"Lear" Quotes from Famous Books
 ... Battalia Pie, in which the bodies of chickens, pigeons, and rabbits were embalmed in spices, cocks' combs, and savoury balls, and well bedewed with one of those rich sauces of claret, anchovy, and sweet herbs in which our grandfathers delighted, and which was technically termed a Lear. A Florentine tourte or tansy, an old English custard, a more refined blamango, and a riband jelly of many colours offered a pleasant relief after these vaster inventions, and the repast closed with a dish of oyster-loaves and a pomepetone ...
— Collections and Recollections • George William Erskine Russell
... informed through the channel of a letter from yourself to Mr. Lear, that M. Duplaine, Consul of France at Boston, has lately, with an armed force, seized and rescued a vessel from the officer of a court of justice, by process from which she was under arrest in his custody: and that he has in like manner, with an armed force, opposed and prevented the ...
— Memoir, Correspondence, And Miscellanies, From The Papers Of Thomas Jefferson - Volume I • Thomas Jefferson
... they pointed out to her the desk at which Shakespeare sat as a lad, with all its boyish hieroglyphics, and her thought instinctively leaped across the years to "The Tempest," "King Lear," and "Hamlet." She pondered deeply the relation between the activities of the lad and the behavior of the man, wondering how much the school had to do with the plays that stand alone in literature, and whether he imbibed the power from associations, ...
— The Vitalized School • Francis B. Pearson
... already blushing deeply at the unwonted vehemence of my own words, although I had spoken only as I felt—the very, very truth. But his laugh and his test so increased my confusion that, in fine, that was the first and last time I ever did protest! Like Lear's Cordelia, I was tongue-tied—I had no words to assure him. Sometimes I wept to think how poor I was in resources to make him happy. Then came another annoyance—my name and fame were ...
— Hidden Hand • Emma Dorothy Eliza Nevitte Southworth
... Wilson, commanding brigades in General Twiggs' division; Colonels Mitchell, Campbell, Davis, and Wood, commanding the Ohio, Tennessee, Mississippi, and 2d Texas regiments, respectively; and Majors Lear, Allen, and Abercrombie, commanding the 3d, 4th, and 1st regiments of infantry; all of whom served under my eye, and conducted their commands with coolness and gallantry against the enemy. Colonel Mitchell, Lieutenant-Colonel McClung, Mississippi regiment, ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... to exploit and enforce and illustrate this type or character that "Leaves of Grass" is written. The poems are the drama of this new democratic man. This type Whitman finds in himself. He does not have to create it as Shakespeare did Hamlet or Lear; he has only to discover it in himself. He is it and he gives it free utterance. His work is, therefore, as he says, the poem of himself,—himself written large,—written as upon the face of the continent, written in the types and events he finds on all sides. He sees himself in all ...
— Whitman - A Study • John Burroughs
... She, if King Lear had had his last desire, might have sung the merry and strange tune of Bedlam, like the slighter Ophelia and ...
— Essays • Alice Meynell
... conceptions of men whose genius has grappled with the enigmas which art and poetry only can foreshadow and divine,—unknown to us in the street and the market, unknown to us on the scaffold of the patriot or amidst the flames of the martyr, unknown to us in the Lear and the Hamlet, in the Agamemnon and the Prometheus. Millions upon millions, ages upon ages, are entered but as items in the vast account in which the recording angel sums up the unerring justice of God ...
— The Last Of The Barons, Complete • Edward Bulwer-Lytton
... of his insomnia. He wrote a marvellous body of literature, and it might be thought this labor itself would suffice as an explanation: that the furnace heat in which the conceptions of Hamlet and Macbeth and Lear were wrought in the crucible of his brain would be fatal to repose. But his contemporaries speak of him as an easy and rapid writer; one whose imagination is only paralleled by the ease, the force and beauty of the phrase in which it is embodied. We are told, too, by Dr. H.A. ...
