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Pigment   Listen
noun
Pigment  n.  
1.
Any material from which a dye, a paint, or the like, may be prepared; particularly, the refined and purified coloring matter ready for mixing with an appropriate vehicle.
2.
(Physiol.) Any one of the colored substances found in animal and vegetable tissues and fluids, as bilirubin, urobilin, chlorophyll, etc.
3.
Wine flavored with species and honey.
Pigment cell (Physiol.), a small cell containing coloring matter, as the pigmented epithelial cells of the choroid and iris, or the pigmented connective tissue cells in the skin of fishes, reptiles, etc.






Collaborative International Dictionary of English 0.48








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"Pigment" Quotes from Famous Books



... them belong to the place. Neither were the ores of any metal seen, if we except a coarse, red, earthy, or ochry substance, used by the natives in painting themselves, which probably may contain a little iron, with a white and a black pigment used for the same purpose. But we did not procure specimens of them, and therefore cannot positively determine what are their ...
— A General History and Collection of Voyages and Travels, Volume 16 • Robert Kerr

... the result of the conversion of one form of motion into another—a conservation, as it were, of energy. Thus, waves of light coming from a luminous body are arrested by the pigment-cells of the retina in our eyes and are transmuted into another form of motion, which is called nerve energy (in this instance, sight). It would seem that as far as sight (vision is not included) is concerned, eyes ...
— The Dawn of Reason - or, Mental Traits in the Lower Animals • James Weir

... of elf-land are not richer on the ear)—with crimson lake and Prussian blue a certain purple is to be compounded which, for cloaks especially, Titian could not equal. The latter colour with gamboge, a hated name although an exquisite pigment, supplied a green of such a savoury greenness that to-day my heart regrets it. Nor can I recall without a tender weakness the very aspect of the water where I dipped my brush. Yes, there was pleasure in the painting. ...
— The Works of Robert Louis Stevenson, Volume 9 • Robert Louis Stevenson

... portrait approaches—if it does not realize—caricature. There was another side, we may be sure, to the lives and characters of these men whom Hawthorne has portrayed as if human nature existed to be the pigment of an artist's brush and should laugh or weep, look silly or solemn, at the whim of his temperament and will. All the time he got on with them very amiably, and if he found some of them in his own silent thoughts rather foolish and superfluous, ...
— Nathaniel Hawthorne • George E. Woodberry

... one were posed three rudely carven figures bearing a slight resemblance to giant eagles, their wings outspread as if for flight. The other was surmounted by a hideous, grotesque figure, blackened as by fire, with distorted face daubed a glaring yellow, and long hair glittering from red pigment. Here the grass curtain had been drawn aside, while before the entrance, their faces striped with disfiguring black lines, their dull vestments trailing to the ground and gaudily trimmed with fanciful trappings, their coarse hair so trained as to stand almost ...
— Prisoners of Chance - The Story of What Befell Geoffrey Benteen, Borderman, - through His Love for a Lady of France • Randall Parrish

... a patent claimed a woven textile fabric having the yarns interlaced in a defined relation, and a process of spinning a yarn utilized in the fabric; or if a patent claimed a varnish composed of shellac, dissolved in wood alcohol, and a pigment, and also contained a claim for distilling wood to obtain the alcohol, the product claim would control the classification in each instance, and the ...
— The Classification of Patents • United States Patent Office

... didn't have wings, but audiences agreed generally that she didn't need them. She was a blonde by natural pigment, and she wore no paint on the streets at high noon. Outside of that she was no better ...
— Flappers and Philosophers • F. Scott Fitzgerald

... departed craftsman. And now he was gone from her sight, from her touch, from her hearing for ever, without even a thought to flash between them for all the dreary years that she should live, and these things of canvas and pigment and wrought metal would stay with her. They were her soul. And what shall it profit a man if he save his soul and slay his ...
— The Unbearable Bassington • Saki

... eyes. They were large and wide and clear, and of a most peculiar colour—a purple-violet, of the shade one sometimes finds in flowers, but only in the flowers of a deep and shady wood. In this wonderful colour—which seemed to borrow the richness of its hue rather from its depth than from any pigment of its own, just as beyond soundings the ocean changes from green to blue—an hundred moods seem to rise slowly from within, to swim visible, even though the mere expression of her face gave no sign of them. For instance, at the present moment her features were composed ...
— The Claim Jumpers • Stewart Edward White

... was in his late and corpulent forties and was something of a dandy. If one were captious, one might object to the thickness of his lips. They suggested sensuality. And there was a shade—a bare shade—more of pigment in his skin than the American passes altogether unquestioned. And his hair was wavy.... But he ...
— Astounding Stories of Super-Science, May, 1930 • Various

... incantation, or struck out by an accident. And of late, among our leading masters, the loss has not been merely of the system of the ancients, but of all system whatsoever: the greater number paint as if the virtue of oil pigment were its opacity, or as if its power depended on its polish; of the rest, no two agree in use or choice of materials; not many are consistent even in their own practice; and the most zealous and earnest, therefore the most discontented, reaching impatiently and desperately after better ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin

... out at once by a wind that sprang up; the encircling and towering reds and pinks of a gigantic amphitheatre of rock in the Dolomites; a patch of flowers right against the snow in the high Rockies, so intensely blue that it seemed the whole vault of heaven could be tinctured with the pigment that one petal would distil. And, more inspiring than them all, there came the recollection of that wonderful sunrise and those blazing mountains of the Alatna-Kobuk portage. Every land has its glories, and the sky is everywhere a blank canvas for the display of splendid colour, ...
— Ten Thousand Miles with a Dog Sled - A Narrative of Winter Travel in Interior Alaska • Hudson Stuck

