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Romanesque   Listen
adjective
Romanesque  adj.  
1.
(Arch.) Somewhat resembling the Roman; applied sometimes to the debased style of the later Roman empire, but esp. to the more developed architecture prevailing from the 8th century to the 12th.
2.
Of or pertaining to romance or fable; fanciful.
Romanesque style (Arch.), that which grew up from the attempts of barbarous people to copy Roman architecture and apply it to their own purposes. This term is loosely applied to all the styles of Western Europe, from the fall of the Western Roman Empire to the appearance of Gothic architecture.






Collaborative International Dictionary of English 0.48








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"Romanesque" Quotes from Famous Books



... which the feature was frankly accepted. In Byzantine work there were no external buttresses, the plans being arranged to include them in cross-walls or interior abutments. The buttresses of the early Romanesque churches were only pilaster strips employed to break up the wall surface and decorate the exterior. At a slightly later period a greater depth was given to the lower portion of the buttresses, which was then capped with a deep sloping weathering. ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various

... the seventeenth or eighteenth centuries, when, after the expulsion of the Spaniards, the country began again to grow rich from trade with the recovered colony of Brazil. Still enough remains to show that these old romanesque churches differed in no very striking way from the general romanesque introduced into Northern Spain from France, except that as a rule they were smaller and ruder, and ...
— Portuguese Architecture • Walter Crum Watson

... Este. There year by year his festival was celebrated with great rejoicings, and vast crowds thronged the piazza before the Castello to see the famous races for the pallium. It is St. George who rides full tilt at the dragon in the rude sculptures on the portal of the Romanesque Cathedral hard by; it is the same warrior-saint who, in his gleaming armour, looks down from the painted fresco above the portcullis of the castle drawbridge. And all the masters who worked for the Este ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright

... brought into Florence after their exile. This palace, as well as the Church of S. Jacopo close by, where Giano della Bella's death was plotted, were given in 1529 to the Franciscans of S. Salvatore, whose convent had suffered in the siege. S. Jacopo, which still retains a fine romanesque arcade, was originally a foundation of the eleventh century. It seems to have been entirely rebuilt for the friars and the palace turned into a convent in 1580, and again to have suffered restoration in 1790. Close by is a group of old towers, still picturesque and ...
— Florence and Northern Tuscany with Genoa • Edward Hutton

... under the green shadow of the hills overlooking it, Frederiksted has the appearance of a beautiful Spanish town, with its Romanesque piazzas, churches, many arched buildings peeping through breaks in a line of mahogany, bread- fruit, mango, tamarind, and palm trees,—an irregular mass of at least fifty different tints, from a fiery emerald to a sombre ...
— Two Years in the French West Indies • Lafcadio Hearn

... call this beautiful architecture by name one might say Spanish Gothic, on account of the round-arched Gothic and also the Spanish finials used, but it is so thoroughly original that this is hardly the term to use. It is Romanesque in its vaulting of the corridor, and at first glance in its great square tower, and arches, ...
— Palaces and Courts of the Exposition • Juliet James

... tower and an oblong extension on the northern side. The two storeys of which it consists are divided externally by a band of chequered diaper. The shallow arch of the doorway is simply moulded and very slightly pointed, suggesting a transition from the Romanesque to the Early-English style, while the Perpendicular is represented in the battlements on the roof and the octagonal turret on the southern side. In a niche above the apex of the arch, and on a bracket displaying the Priory arms, upheld by two ...
— Bell's Cathedrals: The Priory Church of St. Bartholomew-the-Great, Smithfield • George Worley

... on to Michaelsburg, an extremely curious place. In the centre of a lovely valley rises a conical rock of gneiss, protruding to the height of 200 feet or more. This is crowned by the ruins of a Romanesque church. There are, I believe, only two other specimens of this kind of architecture in the country. The time of the building of Michaelsburg is stated to be between 1173 and 1223. Before the use of artillery this fortified church on the rock must have been really impregnable. Inside ...
— Round About the Carpathians • Andrew F. Crosse

... comedy," replied Judith, who had been beautifully pillowed up and otherwise made comfortable on Janet's solo-couch. The audience was scattered around on cushions, on the floor, on chairs, and even on the one narrow window sill. Queening it from her pillows Judith looked quite Romanesque, with Jane perched on a cretonne pedestal above the divan's level, waving her riding crop regally. The pedestal really was a specially favored trunk of Jane's which had escaped storage quarters and served many useful and practical purposes, the ...
— Jane Allen: Junior • Edith Bancroft