— Shakespeare's Insomnia, And the Causes Thereof • Franklin H. Head
... remembers here and there a passage of fine poetry, or a noble or lovely trait. But their characters, as wholes, leave a fading impression. Who, even after a single reading or representation, ever forgets Falstaff, or Shylock, or King Lear? ...
— Brief History of English and American Literature • Henry A. Beers
... Shakespeare, and enjoying him immensely. Amusing myself is not the right expression, for I have been in the tragedies only. I had not read "Othello" for ages. How wonderful, great, and beautiful and painful it is (oh dear, why is it so coarse?). Then I also read "Lear" and "Henry VIII," and being delightfully ignorant I had the great interest of reading the same period (Henry VIII) in Holinshed, and in finding Katharine's and Wolsey's speeches there! Then I have tried a little ...
— Lady John Russell • Desmond MacCarthy and Agatha Russell
... West. Your second landscape is turned into a vegetable person [the cornstalk is Lanier's symbol of the poet], and you give its poetry with many touches of marvel and mystery in vegetable life. Your third landscape takes for an instant the form and tragic state of King Lear; you thus make it seize on our sympathies as if it were a real person, and you then restore it to the inanimate, and contemplate its possible beneficence in the ...
— Sidney Lanier • Edwin Mims
... good-wives, with knitting in hand, were gathering to greet Mistress Lear. Some fifteen or more, including the children, were soon settled about the Tozer fireplace, eager to learn of the ...
— Some Three Hundred Years Ago • Edith Gilman Brewster
... that watches himself a mischief, and keeps a lear eye still, for fear it should escape him. A man that sees a great deal more in every thing than is to be seen, and yet he thinks he sees nothing: his own eye stands in his light. He is a fellow commonly guilty of some weaknesses, which ...
— Microcosmography - or, a Piece of the World Discovered; in Essays and Characters • John Earle
... there not many Mr. Irvings? When a man can act "The Two Roses" and "The Dead Heart" with equal effect, when he can at will be as vulgar as Robert Macaire, or as dignified as Cardinal Wolsey; when he can be either as young as Hamlet or as old as Lear, the inquiry as to his plurality becomes natural and pertinent. For my part, I rank Mr. Irving the comedian above Mr. Irving the tragedian, just as I rank Nature above Art: each may be highest in its own way, yet the one may have a charm which the other cannot boast. Mr. Irving's tragedy sometimes ...
— The Idler, Volume III., Issue XIII., February 1893 - An Illustrated Monthly. Edited By Jerome K. Jerome & Robert Barr • Various
... presents itself, not less striking and unfamiliar. From the dead branches of those skeleton pines and hemlocks, these rampikes, hang masses of white moss, snow-white, amid the dark verdure. An actor might wear such a beard in the play of King Lear. Acadian children wore such to imitate "grandpere," centuries ago; Cowley's trees are "Patricians," ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... saying little,) but a good, edition of Beaumont and Fletcher, has complimented the Philaster, which he himself describes as inferior to the Maid's Tragedy by the same writers, as but little below the noblest of Shakspeare's plays, Lear, Macbeth, Othello, &c. and consequently implying the equality, at least, of the Maid's Tragedy;—and an eminent living critic,—who in the manly wit, strong sterling sense, and robust style of his original ...
— Literary Remains (1) • Coleridge
... courteous towards the worsted gentry; had he lived in our times, they might have worsted him for a libel: he says in King Lear, "A base, proud, shallow, beggarly, three suited, hundred pound, filthy, ...
— The Mirror Of Literature, Amusement, And Instruction, No. 391 - Vol. 14, No. 391, Saturday, September 26, 1829 • Various
... dressed in her summer coat, with a little woollen under-jacket to protect her from the cold, and a plain cheap felt hat, much mocked at by the American girls. Sarina scorned the mental scope of these girls; scorned to spend for dress, money with which she could learn to read "Othello" and "King Lear" in the original; and scorned to spend in giggling the lunch hour, in which she might read in Yiddish newspapers the latest tidings of ...