... lacking a factor that allows the colour to develop except in the points. That factor we may denote {62} by X, and as far as it is concerned the Himalayan is constitutionally xx. The Himalayan contains the intensifying factor, for such pigment as it possesses in the points is full coloured. At the same time it is black, i.e. lacking in the factor G. With regard to these three factors, therefore, the constitution of the Himalayan is ggIIxx. The last character which we have to consider in this cross is the Dutch character. This was ...
— Mendelism - Third Edition • Reginald Crundall Punnett

... manufactured into the carbonate or "white" lead that is used as a pigment, or paint. Red lead, an oxide, is a pigment; litharge, also an oxide, is used for glazing the cheaper kinds of pottery. About two hundred and thirty thousand tons of lead are produced in the United States and one-half as much is imported—mainly from Mexico and Canada. The ...
— Commercial Geography - A Book for High Schools, Commercial Courses, and Business Colleges • Jacques W. Redway

... moved the molecules of pigment in the printing ink and reassembled them in the opposite cards. You didn't expect to feel molecular movement, ...
— Card Trick • Walter Bupp AKA Randall Garrett

... This pigment, mixed with lime-juice, will form a beautiful red ink. Will you lend me your handkerchief and permit me to try if I have forgotten the method by which these little insects are obtained?" He asked her ...
— Foul Play • Charles Reade

... on earth, with a model like this, Holding not on his palette the tint of a kiss, Nor a pigment to hint of the hue of her hair, Nor the gold of her smile—O what artist could dare To expect a ...
— Riley Love-Lyrics • James Whitcomb Riley

... use of the solution as a thickener or colour vehicle, more especially as a substitute for albumen in pigment styles, was patented by E. B. Manby, but the process has not been industrially ...
— Researches on Cellulose - 1895-1900 • C. F. Cross

... lose your patience you easily find it again. Sweetness, if not light, seems to be the prevailing human quality, and a good share of it belongs to such of the natives as are in no wise light. Our poor brethren of a different pigment are in the large majority, and they have been seventy years out of slavery, with the full enjoyment of all their civil rights, without lifting themselves from their old inferiority. They do the hard work, in their own easy way, and possibly do not find life the burden they make it for the ...
— Henry James, Jr. • William Dean Howells

... certain primitive practices in which God was conceived as a glorified medicine-man, and the healing of the body strangely confused with spiritual regeneration. Bishop Gregory of Tours once addressed the following apostrophe to the worshipful St. Martin: "O unspeakable theriac! ineffable pigment! admirable antidote! celestial purgative! superior to all the skill of physicians, more fragrant than aromatic drugs, stronger than {223} all ointments combined! thou cleanest the bowels as well as scammony, and the lungs as well as hyssop; ...
— The Moral Economy • Ralph Barton Perry

... water: the solution is black. Caustic alkalies form with it a solution even in the cold, from which the mineral acids precipitate it unchanged. It contains much azote: it dissolves in, and decomposes, sulphuric acid: it easily kindles at the flame of a candle: it has been found to succeed, as a pigment, in some respects better than China ink." (Edin. Phil. Journ., vol. ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, - Issue 566, September 15, 1832 • Various

... winning upon you. Walk again up the Gallery of Honour and turning quickly at the end, see how much light there is in the "Night Watch". Advance upon it slowly.... This is certainly the finest technical triumph of pigment that you have seen. What a ...
— A Wanderer in Holland • E. V. Lucas

... of paint would botch on canvas. But both musicians and artists have a vision that is greater than their product. The soul of a man can hardly be recorded in black and white keys. Nor can a little pigment which you rub upon your thumb be the measure of an artist. So I suppose that is the way also with poets. It is not to be expected that they can express themselves fully in words that they have borrowed from the kitchen. When their genius flames up, it is only the lesser sparks that fall ...
— There's Pippins And Cheese To Come • Charles S. Brooks

... end sharply pointed, and the other flattened like an oar-blade. Hanging obliquely from his girdle by a loop of sinnate was a richly decorated pipe; the slender reed forming its stem was coloured with a red pigment, and round it, as well as the idol-bowl, fluttered little streamers ...
— Typee - A Romance of the South Sea • Herman Melville

... this variety of man, as the color of other varieties, is due to climate. Conditions of heat, cold, and moisture, working for thousands of years through the skin and other organs, have given men their differences of color. This color pigment is a protection against sunlight and consequently varies with the intensity of the sunlight. Thus in Africa we find the blackest men in the fierce sunlight of the desert, red pygmies in the forest, and yellow Bushmen on the ...
— The Negro • W.E.B. Du Bois

... russet hue of some of our rich stones—quite appropriate, too, as applied to wood, or bricks—the fashion must be followed without either rhyme or reason, and hundreds of our otherwise pretty and imposing country houses have been daubed over with the dirtiest, gloomiest pigment imaginable, making every habitation which it touched look more like a funeral appendage than a cheerful, life-enjoying home. We candidly say that we have no sort of affection for such sooty daubs. The fashion which dictates them is a barbarous, false, and arbitrary fashion; void of all natural taste ...
— Rural Architecture - Being a Complete Description of Farm Houses, Cottages, and Out Buildings • Lewis Falley Allen

... in the immediate foreground shared in the neglect which attached to certain seasons. They were ignored as organized members of what should be a living foreground, and their places were concealed by unintelligible pigment. As to life there, he wanted none: light,—light that gleams, and color to reflect it, were his aim. As an inevitable attending result of these principles, or practices, the structure of the whole landscape was ambiguous. The essential line and point were evaded, and one perceived that the ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various

