing of Romance and the Rise of Allegory - (Periods of European Literature, vol. II) • George Saintsbury

... Such was a stanza from one of the songs that Big Black Burl was singing while he plowed. The words were simple and crude enough, yet would the melody now and then be varied with an improvised cadence of wild and peculiar sweetness, such as one might readily fancy had often been heard in the far-off, golden days ...
— Burl • Morrison Heady

... which the altar stands. Nearest to the side-wall, beneath Shakspeare's bust, is a slab bearing a Latin inscription addressed to his wife, and covering her remains; then his own slab, with the old anathematizing stanza upon it; then that of Thomas Nash, who married his grand-daughter; then that of Dr. Hall, the husband of his daughter Susannah; and, lastly, Susannah's own. Shakspeare's is the commonest-looking slab of all, being just ...
— Atlantic Monthly, Vol. 11, No. 63, January, 1863 - A Magazine Of Literature, Art, And Politics • Various

... the tenth stanza is designed to show that God will take signal vengeance on the Turks, immediately after whose overthrow the Jews are to be restored to their own land, and live under the government ...
— Traditions of Lancashire, Volume 1 (of 2) • John Roby

... common division the song is composed of four stanzas of four lines each, except the third stanza which contains six lines. The general movement of thought seems to be from the goodness of God to Mary as an individual, to his consequent kindness to Israel as ...
— The Gospel of Luke, An Exposition • Charles R. Erdman

... you must suffer me to explain (for mere personal reasons, and not for the good of the poem) that no mortal priest (of St. Peter's or otherwise) is referred to in a particular stanza, but the Saviour Himself. Who is 'the High Priest of our profession,' and the only 'priest' recognised in the New Testament. In the same way the altar candles are altogether spiritual, or they ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon

... Each stanza ended with the war-shout Aoi! and was responded to by the cry of the Normans, Diex aide, God to aid. And this battle-song was the bold manifesto of Norman poetry invading England. It found an echo wherever William triumphed on English ...
— English Literature, Considered as an Interpreter of English History - Designed as a Manual of Instruction • Henry Coppee

... The dear child's desire to attend meeting was soon gratified; and that morning she selected, to commit to memory, Jane Taylor's appropriate hymn on attending public worship, especially noticing the stanza...
— A Brief Memoir with Portions of the Diary, Letters, and Other Remains, - of Eliza Southall, Late of Birmingham, England • Eliza Southall

... unusual places. In regard to its measure, it may be noted that if all the verses were like the second, they might properly be placed merely in short lines, producing a not uncommon form; but the presence in all the others of one line-mostly the second in the verse" (stanza?)—"which flows continuously, with only an aspirate pause in the middle, like that before the short line in the Sapphic Adonic, while the fifth has at the middle pause no similarity of sound with any part besides, gives the versification an entirely different effect. We could wish the capacities ...
— The Works of Edgar Allan Poe - Volume 5 (of 5) of the Raven Edition • Edgar Allan Poe

... The last stanza is especially poor, and in none of them is there much poetical promise. But the pathetic image of a forlorn and orphaned childhood, "un nid que la foudre a brise," which it calls up, and the tone of brotherly affection, linger in one's memory. ...
— Amiel's Journal • Mrs. Humphry Ward

... let 'er go!" roared the man on the seat of the truck-wagon, finishing the stanza of his chantey. Then he added "Whoa!" in a mighty bellow. The white horse stopped in his tracks, as if he had one ear tipped backward awaiting the invitation. His driver leaned down and peered into the shadow of ...
— Fair Harbor • Joseph Crosby Lincoln

... poets used to bring their name into the last stanza of the poem, this serving as their signature. Bhanu and Rabi both mean the ...
— My Reminiscences • Rabindranath Tagore

... Old Clock on the Stairs' here," said Mr. Emerson pointing out the Appleton house. "The first stanza describes more than one of the old mansions," ...
— Ethel Morton at Rose House • Mabell S. C. Smith

... whom he intended to make happy by the marriage of his Gloriana, dying before him, deprived the poet both of means and spirit to accomplish his design. For the rest, his obsolete language and the ill choice of his stanza are faults but of the second magnitude; for, notwithstanding the first, he is still intelligible—at least, after a little practice; and for the last, he is the more to be admired that, labouring under such a difficulty, his verses are so numerous, so various ...
— Discourses on Satire and Epic Poetry • John Dryden

... prophecy respecting my ancestor's descendants darkly insinuated in the concluding stanza ...
— Paul Clifford, Complete • Edward Bulwer-Lytton

... the others keeping it up the while with increased vigor, and strike into the shout step, observing most accurate time with the music. This step is something halfway between a shuffle and a dance, as difficult for an uninitiated person to describe as to imitate. At the end of each stanza of the song the dancers stop short with a slight stamp on the last note, and then, putting the other foot forward, proceed through the next verse. They will often dance to the same song for twenty or thirty minutes, once or twice, perhaps, varying the monotony of their movement by walking ...
— The Continental Monthly, Vol. 4, No. 2, August, 1863 - Devoted to Literature and National Policy • Various