— Making Both Ends Meet • Sue Ainslie Clark and Edith Wyatt
... comfortably in lodgings, in Dove Court, Mansion House. He was soon hard at work upon 'The Death of Rizzio,' adorning his walls with pictures he had brought with him or sent for afterwards from Kendal, such as 'King Lear,' 'Elfrida,' 'The Death of Lefevre,' and a few portraits of friends. The Rizzio picture has been represented as 'a work of extraordinary merit, combining energetic action with strong expression.' ...
— Art in England - Notes and Studies • Dutton Cook
... Booth's playing. A farce or a comedy is best played; a tragedy is best read at home." He was much pleased one night with Mr. McCullough's delineation of the character of "Edgar," which the actor played in support of Edwin Forrest's "Lear." He wished to convey his approval to the young actor, and asked Mr. Brooks, his companion at the moment, with characteristic simplicity, "Do you suppose he would come to the box if we sent word?" Mr. McCullough was summoned, and, standing at the door of the box in his stage attire, received ...
— The Every-day Life of Abraham Lincoln • Francis Fisher Browne
... applies it to himself as a means of general reasoning. He is a great moralizer; and what makes him worth attending to is that he moralizes on his own feelings and experience. He is not a commonplace pedant. If Lear is distinguished by the greatest depth of passion, Hamlet is the most remarkable for the ingenuity, originality, and unstudied development of character. Shakespeare had more magnanimity than any other poet, and he has shown more of it in this play ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various
... Macaulay, who, like the still more ignorant Doctor Samuel Johnson, knew nothing of the venerable language of the first inhabitants of the British Isles, and of all Western Europe, resolve themselves into Li! Li Beur! Lear-a! Buille na la, which signify, "Light! Light! on the sea, beyond the promontory! 'Tis the stroke (or dawn) of the day!" Like all the choruses previously cited, these words are part of a hymn to the sun, and entirely astronomical ...
— The Celtic Magazine, Vol. 1, No. 2, December 1875 • Various
... a day of mortification to Frank. His complaisance had induced him to comply with the request of the marchioness, that he would read one of the mad scenes in Lear, though he knew she had not the least acquaintance with the English language. But she wanted amusement, and was pleased to mark the progress of the passions; which I never saw so distinctly and highly expressed as in his countenance, when he ...
— Anna St. Ives • Thomas Holcroft
... somewhat picturesque episodes of "Harold in Italy," whatever their virtues, and they are many, more than vaguely related to the Byronism that ostensibly elemented them? The surprisingly conventional overture to "King Lear" makes one feel as though Berlioz had sat through a performance of one of Shakespeare's comedies under the impression that he was assisting at the tragedy, so unrelated to its subject is the music. And where, on the other ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... Sanin to sing something in his mother tongue. "The ladies praised his voice and the music, but were more struck with the softness and sonorousness of the Russian language." I remember being similarly affected years ago when I heard "King Lear" read aloud in Russian. Baron von der Bruggen says,* "there is the wonderful wealth of the language, which, as a popular tongue, is more flexible, more expressive of thought than any other living tongue I know of." No one has paid a better tribute ...
— Essays on Russian Novelists • William Lyon Phelps
... appear extravagant praise, but for its justice we confidentially appeal to the record. The plays which have most severely tried the sagacity of Shakspeare's critics, are Hamlet, Macbeth, Lear, and Othello. We do not hesitate to say that Mr. Hudson's analysis and representation of these are the most thorough, accurate, and comprehensive which exist at present either in English or German. Compare him or these tragedies with Goethe, ...
— Graham's Magazine Vol XXXII No. 6 June 1848 • Various
... turning out one brilliant novel after another, steadily accomplishing for Devon what Mr. Hardy did for Wessex. This is another of Mr. Phillpotts' Dartmoor novels, and one that will rank with his best.... Something of kinship with 'King Lear' and 'Pere ...