... German and acceptable as such, but Cologne Cathedral is an exotic, and all the energy and the money of Germany through a thousand years can never make it anything but cold, mechanical, and artificial. When I was in Burgundy I felt that the Burgundians had a genius for Romanesque, and that their Gothic is for the most part feeble and insipid. Now, how about the Normans? One cannot say their Romanesque is not fine, in the presence of William the Conqueror's Abbaye aux Hommes, here at Caen. But I should ...
— Impressions And Comments • Havelock Ellis

... railway. Pop. (1906) 4071. Chinon lies at the foot of the rocky eminence which is crowned by the ruins of the famous castle. Its narrow, winding streets contain many houses of the 15th and 16th centuries. The oldest of its churches, St Mexme, is in the Romanesque style, but only the facade and nave are left. The church of St Etienne dates from the 15th century, that of St Maurice from the 12th, 15th and 16th centuries. The castle, which has undergone considerable modern restoration, consists ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 2 - "Chicago, University of" to "Chiton" • Various

... is the most interesting we found on the Riviera. It is a Romanesque building, built on the site of the second-century temple, and its tall battlemented tower harks back to a tenth-century chateau fort. The interior is striking: double aisles, simple nave with tiers of arches of the tenth century, a ...
— Riviera Towns • Herbert Adams Gibbons

... and of Fame—that shadow which great souls cast, and little souls pursue as substance; of his scrupulous personal rejection of Love—Love, the one touch of true romance in his novels—and his pecuniary marriage for his career's sake, after the manner of his tribe; of his romanesque conception of the British aristocracy, which he yet dominates, because he is not really rooted in the social conceptions which give it its prestige, and so is able to manoeuvre it artistically from without, intellect detached ...
— Dreamers of the Ghetto • I. Zangwill

... borrowed symbols, which to you symbolise nothing. They are Romish churches, meant to express Romish doctrine, built for a Protestant creed which they do not express, and for a Protestant worship which they will not fit." Then we shall answer—Not so. The objection might be true if we built Norman or Romanesque churches; for we should then be returning to that very foreign and unnatural style which Rome taught our forefathers, and from which they escaped gradually into the comparative freedom, the comparative naturalness of ...
— Health and Education • Charles Kingsley

... together, and I would not surrender, in an architectural point of view, one mighty line of the colossal, quiet, life-in-death statue mountains in Egypt with their narrow fixed eyes and hands on their rocky limbs, nor one Romanesque facade with its porphyry mosaic of indefinable monsters, nor one Gothic moulding of rigid saints and grinning goblins, for ten Parthenons; and, I believe, I could show some rational ground for this seeming barbarity if this were the place to do so, but at ...
— Modern Painters Volume II (of V) • John Ruskin

... right as you go out is the remarkable church of Santa Maria del Popolo. It is built in the usual Romanesque style; but its external appearance is very unpretending, and owing to its situation in a corner overshadowed by the wall it is apt to be overlooked. It is an old fabric, eight hundred years having passed away since Pope ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan

... on, "I can give it to you fast enough." She turned over one of her sheets and began to draw on the back of it. "Pooh! architecture's easy enough! It'll be about five stories high." She sketched the five stories with five or six lines. "In red brick—Romanesque style like this." She gave a broad sweep with the pencil, grouping several rapidly evolved windows under a wide, round arch. "And the cornice will be brick and terra-cotta; no galvanized iron—that I will not have. And a good-sized terracotta panel here over the doorway, ...
— With the Procession • Henry B. Fuller

... versus of the Middle Ages with the stiff sculptures on a Romanesque font, lifelessly reminiscent of decadent classical art; while the moduli, in their freshness, elasticity, and vigour of invention, resemble the floral scrolls, foliated cusps, and grotesque basreliefs ...
— Wine, Women, and Song - Mediaeval Latin Students' songs; Now first translated into English verse • Various

... processes; that its images are material; and that, on the other hand, a certain spiritualizing and subtilizing effect of alien derivations is a privilege and an advantage incalculable—that to possess that half of the language within which Latin heredities lurk and Romanesque allusions are at play is to possess the state and security of a dead tongue, without ...
— Essays • Alice Meynell