... during the campaigns of the Rebel army in that State, and from the various raids of John Morgan. A parody on "My Maryland" was published in Louisville soon after one of Morgan's visits, of which the first stanza was as follows:— ...
— Camp-Fire and Cotton-Field • Thomas W. Knox

... good as not performed at all. Stanzas 7 and ff. ('But frail in truth are those boats') declare that those who perform this lower class of works have to return again and again into the Samsra, because they aim at worldly results and are deficient in true knowledge. Stanza 8 ('but those who practise penance and faith') then proclaims that works performed by a man possessing true knowledge, and hence not aiming at worldly rewards, result in the attainment of Brahman; and stanzas 12 a, 13 ('having examined all these worlds') ...
— The Vedanta-Sutras with the Commentary by Ramanuja - Sacred Books of the East, Volume 48 • Trans. George Thibaut

... conversation met with in any well frequented coffee house of the seventeenth century, particularly under the Stuarts. They are finely descriptive of the company characteristics of the early coffee houses. The fifth stanza of the edition of 1667, inimical to the French, was omitted when the broadside was amended and reprinted in 1672, the year that England joined with France and again declared war on the Dutch. The following verses with explanatory notes are ...
— All About Coffee • William H. Ukers

... compiler of the Commentarii urbani (1506), a huge encyclopaedia published in thirty-eight books, composed the following witty stanza on the death ...
— Books Fatal to Their Authors • P. H. Ditchfield

... most of the tales, this one is written in stanzas, Chaucer's favourite seven-line stanza, rhyming a b a b ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand

... In this song, as in several others, the chorus should come in after each stanza. The arrangement followed has been adopted to illustrate versions current in ...
— Cowboy Songs - and Other Frontier Ballads • Various

... happy, but two objections apply to the second. To my ear, (perhaps too fastidious) 'inly,' and 'inmost,' are too closely allied for the same stanza; but the first line presents a more serious objection, in containing a transition verb, (or rather a participle, with the same ...
— Reminiscences of Samuel Taylor Coleridge and Robert Southey • Joseph Cottle

... was played alone, or as an accompaniment to the voice; and a band of seven or more choristers frequently sang to it a favorite air, beating time with their hands between each stanza. They also sang to other instruments, as the lyre, guitar or double pipe; or to several of them played together, as the flute and one or more harps; or to these last with a lyre or a guitar. It was not unusual for one man or one woman to perform a solo; ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy

... humbly, and was disconcerted afterward to read again in my Valery how sensibly all others had felt the preciousness of that famous page, which, filled with half a score of previous failures, contains in a little open space near the margin, the poet's final triumph in a clearly written stanza. Scarcely less touching and interesting than Ariosto's painful work on these yellow leaves, is the grand and simple tribute which another Italian poet was allowed to inscribe on one of them: "Vittorio ...
— Italian Journeys • William Dean Howells

... Hobbes, have always some connection), so from Chaucer I was led to think on Boccace, who was not only his contemporary, but also pursued the same studies; wrote novels in prose, and many works in verse; particularly is said to have invented the octave rhyme, or stanza of eight lines, which ever since has been maintained by the practice of all Italian writers, who are, or at least assume the title of Heroic Poets; he and Chaucer, among other things, had this in common, that they refined ...
— English literary criticism • Various

... wonder that we should try to attribute the times of the year to children; their likeness is so rife among annuals. For man and woman we are naturally accustomed to a longer rhythm; their metre is so obviously their own, and of but a single stanza, without repetition, without renewel, without refrain. But it is by an intelligible illusion that we look for a quick waxing and waning in the lives of young children—for a waxing that shall come again another time, and for a waning that ...
— The Children • Alice Meynell

... each of the) Hundred Poets game consists of two hundred cards, on which are inscribed the one hundred stanzas or poems so celebrated and known in every household. A stanza of Japanese poetry usually consists of two parts, a first and second, or upper and lower clause. The manner of playing the game is as follows: The reader reads half the stanza on his card, and the player, ...
— Child-Life in Japan and Japanese Child Stories • Mrs. M. Chaplin Ayrton

... would lengthen, as its absence would shorten both. In the words phosphate and streamlet, we have the same sounds, both short; in lettuce and fateful, the same, both long. This cannot be disproved. And, in the scansion of the following stanza from Byron, the word "Let" twice used, is to be reckoned a long syllable, and not (as Wells would have ...
— The Grammar of English Grammars • Goold Brown

... caution him against a mode of false criticism which has been applied to Poetry, in which the language closely resembles that of life and nature. Such verses have been triumphed over in parodies, of which Dr. Johnson's stanza is ...
— English Critical Essays - Nineteenth Century • Various