— Margarita's Soul - The Romantic Recollections of a Man of Fifty • Ingraham Lovell
... and intractable temper; in his home there was much to excite his leonine wrath and sense of intolerable wrong. Three times he had quitted his villa, with vows never to return to it, and three times he had been led back. When for a fourth time—like a feeble yet majestic Lear—one hot summer day, toward noon, he flung himself, or was flung, out of doors with only a few pauls in his pocket, it was to Casa Guidi that he made his way broken-hearted, yet breathing forth wrath.[73] Browning had often said, ...
— Robert Browning • Edward Dowden
... purpose, but in the separate scenes of his struggle, each one wonderfully rich, vivid, balanced, but almost a unit in itself. On the theory that the true dramatic form is logical progress, dramatic—as contrasted with literary—power would have to be denied to "Hamlet." The aesthetic meaning of "Lear" is not in the terrible retribution of pride and self-will, but in the cruel confrontation of father ...
— The Psychology of Beauty • Ethel D. Puffer
... reader by its freshness and originality. But one point, we must confess, is not new, and that is the representation of Shakespeare as a lawyer. The supposition, that the author of "Macbeth," "Hamlet," and "King Lear," was a bustling young attorney, is of respectable age, and has years enough upon its beard, if not discretion. It has been brought forward afresh by two members of the profession for which is claimed the honor of having Shakespeare's name upon its roll,—William L. Rushton, ...
— Atlantic Monthly, Vol. 4, No. 21, July, 1859 • Various
... on, "My prologue an anachronism, quotha! The groundlings will never mark it. Think'st thou wisdom came to mankind with the stenchful rocket and the sundered atomy? More, the Bard himself was topfull of anachronism. He put spectacles on King Lear, had clocks tolling the hour in Caesar's Rome, buried that Roman 'stead o' burning him and gave Czechoslovakia a seacoast. ...
— No Great Magic • Fritz Reuter Leiber
... a little of his thought, running as an undercurrent to his nature. Clara had been singing with such sweetness of expression and pathetic emphasis, that my eyes were filled with tears of emotion. Miss Lear, a young lady friend, followed her, and sang with such a shrill voice, such unprecedented flying about among the octaves, that it shocked me through every nerve, and I trembled visibly and uttered an involuntary ...
— The Harvest of Years • Martha Lewis Beckwith Ewell
... the display of his declamatory powers, on the speech-days, he selected always the most vehement passages,—such as the speech of Zanga over the body of Alonzo, and Lear's address to the storm. On one of these public occasions, when it was arranged that he should take the part of Drances, and young Peel that of Turnus, Lord Byron suddenly changed his mind, and preferred the speech of Latinus,—fearing, it was supposed, some ridicule ...
— Life of Lord Byron, Vol. I. (of VI.) - With his Letters and Journals. • Thomas Moore
... us talk: about dramatists; you have read Shakespeare?" "Yes, every play again and again." "Which do you like best?" "I like them all, the historical and the imaginative; I have never seen one acted, but to me King Lear is ...
— London's Underworld • Thomas Holmes
... or read at many of the library story hours. Lear's nonsense rhymes and certain rhythmical story poems are especially enjoyed by the children. Outlines of stories or selections from books designed to lead to the reading of an entire book are ...
— Library Work with Children • Alice I. Hazeltine
... good, a disbelief in Italian actors having been always a heresy with him, and the deplorable length of dialogue to the small amount of action in their plays making them sadly tiresome. The first that he saw at the principal theatre was a version of Balzac's Pere Goriot. "The domestic Lear I thought at first was going to be very clever. But he was too pitiful—perhaps the Italian reality would be. He was immensely applauded, though." He afterwards saw a version of Dumas' preposterous play of Kean, in which most of the representatives ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... recalls "King Lear." For "loving like salt," see the parallels collected by Cosquin, i. 288. The whole story is a version of the numerous class of Cinderella stories, the particular variety being the Catskin sub-species analogous to Perrault's Peau d'Ane. "Catskin" was told by ...