... painting, and he used to say that a poet who improvises cannot hope to form pure verses." He would often produce a half-light with a rub of his finger, "or with a touch of the thumb he would dab a spot of dark pigment into some corner to strengthen it; or throw in a reddish stroke—a tear of blood so to speak—to break the parts ... in fact when finishing he painted more with his fingers than with his brush." He used to say, "White, red, and black, these are all the colours ...
— Pictures Every Child Should Know • Dolores Bacon

... specially prepossessing, though the chief and his son had good-humoured countenances. The women wore petticoats of matting; and the men kilts or cloths round their waists and brought between their legs. They were naturally brown rather than black; but many of them had covered their bodies with a pigment mixed with either earth or charcoal, which made them much darker than they really were. The older men had short bushy beards, and large heads of almost woolly hair. Besides spears and bows, they carried large heavy ...
— Twice Lost • W.H.G. Kingston

... way without mishap or adventure, and though the few we had met had eyed the great calot wonderingly, none had pierced the red pigment with which I had smoothly smeared every square inch ...
— Warlord of Mars • Edgar Rice Burroughs

... which led across to the S.E. side of the island, followed by a great crowd of the natives, who pressed much upon them. But they had not proceeded far, before a middle-aged man, punctured from head to foot, and his face painted with a sort of white pigment, appeared with a spear in his hand, and walked along-side of them, making signs to his countrymen to keep at a distance, and not to molest our people. When he had pretty well effected this, he hoisted a ...
— A Voyage Towards the South Pole and Round the World, Volume 1 • James Cook

... for breath and blue in the face. On examining the blood with the spectroscope and by other means, I ascertained that the blueness was not due to the presence of any abnormal pigment. There was nothing to account for the blueness (cyanosis) and struggle for air but the one fact that they were suffering from acute bronchitis, such as is caused by inhalation of an irritant gas. Their statements were that when in the trenches they had been overwhelmed ...
— New York Times Current History; The European War, Vol 2, No. 3, June, 1915 - April-September, 1915 • Various

... princes of the earth one who would be full of the promise of wisdom and of high courage. One fitted to be the consort of the matchless Azalia and in whom I could see my fondest desires bear fruit. Now that none might know me, I permitted my beard to grow to my girdle, and stained it with a white pigment. Then I had only to reverse my name, Onalba, to become Ablano; and in the Holy Brahman none knew the Rajah of Parrabang. Hearing tidings of the fame of Prince Bright-Wits, I journeyed hence to Mogadore. There I tarried studying the ...
— Bright-Wits, Prince of Mogadore • Burren Laughlin and L. L. Flood

... violent contrasts of the asphaltum and similar browns with less obtrusive pigments. The very transparency is, in our eyes, an objection. Asphaltum, for instance, besides that it is a changeable and never thoroughly drying pigment, is too transparent for depth. It was a mistake of Gainsborough when he said that with asphaltum he would make a Tartarus; the depth would be but a little way from the surface; depth is not always intensity ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various

... increasing the pressure at which the gases are led over the carbide, the free carbon appears in the graphitic condition; at lower temperatures and pressures, it is separated in the amorphous state. These reactions are utilised in Frank's process for preparing a carbon pigment or an ...
— Acetylene, The Principles Of Its Generation And Use • F. H. Leeds and W. J. Atkinson Butterfield

... side of the cuticle is colored by little particles of pigment or coloring matter. The color of this pigment differs in different races. In the negro, the color of the pigment is black. In some races the pigment is brown. In white persons there is very little pigment, ...
— First Book in Physiology and Hygiene • J.H. Kellogg

... people are well proportioned in body, without any deformity, and are also agile. The women are well-shaped, full and plump, and of a swarthy complexion, on account of the large amount of a certain pigment with which they rub themselves, and which gives them an olive color. They are clothed in skins, one part of their body being covered and the other left uncovered. In winter they provide for their whole body, for they are dressed in good furs, as those of the elk, otter, beaver, seal, stag, and hind, ...
— Voyages of Samuel de Champlain, Vol. 1 • Samuel de Champlain

... are very distinct, the mouth being under the snout, or head, the intestines long, peritoneum covered with a black pigment. These forms commence at Dadur, 800 feet above the sea: this stream abounds ...
— Journals of Travels in Assam, Burma, Bhootan, Afghanistan and The - Neighbouring Countries • William Griffith

... by a misdirection of the natural pigments of the body, resulting from age, climate, or disease. Andral says, that the black appearances are the result of secretion, and that it is more manifest as the individual advances in life. Heasinger's opinion is, that it is analogous to pigment, and therefore he agrees with Trousseau. Laennec was doubtful as to the real origin of black pulmonary matter. He makes a distinction between melanotic and pulmonary matter. He found that the melanotic matter was composed almost entirely of albumen, while the black pulmonary matter found ...
— An Investigation into the Nature of Black Phthisis • Archibald Makellar

... God, then stopped, and drew signs on the sand. They followed him exactly. Then they bathed, bowing to the East between each dip, and worshipping; then returned and repeated it all. But before repeating it, they carefully painted the marks on their foreheads, using white and red pigment, and consulting a small English hand mirror—the one incongruous bit of West in this East, but symbolical of the times. The child followed it all, as a child will, in its pretty way. She was a dainty little thing in a crimson ...
— Things as They Are - Mission Work in Southern India • Amy Wilson-Carmichael