... naked melody, at once ethereal and of the tomb, the solemn cry of sadness and lofty shout of joy, those grandiose hymns of human faith, which seem to well up in the cathedrals, like irresistible geysers, at the very foot of the Romanesque columns. What music, however ample, sorrowful or tender, is worth the "De Profundis" chanted in unison, the solemnity of the "Magnificat," the splendid warmth of the "Lauda Sion," the enthusiasm of the "Salve Regina," the sorrow of ...
— En Route • J.-K. (Joris-Karl) Huysmans

... an edifice of the Romanesque period, and contains some masterpieces by Mino da Fiesole. On a fine day, however, the church is too dismal, and the scene outside too glowing and golden, to permit any compromise between nature and Mino. The view from the Franciscan ...
— The Atlantic Monthly, Volume 1, Issue 2, December, 1857 • Various

... would be of small interest, for the nave and chancel are comparatively late, and have been rather drastically restored. The interior, nevertheless, is quite remarkable in possessing a massive Romanesque arch opening into the tower, with roughly carved capitals to its tall responds. Outside there are all the unmistakable features of Saxon work—the ponderously thick walls, becoming thinner in the upper ...
— Beautiful Britain—Cambridge • Gordon Home

... library. This is the gas plant, Daddy dear. The Gothic building on your left is the gymnasium, and the Tudor Romanesque beside it is ...
— Daddy-Long-Legs • Jean Webster

... pride (with its little pip on the top) of the encircling mountain range, the Puy de Dome; and it also has a wilderness of smelly, narrow little streets with fine old seventeenth-century mansions hidden in mouldering court-yards behind dilapidated portes cocheres; it has a beautiful romanesque Church in a hollow, and, on an eminence, an uninteresting restored cathedral whose twin spires dominate the town for miles around. By way of a main entrance, it has a great open square, the Place de Jaude, the clanging ganglion of its tramway system, about which ...
— The Mountebank • William J. Locke

... imitation of the numerous similar structures belonging to their original mother-church in Ireland. We may feel very certain, also, that they were not erected later than the commencement of the twelfth century, for by that date the Norman or Romanesque style,—which presents no such structures as the Irish Round Towers, was apparently in general use in ecclesiastic architecture in Scotland, under the pious patronage of Queen Margaret Atheling and her three crowned sons. Abernethy—now a small village—was ...
— Archaeological Essays, Vol. 1 • James Y. Simpson

... Orkneys, long enough to allow us to look at the old cathedral of St. Magnus, built early in the twelfth century—a venerable pile, in perfect preservation, and the finest specimen of the architecture once called Saxon, then Norman, and lately Romanesque, that I have ever seen. The round arch is everywhere used, except in two or three windows of later addition. The nave is narrow, and the central groined arches are lofty; so that an idea of vast extent is given, ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant

... on seeing the sign of the Temple, fired with the thought of visiting that institution too) and got admission to the old garden of the Benchers, which lies beside the foggy, crowded river, and looked at the tombs of the crusaders in the low Romanesque church, with the cross-legged figures sleeping so close to the eternal uproar, and lingered in the flagged, homely courts of brick, with their much-lettered door-posts, their dull old windows and atmosphere of consultation—lingered to ...
— A London Life; The Patagonia; The Liar; Mrs. Temperly • Henry James

... during a long course of years, have ended their days in London. The little antique church, too—one of the oldest, if not the oldest, in London—is well worth a visit, as an interesting specimen of Romanesque architecture, well restored ...
— Rambles in the Islands of Corsica and Sardinia - with Notices of their History, Antiquities, and Present Condition. • Thomas Forester

... of Western Mediaeval Architecture into the two schools of Romanesque and Gothic presents a parallel case. It is now realised that no logical separation can be made between the two so-called styles. Similarly we may continue to speak of the Classic Roman style and of the Byzantine style, ...
— Byzantine Churches in Constantinople - Their History and Architecture • Alexander Van Millingen

... which it always seemed she must know by magic; for, were it Basque or Breton, were it a sea-lay of Vendee or a mountain-song of the Orientales, were it a mere, ringing rhyme for the mules of Alsace, or a wild, bold romanesque from the country of Berri—Cigarette knew each and all, and never erred by any chance, but ever sung to every soldier the rhythm familiar from his infancy, the melody of his mother's cradle-song and of his first love's lips. And there had been times when those songs, suddenly breaking through the ...
— Under Two Flags • Ouida [Louise de la Ramee]

... valley in order to pass through the village of St. Sauve on the right-hand hill. There was little there worth seeing besides a very ancient Romanesque archway, or, as some think, detached ...
— Two Summers in Guyenne • Edward Harrison Barker