— English Fairy Tales • Joseph Jacobs (coll. & ed.)
... this hotel, was the principal manager in the unloading of the records and furniture belonging to the government when the ships bringing it from Philadelphia docked at Lear's Wharf. Abraham Bradley, who, as Assistant Postmaster General, had charge of the removal of that department, and Joseph Nourse, who was Registrar of the Treasury, may also have stopped at Crawford's ...
— A Portrait of Old George Town • Grace Dunlop Ecker
... of hardware or software limitations, behaves like a teletype or some other printing terminal, thereby combining the disadvantages of both: like a printing terminal, it can't do fancy display hacks, and like a display terminal, it doesn't produce hard copy. An example is the early 'dumb' version of Lear-Siegler ADM 3 (without cursor control). See {tube}, {tty}; compare {dumb terminal}, {smart terminal}. See "{TV Typewriters}" (Appendix A) for an interesting true story ...
— The Jargon File, Version 4.0.0
... the most part hidden behind the persons of his creation. Yet there are certain of his characters in which we feel that there is something of self-portraiture. And it is not so much in his grander, more subtle and ingenious creations that we feel this—in Hamlet and King Lear—as in those slighter and more spontaneously developed figures, who, while far from playing principal parts, are yet distinguished by a peculiar happiness and delicate ease in the drawing of them; figures which possess, above all, that winning attractiveness which there is no ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... crimson; and I daresay set many a female heart a palpitating. When he made his first appearance, there was just such a humming and clapping of hands as you may have heard when the celebrated Garrick comes upon the stage in King Lear, or King Richard, or any other top character. But how agreeably were we disappointed, when our young gentleman made such an oration as would not have disgraced a Pitt, an Egmont, or a Murray! while he spoke, all was hushed ...
— The Adventures of Sir Launcelot Greaves • Tobias Smollett
... I went through the Forest, sometimes by green rides, enchanted still, such as those down which Lancelot rode with Guinevere, talking of love, sometimes over heaths wild and desolate such as that which knew the bitterness of Lear, sometimes through the greenwood, ancient British woodland, silent now, where the hart was once at home in the shade, and where at every turn one might expect to come upon Rosalind in her boy's dress, and think to hear from some glade the ...
— England of My Heart—Spring • Edward Hutton
... himself, and makes every [one] else so that looks at him. They have no speculation in them, as Shakespear says; what should be white is red, and there is no sight or crystal, only a black spot. It alters his countenance, and he looks like a man in a tragedy, as in K[ing] Lear, that has had his eyes put out with a ...
— George Selwyn: His Letters and His Life • E. S. Roscoe and Helen Clergue
... man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. We want to take him into shelter and relieve him. That is all the feeling which the acting of Lear ever produced in me. But the Lear of Shakespeare cannot be acted. The contemptible machinery by which they mimic the storm which he goes out in, is not more inadequate to represent the horrors of the real elements, than any actor can be to represent Lear: they might more ...
— English Critical Essays - Nineteenth Century • Various
... its summer holiday, had almost forgotten the Serajevo incident. The whole tragic occurrence simply survived in the sympathy which all felt with Austria in its new trouble, and especially with its aged monarch, who, like King Lear, was "as full of grief as age, wretched in both." Never was it even hinted that Germany and Austria were about to apply in a time of peace a match to the powder ...
— The Evidence in the Case • James M. Beck
... dark, though it was as yet only early afternoon; and the wind howled dismally over the hills of the heath—not improbably the same heath which had witnessed the agony of the Wessex King Ina, presented to after-ages as Lear. Gertrude Lodge talked most, Rhoda replying with monosyllabic preoccupation. She had a strange dislike to walking on the side of her companion where hung the afflicted arm, moving round to the other when inadvertently near it. Much heather ...