... principal reason was that they enforced beyond all resistance, on any student who might attempt to copy them, this method of laying portions of distinct hue side by side. Some of the touches, indeed, when the tint has been mixed with much water, have been laid in little drops or ponds, so that the pigment might crystallize hard at the edge. And one of the chief delights which any one who really enjoys painting finds in that art as distinct from sculpture is in this exquisite inlaying or joiner's work of it, the fitting of edge to edge ...
— Lectures on Landscape - Delivered at Oxford in Lent Term, 1871 • John Ruskin

... example of the practice, and no mention occurs in the ancient annals. Face painting, however, would seem to have been indulged in by both sexes. Several of the pottery images (haniwa) taken from the tombs indicate that red pigment was freely and invariably used for that purpose. It was applied in broad streaks or large patches, the former encircling the face or forming bands across it; the latter, covering the eyes or triangulating ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi

... is kept in a burial-ground and derives its potency from the dead. The worshipper or the sorcerer (for he combines the two characters) who desires to cause a famine repairs to the burial-ground, uncovers the stone, rubs it with certain plants, and smears one half of it with black pigment. Then he makes a small hole in the ground and inserts the blackened end of the stone in the hole. Next he prays to the ancestors that nothing may go well with the country. If this malevolent rite should be followed by the desired effect, the sorcerer soon ...
— The Belief in Immortality and the Worship of the Dead, Volume I (of 3) • Sir James George Frazer

... the Arawaks', but then their nudity is more complete; inasmuch as, instead of clothing, they paint themselves; arnotto being their red, lana their blue pigment. They pierce the septum of the nose, and wear wood in the holes, like the Eskimo, Loucheux, and others. They paint the face in streaks, and the body variously—sometimes blue on one side, and red on the other. They rub their bodies with carapa oil, to keep off insects; and one of the ingredients ...
— The Ethnology of the British Colonies and Dependencies • Robert Gordon Latham

... illustration I may take the case of human eye color. The iris is made up of a trestle-work of fibers, in which are suspended particles that give the blue color. In addition, in many eyes much brown pigment is formed which may be small in amount and gathered around the pupil or so extensive as to suffuse the entire iris and make it all brown. It is seen, then, that the brown iris is formed by something additional to the blue. And brown iris may be spoken of as a positive character, ...
— Introduction to the Science of Sociology • Robert E. Park

... conclusion that, setting aside every other quality, they are the most permanent pictures that have ever been produced. Chromotypes and other carbon pictures have been called permanent, but their permanence depends upon the nature of the pigment employed, and associated with the chromated gelatine in which they are produced, most of pigments used, and all of the prettiest ones, being unable to withstand the bleaching action of the light for more than a few weeks. ...
— Scientific American Supplement, No. 415, December 15, 1883 • Various

... transmutations of butterflies as the result of changes of temperature, and also Dormeister's[246] earlier paper. Steinach[247] attributes the color of the lower vertebrates to the direct influence of the light on the pigment cells, as does Biedermann.[248] ...
— Lamarck, the Founder of Evolution - His Life and Work • Alpheus Spring Packard

... dividing wall will serve for the purpose, for instance, a film of oil. But ordinary oil will rub off, so it is better to cover the surface with an oil-like linseed which oxidizes to a hard elastic and adhesive coating. If with linseed oil we mix iron oxide or some other pigment we have a paint that will protect iron perfectly so long as it is unbroken. But let the paint wear off or crack so that air can get at the iron, then rust will form and spread underneath the paint on all sides. The same is true of the porcelain-like enamel with which our kitchen iron ware ...
— Creative Chemistry - Descriptive of Recent Achievements in the Chemical Industries • Edwin E. Slosson

... was brimming with a pale but magical colour, welling up to the tips of trees and the battlements of white towers. Earth seemed a mysterious cup overfull of this pigment of wonder. Clouds wandering low, straying far from their azure fields, were dipped in it. The towers of Lowlight turned slowly rose in that light, and glowed together with the infinite gloaming, so that for this brief hour the things of man were wed with the things of eternity. ...
— Don Rodriguez - Chronicles of Shadow Valley • Edward John Moreton Drax Plunkett, Baron, Dunsany

... a human head was raised slightly above the level of the water. It was crowned by a shock of coarse, black, knotted hair, tied back from the brows by a fillet of white feathers. An intensely black face, crossed by two bars of red and white pigment, reaching from ear to ear, and covering eyelids, nose, and lips, was upturned to the watchers from the deck. The colors were vivid enough, notwithstanding the sheets of rain which blew in gusts against the ship's side, dimming the dull light of a storm-proof lamp, ...
— The Captain of the Kansas • Louis Tracy

... of the month as well as Hanson and I. If a broad hint were necessary, he had the broadest in the world. For a large board had been nailed by the crown prince on the very front of our house, between the door and window, painted in cinnabar—the pigment of the country—with doggrel rhymes and contumelious pictures, and announcing, in terms unnecessarily figurative, that the trick was already played, the claim already jumped, and Master Sam the legitimate successor of Mr. Ronalds. But no, nothing could save that man; quem deus vult perdere, ...
— The Silverado Squatters • Robert Louis Stevenson

... giant's face and naked chest where it had been laid bare in the struggle and Philip was about to rise when a purplish patch, of tattooing caught his eyes. He made out first the crude picture of a shark with huge gaping jaws struggling under the weight of a ship's anchor, and then, directly under this pigment colored tatu, the almost invisible letters of a name. He made them out one by one—B-l-a-k-e. Before the surname was ...
— The Golden Snare • James Oliver Curwood