... with masonry, and his successors built out still farther, until some two hundred feet of stonework ends now in a perpendicular wall of eighty feet or more. In this space are several ranges of chambers, but the structure might perhaps have proved strong enough to support the light Romanesque front which was usual in the eleventh century, had not fashions in architecture changed in the great epoch of building, a hundred and fifty years later, when Abbot Robert de Torigny thought proper to reconstruct the west front, and build out two towers on its flanks. The towers were ...
— Mont-Saint-Michel and Chartres • Henry Adams

... of contents includes the following headings: Discussion of General Conditions and Principles; Roman and Romanesque Vaults; Origin of the Pointed Arch; Development of Principles; Vaults; Materials; Thirteenth Century ...
— The Brochure Series of Architectural Illustration, Volume 01, No. 06, June 1895 - Renaissance Panels from Perugia • Various

... columns and walls divided by tall windows, though it became the dominant style in the relatively stable lands of northern Europe, never gained a firm foothold in those regions about the Mediterranean which are frequently visited by severe convulsions of the earth. There the Grecian or the Romanesque styles, which are of a much more massive type, retain their places and are the fashions to the present day. Even this manner of building, though affording a certain security against slight tremblings, is not safe in the greater shocks. Again and again large areas in southern ...
— Outlines of the Earth's History - A Popular Study in Physiography • Nathaniel Southgate Shaler

... instinct of special fitness, German builders were often led into solecisms, incongruities, and excesses, from which in the practice of their native style they have been largely free." Of this style, which may be called the German-Romanesque, the best examples are to be found among the churches of the Rhineland. In the thirteenth century this style, admirably as it expressed the genius of the Teuton, succumbed to invading French influence. "I have often wondered," ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys

... character, grand and imposing when applied to public buildings or extensive structures, but altogether inapplicable, from their want of lightness and convenience, to country or even city dwellings. Other styles—not exactly orders—of architecture, such as the Italian, the Romanesque, the Gothic, the Swiss, with their modifications—all of which admit of a variety of departures from fixed rules, not allowed in the more rigid orders—may be adapted in a variety of ways, to the most agreeable and harmonious arrangement in architectural effect, for dwellings ...
— Rural Architecture - Being a Complete Description of Farm Houses, Cottages, and Out Buildings • Lewis Falley Allen

... inspecting the Conciergerie. Alas! for the Conciergerie has invaded the home of kings. One's heart bleeds to see the way in which cells, cupboards, corridors, warders' rooms, and halls devoid of light or air, have been hewn out of that beautiful structure in which Byzantine, Gothic, and Romanesque—the three phases of ancient art—were harmonized in one building by the architecture of the ...
— Scenes from a Courtesan's Life • Honore de Balzac

... session was held belonged to one of the interior court-yards of the palace, and was quite large and Romanesque. The floor was tessellated with marble blocks; the walls, unbroken by a window, were frescoed in panels of saffron yellow; a divan occupied the centre of the apartment, covered with cushions of bright-yellow ...
— Ben-Hur: A Tale of the Christ • Lew Wallace

... miracles repetes qui, joints a une maladie mortelle, arracehrent enfin de la bouche du moribond une declaration publique a la suite de laquelle la ceinture sacree fut deposee dans la cathedrale, tout ce melange de passion romanesque et de piete naive, avait efface pour moi les imperfections techniques qui au raient pu frapper une ...
— Legends of the Madonna • Mrs. Jameson

... north of the Round Tower stands "The Cathedral" illustrating almost every phase of ecclesiastical architecture which flourished in Ireland from St. Patrick to the Reformation—Cyclopean, Celtic-Romanesque, Transitional and Pointed. The chancel arch is possibly the most remarkable and beautiful illustration of the Transitional that we have. An extraordinary feature of the church is the wonderful series of Celtic arcades ...
— The Life of St. Declan of Ardmore • Anonymous

... rapprocher de lui. Grce mon imagination romanesque, je m'tais attach plus que personne cet homme dont la vie tait une nigme, et j'en avais fait le hros d'un drame mystrieux. Il m'aimait; du moins, avec moi seul, quittant son ton tranchant et son langage caustique, il ...
— Quatre contes de Prosper Mrime • F. C. L. Van Steenderen