... my fault if you have had teachers of taste so rococo as to bid you find masterpieces in the tiresome stilted tragedies of Corneille and Racine. Poetry of a court, not of a people, one simple novel, one simple stanza that probes the hidden recesses of the human heart, reveals the sores of this wretched social state, denounces the evils of superstition, kingcraft, and priestcraft, is worth a library of the rubbish which pedagogues call 'the classics.' ...
— The Parisians, Complete • Edward Bulwer-Lytton

... poet are those of his "Mighty Like a Rose," set to music by Ethelbert Nevin, and "Just a-Wearying for You," with music by Carrie Jacobs Bond. "Money" is a verse in hilarious key, which many will remember for the comical vigor of the last three lines in its first stanza: ...
— American Adventures - A Second Trip 'Abroad at home' • Julian Street

... p. 104.).—Possibly your correspondent MR. SINGER may not be aware of the fact that the beauty of the fourth stanza of Malherbe's Ode on the Death of Rosette Duperrier is owing to a typographical error. The poet ...
— Notes and Queries, Number 46, Saturday, September 14, 1850 • Various

... present day. The point of each sarcasm naturally passed out of mind together with the society against which it was levelled. If some of the versification is rough and wanting in "go," I must plead in excuse the difficult form of the stanza, and in many instances the inelastic nature of the subject matter to be versified. Stanza XXXV Canto II forms a good example of the latter difficulty, and is omitted in the German and French versions to which I have had access. The translation of foreign ...
— Eugene Oneguine [Onegin] - A Romance of Russian Life in Verse • Aleksandr Sergeevich Pushkin

... his expenses being paid from a special fund set aside by the dissenting community for the education of their pastors. He had already contributed "The Virtuoso, in imitation of Spenser's style and stanza'' (1737) to the Gentleman's Magazine, and in 1738 "A British Phillipic, occasioned by the Insults of the Spaniards, and the present Preparations for War'' (also published separately). After he had spent ...
— Project Gutenberg Encyclopedia

... my history, sir, (it will not reach to three volumes,) before that of my manuscript; and as you usually throw out a few lines of verse (by way of skirmishers, I suppose) at the head of each division of prose, I have had the luck to light upon a stanza in the schoolmaster's copy of Burns which describes me exactly. I love it the better, because it was originally designed for Captain Grose, an excellent antiquary, though, like yourself, somewhat too apt to treat with levity his ...
— The Monastery • Sir Walter Scott

... developed here in the parallelism of the two stanzas. Point out this parallelism of idea. Does it fail at any point? Note the chivalrous absence of reproach by the lover. Observe the climax up to which each stanza leads, and the climax within the last line of ...
— Browning's Shorter Poems • Robert Browning

... some elevated spot. The relations and keepers (singing mourners) ranged themselves in two divisions, one at the head, and the other at the feet of the corpse. The bards and croteries had before prepared the funeral Caoinan. The chief bard of the head chorus began by singing the first stanza, in a low, doleful tone, which was softly accompanied by the harp: at the conclusion, the foot semichorus began the lamentation, or Ullaloo, from the final note of the preceding stanza, in which they were answered by the head semichorus; then both united in one general ...
— Tales and Novels, Vol. IV • Maria Edgeworth

... and in thought of which he was ignorant. Mrs. Piozzi, in her Anecdotes of Johnson, observes that the Doctor, despite his freedom from gush and his dislike to religious verse, could never repeat the stanza of Dies Irae which ends "Tantus labor non sit cassus" without bursting into tears. I know a person very different from Johnson who, though he had not read the Anecdotes till an advanced period of his life, had never failed ...
— A History of the French Novel, Vol. 2 - To the Close of the 19th Century • George Saintsbury

... a stanza of Walter Scott's that came to me this morning—an outlaw song. It seemed to sum up ...
— Love's Pilgrimage • Upton Sinclair

... poets let us turn to a lesser one, whom we shall have occasion to quote again by and by: to the Orchestra of Sir John Davies (1596), who sees this whole Universe treading the harmonious measures of a dance; and let us select one stanza, of the tides: ...
— Poetry • Arthur Thomas Quiller-Couch

... their lives near-tragedy was too frequent to carry even a warning. Dad Wrayburn hummed a stanza of "Windy Bill" for the ...
— A Man Four-Square • William MacLeod Raine

... I have removed page numbers; all italics are emphasis only. I have omitted running heads and have closed contractions, e.g. "she 's" becoming "she's"; in addition, on page 180, stanza 3, line 1, I have changed the single quotation mark at the beginning of the line to a ...
— Step by Step - or, Tidy's Way to Freedom • The American Tract Society

... us, that a curious clergyman of our acquaintance (Dr. Lort is named in the margin) had discovered a licentious stanza, which Pope had originally in his 'Universal ...
— Autobiography, Letters and Literary Remains of Mrs. Piozzi (Thrale) (2nd ed.) (2 vols.) • Mrs. Hester Lynch Piozzi



Words linked to "Stanza" :   octave, ottava rima, elegiac stanza, strophe, couplet, envoy, Spenserian stanza, heroic stanza, antistrophe, line, envoi, verse form, quatrain



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