... vices of an effete and worn-out civilisation. Great as are the benefits you extend to them, they will repay you tenfold in the advantages to yourselves. Away with your unworthy prejudices about a 'black pigment' and long heels! Take them to your hearts and your hearths. You will find them brave—ay, braver than your own race. Their teeth are whiter and their nails longer; there is not a relation in life in which you will dare to call ...
— Cornelius O'Dowd Upon Men And Women And Other Things In General - Originally Published In Blackwood's Magazine - 1864 • Charles Lever

... often asked, with regard to Turner's late pictures—we do not acknowledge a naturalness—the license has been abused—not "sumpta pudenter." It is not because the vividness of "a blade of grass or a scarlet flower" shall be beyond the power of pigment, that a general glare and obtrusion of such colours throughout a picture can be justified. We are astonished that any man with eyes should see the unnaturalness in colour of Salvator and Titian, and not see it in Turner's recent pictures, where it is ...
— Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV. • Various

... The Great Wind Strikes Second Chapter: The Pack-Train in Luzon Third Chapter: Red Pigment of Service Fourth Chapter: That Adelaide Passion Fifth Chapter: A Flock of Flying Swans Sixth Chapter: That Island Somewhere Seventh Chapter: Andante con Moto—Fifth Eighth Chapter: ...
— Fate Knocks at the Door - A Novel • Will Levington Comfort

... vermilion. Now, don't go away fancying there's any exaggeration in that study. The prismatic colors, I told you, were simply impossible to paint; these, which are transmitted colors, can indeed be suggested, but no more. The brightest pigment we have would look ...
— The Storm-Cloud of the Nineteenth Century - Two Lectures delivered at the London Institution February - 4th and 11th, 1884 • John Ruskin

... into His world, revealing the Father in the new community of love, which is being born. Sir Edward Burne-Jones once wrote: "That was an awful word of Ruskin's, that artists paint God for the world. There's a lump of greasy pigment at the end of Michael Angelo's hog-bristle brush, and by the time it has been laid on the stucco, there is something there, that all men with eyes recognize as Divine. Think what it means: it is the power of bringing God into the world—making God manifest!" ...
— Some Christian Convictions - A Practical Restatement in Terms of Present-Day Thinking • Henry Sloane Coffin

... rind. Men and women often wear sandals of hide or plaited bast. They are fond of ornament, and decorate the arms, neck and legs with beads, iron or copper rings, teeth, hoofs, horns and shells, while they stick feathers or hares' tails in the hair. The women sometimes stain their faces with red pigment. They carry tobacco in goats' horns or in the shell of a land tortoise, while boxes of ointment [v.04 p.0872] or amulets are hung round neck or waist. A jackal's tail mounted on a stick serves the ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various

... material given us to weave with, that is Fate; the time which is allotted for the task, that is Fate again; but the pattern is our own. Here are brushes, here is pigment, so much of it, of such and such colours, and here is light to work by. 'Now paint your picture,' says the Master; 'paint swiftly, with such skill as you can, not knowing how long is allotted for the task.' And so we weave, and so ...
— Stella Fregelius • H. Rider Haggard

... too; at least Miss Martineau thinks she does, and makes us think so. Heaven speed the work! Heaven send my good Emerson a clear utterance, in all right ways, of the nobleness that dwells in him! He knows what silence means; let him know speech also, in its season the two are like canvas and pigment, like darkness and light-image painted thereon; the one is essential to the other, not possible without ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, - 1834-1872, Vol. I • Thomas Carlyle and Ralph Waldo Emerson

... alkalies. This ink, or rather paint, is said to keep moderately well in securely stoppered bottles, but we should not rely on it as a "stock" article. A white paint for marking dark colored articles might be made by substituting zinc white for the red pigment in ...
— Scientific American Supplement, No. 1178, June 25, 1898 • Various

... interesting to note here that the pigment known to modern art by the name of mummy is, in many cases, actually prepared from the bituminous substances preserved within the wrappings of the ancient mummies. The grinding up of mummies imported from Thebes or Memphis for the purpose of enabling the twentieth century painter to paint the ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 10 (of 12) • S. Rappoport

... the helmet of some legendary hero. He was smoking a cigar, and he smiled and greeted me. But he seemed very tired and very old—old with wisdom, however, not weakness. The flesh of his face, the pink pigment quite washed and worn away, was more transparent than ever; and yet never was he more serene, never more the master absolute of our tiny, fragile world. The age that showed in him was not a matter of terrestrial years. It was ageless, passionless, beyond human. Never had ...
— The Mutiny of the Elsinore • Jack London

... I have a word or two to say about the treatment of the wood-work in our room. If I could I would have no wood-work in it that needed flat painting, meaning by that word a mere paying it over with four coats of tinted lead-pigment ground in oils or varnish, but unless one can have a noble wood, such as oak, I don't see what else is to be done. I have never seen deal stained transparently with success, and its natural colour is poor, and will not ...
— Hopes and Fears for Art • William Morris

... the beginning as giving us a hint of the exact shade of the Oriental's colour—it was the yellowish-brown of a sered leaf. And now that the face of the baronet has been smeared with this indelible pigment, all is ready for the tragedy, and Ul-Jabal departs. He will return, but not immediately, for he will at least give the eyes of his victim time to grow accustomed to the change of colour in his face; nor will he tarry long, for there is no telling whether, or whither, ...
— Prince Zaleski • M.P. Shiel

... dissolved in ammonia gradually turns black as it is acted on by light and air. Or magenta treated with a bleaching-agent in just sufficient quantity to decolourise it is invisible when used for writing. But the original colour reappears as the oxygen of the air acts upon the pigment. I haven't a doubt but that my analyses of the inks are correct and on one side quinoline was used and on the other nitrate of silver. This explains the inexplicable disappearance of evidence incriminating one person, Thurston, and the sudden appearance of evidence incriminating ...
— The Poisoned Pen • Arthur B. Reeve