... that you see on every side of them, so well carved that they could not be better done — the faces as well as all the rest; and each one in its place stands as if embowered in leaves; and above it is in the Romanesque style, so well made that it could not be better. Besides this, it has a sort of lesser porch upon pillars, all of stone, and the pillars with their pedestals[384] so well executed that they appear as if made in Italy; all the ...
— A Forgotten Empire: Vijayanagar; A Contribution to the History of India • Robert Sewell

... manifest itself amid such a pageantry of personality reminded Adams of the beggars in the old nursery rhyme who had come to town sporting velvet gowns. Everything about Perry Bridewell was built on so opulent a scale that in thinking of him one found oneself using almost unconsciously a Romanesque and ...
— The Wheel of Life • Ellen Anderson Gholson Glasgow

... advice of Hans, Herr Nielsen took his young grand-daughter to see the old convent church of Ringsted. Here many Danish Kings were buried in the twelfth, thirteenth and fourteenth centuries. The interesting Romanesque Church of Kallundborg was also visited. This Church, with its four octagonal towers and a square tower in the middle, forms a Greek cross. This is the most unique specimen of mediaeval architecture in ...
— Denmark • M. Pearson Thomson

... soon able to distinguish the epochs, and, disdainful of sacristans, they would say: "Ha! a Romanesque apsis!" "That's of the twelfth century!" "Here we are falling back again into ...
— Bouvard and Pecuchet - A Tragi-comic Novel of Bourgeois Life • Gustave Flaubert

... I discovered the wonderful junction-town of Nevers, which, despite the guide-books, is more interesting than either of the others. It possesses a Gothic cathedral with an apse at either end, that looks as if two churches had collided and telescoped each other. There is also a Romanesque church at Nevers which is just as simple and as manly as either of the famous abbeys in Caen; and a chateau with rounded towers, which once belonged to Mazarin. But the most amusing feature of this town is that, though Bourges packs itself to bed at ten o'clock, ...
— The Unpopular Review, Volume II Number 3 • Various

... It had nothing to do with the Goths, but was a local European outgrowth of the Romanesque. It spread all over Europe, and reached its climax of development about 1550. It was on the Gothic construction that the Northern European and English Renaissance styles were grafted to form such styles ...
— Mission Furniture - How to Make It, Part I • H. H. Windsor

... Church is Romanesque, of a colour between yellow and brown, gilded by the sun. It stands high, at one extremity of the hill, like a sentinel watching the valley. The solid old fabric has rows of crenels under the roof, which shows its ...
— Caesar or Nothing • Pio Baroja Baroja

... if he built any more. However this may be, nothing was heard of Father McCabe for fifteen years. He retired entirely into private life, but at his Bishop's death he was heard of in the newspapers as the propounder of a scheme for the revival of Irish Romanesque. He had been to America, and had collected a large sum of money, and had got permission from his Bishop to set an example of what Ireland could do "in the line" ...
— The Untilled Field • George Moore

... at work in the north from the twelfth century onward have been in favour of the Gothic or pointed styles, whilst, in the south, civic and ecclesiastical architecture alike were of a manifest Byzantine or Romanesque tendency. No better illustration of this is possible than to recall the fact that, when the builders of the fifteenth century undertook to complete that astoundingly impressive choir at Beauvais, they sought to rival ...
— The Cathedrals of Northern France • Francis Miltoun

... the analogy is prettily expressed, and ably supported; yet it is one of those against which we must warn the reader: it is altogether superficial, and extends not to the minds of those whose works it accidentally, and we think disputably, characterizes. The transition from Romanesque (we prefer using the generic term) to Gothic is natural and straightforward, in many points traceable to mechanical and local necessities (of which one, the dangerous weight of snow on flat roofs, ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin

... Mary, long afterward, to hear Mme. G——i in the part Margarita made famous in London, and when the tears rolled down the child's face as poor Aida (that barbaric romanesque) dies in melody, portly though starving, and unconvincingly pale, I wished she might have seen her mother. There was a death! Nothing in Aida's life could possibly have become her like Margarita's leaving of it, I ...
— Margarita's Soul - The Romantic Recollections of a Man of Fifty • Ingraham Lovell

... of the Loir come to an abrupt end here, and have been sawn through by a small stream creating a natural fosse, isolating the hill of Troo that is attached to the plateau only on the North. The hill rises steeply from the river to a crest occupied by a Romanesque church recently scoured to the whiteness of flour, and beside it is a ...
— Castles and Cave Dwellings of Europe • Sabine Baring-Gould