... invisible to the naked eye, or its weight may exceed that of the individual who bears it. The limitations to its growth are extrinsic and not intrinsic. There is no distinct color. Certain tumors have color which depends upon the presence of a dark brown or black pigment within the cells. Haemorrhages within them are not infrequent, and they may be colored by the blood or by pigments formed from it. Usually they have a gray color modified by their varying vascularity, or the cut surface may be mottled due to areas of cell degeneration. The consistency varies; ...
— Disease and Its Causes • William Thomas Councilman

... commonly reached when they have been fermenting 60 hours), for a remarkable change takes place at this temperature and time. Whilst the micro-organisms remain outside, the juice of the pulp appears to penetrate not only the skin, but the flesh of the bean, and the brilliant violet in the isolated pigment cells becomes diffused more or less evenly throughout the entire bean, including the "germ." It is certain that the bean absorbs liquid from the outside, for it becomes so plump that its skin is stretched to the ...
— Cocoa and Chocolate - Their History from Plantation to Consumer • Arthur W. Knapp

... referred to, it is stated that the poisonous effect of this pigment cannot be entirely due to its mere mechanical detachment from the paper. This writer therefore attributes the poisonous effects to the formation of the hydrogen compound of arsenic, viz., arseniureted hydrogen (AsH{3}); the hydrogen, for the formation of this compound, being generated, the ...
— Scientific American Supplement, No. 455, September 20, 1884 • Various

... therefore desirable. Development and growth mean a closer union with God. In fact, God is of not so much importance in Himself, but as the end towards which man tends. That irreverent person who said that Browning uses "God" as a pigment made an accurate criticism of his theology. In Browning, God is adjective to man. Browning believes that all conventional morality must be reviewed from the standpoint of how conduct affects the actor himself, and what effect it has on his individual ...
— Emerson and Other Essays • John Jay Chapman

... great physical suffering that they may have themselves handsomely tattooed, extremes of temperature are borne with but little attempt at mitigation. Humboldt tells us that an Orinoco Indian, tho quite regardless of bodily comfort, will yet labor for a fortnight to purchase pigment wherewith to make himself admired; and that the same woman who would not hesitate to leave her hut without a fragment of clothing on, would not dare to commit such a breach of decorum as to go out unpainted. Voyagers uniformly find that colored beads and trinkets are much more prized ...
— The Best of the World's Classics, Restricted to Prose, Vol. VI (of X)—Great Britain and Ireland IV • Various

... spirituality and life in a painting. Although we see marked evidence of the Southern style in his work, his paintings are more strongly colored than are those of that school. The influence of the Yuean period begins to make itself felt. It brings out values in colored pigment, emphasizes its violence and paves the way ...
— Chinese Painters - A Critical Study • Raphael Petrucci

... with itself, it will come somewhere near his ideal—and it will be American, too, perhaps nearer so than that of the devotee of Indian or negro melody. In other words, if local color, national color, any color, is a true pigment of the universal color, it is a divine quality, it is a part of substance in art—not of manner. The preceding illustrations are but attempts to show that whatever excellence an artist sees in life, a community, in a people, or in any valuable object or experience, ...
— Essays Before a Sonata • Charles Ives

... wood of wavering figure be extolled. With the exception of the stamens, all parts of the inflorescence, inclusive of the long pedicles, are milk-white, and the perfume is as sweet and refreshing as an English spring posy. Chemists tell us that the oil from the kernels contains a green pigment which changes to yellow on saponification, and that the resin is emetic and purgative, and healing when applied as plaster. If botanical science can develop the meritorious tendencies the fruit occasionally exhibits, ...
— Tropic Days • E. J. Banfield

... breast and belly as well as all down the back. During the second month she still stayed in her hammock, but her rule of abstinence was less rigid, and she was allowed to spin. The third month she was blackened with a certain pigment and began to ...
— Balder The Beautiful, Vol. I. • Sir James George Frazer

... body above the bosoms, leaving the neck and arms quite bare. They are fond of ornaments—nose, ears, toes and arms, and even ancles, being loaded with silver rings and circlets. Some decorate their nose and the middle parting of the hair with a greasy-looking red pigment, while nearly every grown-up woman has her arms, neck, and low down on the collar bone most artistically tattooed in a variety of close, elaborate patterns. The women all work in the clearings; sowing, and weeding, and reaping ...
— Sport and Work on the Nepaul Frontier - Twelve Years Sporting Reminiscences of an Indigo Planter • James Inglis

... away, but the coffin, to which the cover had been fastened with damar, was of excellent proportions and symmetrical in shape. The material was a lovely white wood of Borneo, on which were drawn large round flowers on graceful vines, done in a subdued light red colour procured from a pigment found in the earth. The effect was magnificent, reminding me of French tapestries. Two diminutive and unfinished mats were lying on the cover, symbolising clothing for the deceased, and tufts of ...
— Through Central Borneo: - An Account of Two Years' Travel in the Land of Head-Hunters - Between the Years 1913 and 1917 • Carl Lumholtz

... red-cheeked apples. They ate and talked, with between their words silences of deep content. They were two comrade hunters of long ago, cavemen who had dispossessed bear or wolf, who might presently with a sharpened bone and some red pigment draw bison and deer in procession upon the cave wall.—They were skin-clad hillmen, shag-haired, with strange, rude weapons, in hiding here after hard fighting with a disciplined, conquering foe who had swords and shining ...
— Foes • Mary Johnston

... same way as we develop carbon pictures, and afterward to employ them in any manner that may be desirable. Thus the positive process of carbon printing would be modified in such a manner that the mixtures containing the permanent pigment should be sensitized with silver bromide in place of potassium bichromate. In this way impressions could be very rapidly taken of positive proofs, and enlargements made, which might be developed in hot water, just as in the ordinary carbon process, ...
— Scientific American Supplement, No. 286 - June 25, 1881 • Various

... requires; laying the colours sometimes on both sides of the paper, to give greater force and depth of colour. The last touches for giving final strength to shadows and forms, are to be done with ivory black or lamp black, prepared with gum water; as there is no pigment so opaque, and capable of giving strength and decision. When the drawing is finished, and every part has got its depth of colour and brilliancy, being perfectly dry, touch very carefully with spirits of turpentine, on both sides, those ...
— The Cook and Housekeeper's Complete and Universal Dictionary; Including a System of Modern Cookery, in all Its Various Branches, • Mary Eaton

... compound, FeSO4.7H2O, used as a pigment, fertilizer, and feed additive, in sewage and water treatment, and in the ...
— Mother's Remedies - Over One Thousand Tried and Tested Remedies from Mothers - of the United States and Canada • T. J. Ritter

... pallor is perceptible in the skin," he announced as if he was dictating a note for a medical journal, "and this is due, no doubt, to a deposit of the blue pigment in the deeper layers of the epidermis. The hair is at present unaffected save at the roots. God knows what colour blond hair will become. I am anxious about Leonora. The expression—I suppose I can regard ...
— The Blue Germ • Martin Swayne

... of what is sometimes its only consoling attribute, the dignity of reserve. We know of no more unsavory calling than this, unless it be that of the Egyptian dealers in mummy, peddling out their grandfathers to be ground into pigment. Obsequious to the last moment, the jackal makes haste to fill his belly from the ribs of his late lion almost ...
— Atlantic Monthly, Volume 6, Issue 35, September, 1860 • Various

... Chlamydomonads; and which progresses with a rotating motion effected by the paddling of the multitudinous pairs of cilia which project from its surface. Each Volvox-monad, moreover, possesses a red pigment spot, like the simplest form of eye known among animals. The methods of fissive multiplication and of conjugation observed in the monads of this locomotive globe are essentially similar to those observed in Chlamydomonas; and, though a hard battle ...
— Discourses - Biological and Geological Essays • Thomas H. Huxley

... to live on air, water, and dissolved salts. From such a source may have originated a race of one-celled marine organisms which were able to manufacture chlorophyll, or something like chlorophyll, that is to say, the green pigment which makes it possible for plants to utilise the energy of the sunlight in breaking up carbon dioxide and in building up (photosynthesis) carbon compounds like sugars and starch. These little units were probably encased ...
— The Outline of Science, Vol. 1 (of 4) - A Plain Story Simply Told • J. Arthur Thomson

... There is more health in Baudelaire than there is in [Kingsley]. Health is the artist's recognition of the limitations of the form in which he works. It is the honour and the homage which he gives to the material he uses—whether it be language with its glories, or marble or pigment with their glories—knowing that the true brotherhood of the arts consists not in their borrowing one another's method, but in their producing, each of them by its own individual means, each of them by keeping its objective limits, the same unique artistic delight. The delight is ...
— Miscellanies • Oscar Wilde

... index, lowered to that of air to produce invisibility, iss being raised again—all through a simple adaptation of Roentgen's theories! The substance above, mark, in the dome, which this morning you saw affect Zenalishin's blood and the pigment of his hair so that the vibrations would render his colorless tissues transparent, iss now reversing. ...
— Raiders Invisible • Desmond Winter Hall

... famous story of Oliver Twist were those relating more particularly to the Murder of Nancy by Bill Sikes. A ghastlier atrocity than that murder could hardly be imagined. In the book itself, as will be remembered, the crime is painted as with a brush dipped in blood rather than pigment. The infamous deed is there described in language worthy of one of the greatest realists in fictitious narrative. Henri de Balzac, even in his more sanguinary imaginings, never showed a completer ...
— Charles Dickens as a Reader • Charles Kent

... pelf—not yet art thou all a merchant, Harmachis;" and, without more words, she thrust the pieces into the leather bag that hung across my shoulders. Then she made fast the sack containing the spare garments, and, so womanly thoughtful was she, placed in it an alabaster jar of pigment, with which I might stain my countenance afresh, and, taking the broidered robes of my office that I had cast off, hid them in the secret passage. And so at ...
— Cleopatra • H. Rider Haggard

... but as I always like to be perfectly accurate in my statements I made a scientific study of it. I found that, as a matter of fact, there was no such thing as a white elephant known in natural history, although there was an occasional absence of the usual pigment in the skins of some beasts which give them a trifle lighter color, and that these animals were apt to have a few spots on the body which were nearly white, just as you sometimes hear of a negro who is spotted. When such a spot occurs in the center of the forehead the Buddhists regard ...
— Side Show Studies • Francis Metcalfe

... pictures, that, while the low passages of the composition are wonderfully fine and representative, all the higher parts, those supposed or intended to stand for the radiance of dazzling light, fail utterly in representative capacity. There is an abundance of the most brilliant pigment, but it is still paint,—unmitigated ochre and white lead. The spectator is obliged to recede from the picture until distance enables the eye to transmute the offending material ...
— Atlantic Monthly Volume 7, No. 40, February, 1861 • Various