... First Church of Christ, Scientist, as it is officially called, is termed by its Founder, "Our prayer in stone." It is located at the intersection of Norway and Falmouth Streets, on a triangular plot of ground, the design a Romanesque tower with a circular front and an octagonal form, accented by stone porticos and turreted corners. On the front is a marble tablet, with the following inscription carved in ...
— Pulpit and Press • Mary Baker Eddy

... up, hot and breathless, through olive and pine, from the Viale at Florence to the antique Cyclopean walls of Etruscan Faesulae, you wonder to yourself, like our American friend, as you pant on the terrace of the Romanesque cathedral, what on earth they could ever have wanted to build a town up there ...
— Science in Arcady • Grant Allen

... romanesque building of Michigan red sandstone, is by a southern architect, but is in the style of Richardson, and is one of the few buildings in that style which I have ever liked. It was given to Memphis as a memorial to Frederick H. Cossitt, by his three daughters, Mrs. A.D. Juilliard, Mrs. Thomas ...
— American Adventures - A Second Trip 'Abroad at home' • Julian Street

... drove desperately away through the ragged and screaming throng. We passed by the former home of the Jeronomite monks of the Parral, which was once called an earthly paradise, and in later years has been a pen for swine; past crumbling convents and ruined churches; past the charming Romanesque San Millan, girdled with its round-arched cloisters; the granite palace of his Reverence the Bishop of Segovia, and the elegant tower of St. Esteban, where the Roman is dying and the Gothic is dawning; and every step of the route is a study and ...
— Castilian Days • John Hay

... a long straight street of straggling houses, bounded by trees and garden-plats, with vine-clad hills rising abruptly behind on the one side, and the Marne canal flowing placidly by on the other. The archaic church, a mixture of the Romanesque and Early Gothic, stands at the farther end of the village, and some little distance on this side of it is a massive-looking eighteenth-century building, spacious enough to accommodate a regiment of horse, but conventual rather than barrack-like in aspect, from ...
— Facts About Champagne and Other Sparkling Wines • Henry Vizetelly

... as royal treasuries, and the regalia was kept in the former until the Commonwealth. After the Restoration the new regalia was deposited in the Tower, and ever since it has been brought to the Abbey the night before the coronation. The Romanesque round arches and plain short pillars with fluted mouldings date from the eleventh century, while on the floor are ancient tiles of various periods, some of which have been identified as Roman. Two large and solid chests on which are ...
— Westminster Abbey • Mrs. A. Murray Smith

... example, represented a truly natural group of species that had been created as variations upon one idea or plan, much as an architect might make a variety of houses, no one exactly like any other, yet all conforming to a particular type or genus of architecture—for example, the Gothic or the Romanesque. That each of the groups defined by the classifiers had such status as this was the stock doctrine of zoology, as also that the individual species making up the groups, and hence the groups themselves, maintained their individual identity absolutely ...
— A History of Science, Volume 5(of 5) - Aspects Of Recent Science • Henry Smith Williams

... Pontoise, which is bound to Mery by an ugly iron bridge across the Oise, is a fine church of the best of twelfth and thirteenth century Gothic, with a series of Romanesque windows in the apse. Here, too, the country immediately environing Auvers and Mery is of the order made familiar by Daubigny and his school. French farmyards, stubble-thatched cottages, and all the ...
— The Automobilist Abroad • M. F. (Milburg Francisco) Mansfield

... the Greeks, as neither the Carthaginians nor Romans left much to show for their occupation of the island. With the exception of occasional ruined examples surviving from the time of the Dorian Greeks who colonized Sicily, most of the monuments now existing belong to the Byzantine, Saracenic, and Romanesque periods. As would be natural to expect, the latter influences are not clearly separable one from another either in time or in locality. They overlap in all directions; but in general the Byzantine, which was the earliest and most powerful element, is found more strongly marked, and ...
— The Brochure Series of Architectural Illustration, Volume 01, No. 03, March 1895 - The Cloister at Monreale, Near Palermo, Sicily • Various

... admitted by a lay-brother dressed in the beautiful white habit, caught about the waist by a leathern girdle from which a rosary hangs. Upon his feet are rough shoes and his head is shorn but he greets you with a smile of welcome and leads you into a large quadrangle, where before you is the great Romanesque church with a chapel upon one side and the refectory upon the other, and all about are cloisters. Here over the entrance to the church is a statue of St Hugh. Within, the church is divided by a screen into two parts, the choir for the Fathers, the nave ...
— England of My Heart—Spring • Edward Hutton