... good method of staining close-grained woods is to use muriatic acid. The acid is put on with a brush like any ordinary stain. The colors thus obtained are artistic and most beautiful, and cannot be duplicated by any known pigment. The more coats applied the darker the color will be. This method of staining has the advantage of requiring no wiping or rubbing. —Contributed by August T. ...
— The Boy Mechanic: Volume 1 - 700 Things For Boys To Do • Popular Mechanics

... those fresh days, with a light breeze rustling in the trees, when it seemed good to be alive; rain had fallen in the night, and had washed the dust of a long drought off the trees; some soft aerial pigment seemed mingled with the air, lending a rich lustre to everything; the small woods on the hillside opposite had a mellow colour, and the pastures between were of radiant and transparent freshness; the little ...
— Beside Still Waters • Arthur Christopher Benson

... but was still red when it expired. As the hue did not quite disappear until two or three hours after the animal was quite dead, I judged that it was not exclusively due to the blood, but partly to a pigment beneath the skin which would probably retain its colour a short time after ...
— The Naturalist on the River Amazons • Henry Walter Bates

... are tattooed upon the stomach, sides, and back, so closely, that it has the appearance of a broad belt of fish-scales, especially when they are rubbed with red ochre, which is the prevailing fashion. This pigment is made of a peculiar clay, rich in oxide of iron, which, when burnt, is reduced to powder, and then formed into lumps like pieces of soap; both sexes anoint themselves with this ochre, formed into a paste by the admixture of grease, giving themselves the appearance ...
— The Albert N'Yanza, Great Basin of the Nile • Sir Samuel White Baker

... the native is washed clean, and purified from the odour of the filthy pigment with which it is bedaubed, the crop of hair is very abundant, and the appearance of it beautiful, being a silken, glossy, and curly black. Great pains are, however, used to destroy or mar this striking ...
— Journals Of Expeditions Of Discovery Into Central • Edward John Eyre

... be four—two dorsal and two ventral. In many cases trichocysts are uniformly distributed. Sometimes the body is colorless; again, and more often, it is brightly colored with red, blue, brown, or black pigment. The macronucleus is globular and central, occasionally band-form and with numerous attached micronuclei. Food substance varied, usually vegetable matter, see, however, below. Cysts are globular. Movement is a ...
— Marine Protozoa from Woods Hole - Bulletin of the United States Fish Commission 21:415-468, 1901 • Gary N. Galkins

... the part in his braids. And he rode carelessly, fearlessly, to halt within easy speaking distance; sat a moment, rifle across his leggined thighs and the folds of his scarlet blanket—a splendid man, naked from the waist up, his coppery chest pigment-daubed, his slender arms braceleted with metal, his eyes devouring her so covetously that I felt the ...
— Desert Dust • Edwin L. Sabin

... which various, so-called, non-conducting coats are put on the iron, and copper pigment in some form put on over them. These have been specially condemned in England, as no matter how good the non-conducting substance—and many are so only in name—it will become rubbed off at some points, and there the bottom will be eaten both by salt water ...
— Scientific American, Vol.22, No. 1, January 1, 1870 • Various

... the depraved taste of the times, when we see a sculptured representation of Ramraj's head, at the present day, serving as the opening of one of the sewers of the citadel of Beejapoor, and we know that the real head, annually covered with oil and red pigment, has been exhibited to the pious Mahomedans of Ahmudnuggur, on the anniversary of the battle, for the last two hundred and fifty years, by the descendants of the executioner, in whose hands it has remained till the present period." ...
— A Forgotten Empire: Vijayanagar; A Contribution to the History of India • Robert Sewell

... sculpture, crucifixes, saints, martyrs, and subjects not easy to explain. Vestiges of red, blue, and yellow are visible in various places, and the relief of the figures has been assisted by a dark pigment. In various parts of the cave, above and below the cornice, are deep cavities or recesses of various forms and sizes, some of them oblong, and others oven-shaped, of much the same character as those found in the French caves. High up are two dates cut in the chalk, in Arabic numerals, that have been ...
— Castles and Cave Dwellings of Europe • Sabine Baring-Gould

... with a careless smutch Accomplished his despair?—one touch revealing All he had put of life, thought, vigor, feeling, Into the canvas that without that touch Showed of his love and labor just so much Raw pigment, scarce a scrap of soul concealing! What poet has not found his spirit kneeling A sudden at the sound of such or such Strange verses staring from his manuscript, Written he knows not how, but which will sound Like trumpets ...
— More Songs From Vagabondia • Bliss Carman and Richard Hovey

... Dr. Grey saw that she had seized the weird "Vision of Virgins," and was putting into pigment that solemn phantasm of the poet's imagination where five radiant women were passing to their reward,—and five wailing over flickering, dying lamps, were huddled helplessly and hopelessly under a black and starless midnight sky. Although unfinished, there was marvellous ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson

... this sending of Plate, I never knew with what net-result of moneys coinable, goes on in Paris; till, at the highest tables, there is nothing of silver dishes left;—and a new crockery kind (rather clumsy; "CULS NOIRS," as we derisively call them, pigment of BOTTOM part being BLACK) has had to be contrived instead. Under what astonishments abroad and at home, and in the latter region under what execrations on Silhouette, may be imagined. "TOUT LE MONDE JURE BEAUCOUP CONTRE M. DE SILHOUETTE, All the ...
— History of Friedrich II. of Prussia, Vol. XIX. (of XXI.) • Thomas Carlyle

... a young man I thought a great deal of local color. At that time it was still a pigment of recent discovery, and supposed to have a peculiarly stimulating effect on the mental eye. As an aid to the imagination its value was perhaps overrated; but as an object of pursuit to that vagrant faculty, it had all the merits ...
— Crucial Instances • Edith Wharton



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