... and our abhorrence of the founder of the New Forest and the desolator of Yorkshire, we must confess the superiority of the Normans to the Anglo-Saxons and Anglo-Danes, whom they met here in 1066, as well as to the degenerate Frank noblesse, and the crushed and servile Romanesque provincials, from whom, in 912, they had wrested the district in the north of Gaul, which still bears the name ...
— The Ethnology of the British Islands • Robert Gordon Latham

... he lounged in his wicker chair and watched the blue smoke of his cigarette curl upwards, looked more like an Italian—perhaps a Spaniard. The shape of his head was perfectly Western, perfectly and typically Romanesque. The carriage of his body must have been inherited from his mother, of whom it was said that no more graceful woman ever walked. Yet between these two men, so different in all externals, there was the strongest sympathy, although they ...
— The Illustrious Prince • E. Phillips Oppenheim

... subterranean passage. But resolute as she is on this point of the poetry of the past, on all other questions she is the most docile of pupils. Her interest, her listening power, her curiosity, is inexhaustible. If she has a passion, indeed, it is for Early English. But she has a proper awe for Romanesque, and a singular interest in Third Pointed. She is ruthless in insisting on her victim's spelling out every word of a brass in Latin that she cannot understand, and which he cannot translate. She collects little fragments of Roman brick, and wraps them up in tissue-paper for preservation at home ...
— Modern Women and What is Said of Them - A Reprint of A Series of Articles in the Saturday Review (1868) • Anonymous

... a remarkably fine Romanesque edifice with four elegant towers, and two domes. The towers are adorned with odd figures of animals and gurgoyles. Most of this church dates from the 12th century. In the pediment is "the figure ...
— The Youthful Wanderer - An Account of a Tour through England, France, Belgium, Holland, Germany • George H. Heffner

... he escaped. But the pilgrim had not yet met Giant Despair; and his progress was very pleasant in that spring of 1845, the year of fine weather, as he drove round the Riviera, and the cities of Tuscany opened out their treasures to him. There was Lucca, with San Frediano and the glories of Romanesque architecture; Fra Bartolommeo's picture of the Madonna with the Magdalen and St. Catherine of Siena, his initiation into the significance of early religious painting: and, taking hold of his imagination, ...
— The Life of John Ruskin • W. G. Collingwood

... the work of the mallet and partly of the chisel. They had been buried with Bernward, and were found in his sarcophagus in 1194. Didron has likened them, in their use of animal form, to the art of the Mexicans; but to me they seem more like delightful German Romanesque workmanship, leaning more towards that of certain spirited Lombard grotesques, or even that of Arles and certain parts of France, than to the Aztec to which Didron has reference. The little climbing figures, while they certainly ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison

... painting calls attention to the fact that the columns and arches of the picturesque ruin belong to a much later period in history than the birth of Christ. Durer was not acquainted with any earlier style of architecture than the Romanesque and therefore he used it here. "The ruin serves as a stable. A roof of board is built out in front of the side-room which shelters the ox and ass, and under this lean-to lies the new born babe surrounded ...
— Pictures Every Child Should Know • Dolores Bacon

... St. Gabriel's, in Clifton Road, is an offshoot of this church, but, curiously enough, it does not come within the parochial boundaries. It was built in 1883. Following the road on the north side of the square, we pass the West London Tabernacle, a brick building in the late Romanesque style. Close ...
— The Kensington District - The Fascination of London • Geraldine Edith Mitton

... some very attractive public buildings and office buildings and an unusual number of beautiful churches. The Allegheny County Court-House, in the Romanesque style, erected in 1884-88 at a cost of $2,500,000, is one of Henry H. Richardson's masterpieces. The Nixon Theater is a notable piece of architecture. The Post-Office and the Customs Office are housed in a large Government building ...
— A Short History of Pittsburgh • Samuel Harden Church

... the village we passed the tiny church, a wonder of the twelfth century, built in the rarest and most ancient Romanesque style;—and then as the shadows of evening deepened we saw, in the semi-darkness before us, something that had the form of tall dark legions: it was the forest of Limoise, composed almost wholly of evergreen oaks, whose foliage is very dark and sombre. ...
— The Story of a Child • Pierre Loti



Words linked to "Romanesque" :   architectural style, Norman architecture



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