— Wessex Tales • Thomas Hardy
... copied my mother's letters as they were written, omitting only the purely family matter which is of no interest to the public. Edward Lear's drawing of Luxor was printed in 'Three Generations of Englishwomen,' edited by Mrs. Ross, but the other illustrations are now reproduced ...
— Letters from Egypt • Lucie Duff Gordon
... alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned ...
— The Ascent of the Soul • Amory H. Bradford
... grew worse rapidly, and early in the morning Dr. Craik was sent for. Washington said to Mr. Lear, his ...
— From Farm House to the White House • William M. Thayer
... out, and all the dancers disappeared. The masquerade was over; and again, through the darkness, rose the plaintive "All's well!" And it kept ringing in my ears until it became a mocking sound, from which I longed to be free. It was like the voice of Lear crying over the body of Cordelia: "Never, never, never, ...
— The Judgment House • Gilbert Parker
... your property. And with what your Mother left you will buy books and writing paper! As for my property—that's going to Jack. I've got the papers for that too. Not being an idiot I've saved out enough for myself—no Lear business for mine! Well, boy—I'm sorry you're a fool. But you've got what you ...
— The Forerunner, Volume 1 (1909-1910) • Charlotte Perkins Gilman
... are also an admirable scene. Bottom, with the ass's head, sitting in a ring of elves, is excellent moving comedy, but also excellent still life. Falstaff with his huge body, Bardolph with his burning nose, are masterpieces of the pen; but they would be fine sketches even for the pencil. King Lear, in the storm, is a landscape as well as a character study. There is something decorative even about the insistence on the swarthiness of Othello, or the deformity of Richard III. Shakespeare's work is much more than ...
— Appreciations and Criticisms of the Works of Charles Dickens • G. K. Chesterton
... universal, and therefore so is his interest. He sees the like in the unlike, the differences in things which are similar. Every little bird and every little flower are known to him. He contemplates Falstaff and Poor Tom with as much interest as though they were Hamlet and King Lear. In all original minds the power of observation is great. It is the chief source of our earliest knowledge, of that which touches us most nearly and most deeply colors the imagination. When the boy is wandering through fields, sitting ...
— Education and the Higher Life • J. L. Spalding
... people and their enemies in many a fight, who had sought battle in their behalf and heaped them with favors. His eyes saw the depth of that resignation which gave to God the one jewel that would have atoned for the horrid sufferings of the past. If he were free! He thought of old Lear moaning over dead Cordelia. ...
— The Art of Disappearing • John Talbot Smith
... of Junction City, Kansas, has written a series of short stories on the property rights of women in Kansas, a subject that was and is, still, of vital importance to the women of the state. "The Legal Status of Mrs. O'Rourke" and "King Lear in Kansas" are two ...
— Kansas Women in Literature • Nettie Garmer Barker
... left of the road had a charm, however; there is something picturesque in the big, comfortable shoulders of the Cote. That delicate critic M. Emile Montegut, in a charming record of travel through this region published some years ago, praises Shakespeare for having talked (in "Lear") of "waterish Burgundy." Vinous Burgundy would surely be more to the point. I stopped at Beaune in pursuit of the picturesque, but I might almost have seen the little I discovered without stopping. It is a drowsy Burgundian town, very ...
— A Little Tour in France • Henry James
... Pudneys, who had taken him to Birmingham, had already got rid of him, and we had a horrible consciousness of his wandering roofless, in dishonour, about the smoky Midlands, almost as the injured Lear wandered on the storm-lashed heath. His room, upstairs, had been lately done up (I could hear the crackle of the new chintz) and the difference only made his smirches and bruises, his splendid tainted genius, the more tragic. If he wasn't barefoot in the mire he was sure to ...
— The Coxon Fund • Henry James
... picturesque materials included a tower which Mr. Browning once saw in the Carrara Mountains, a painting which caught his eye years later in Paris; and the figure of a horse in the tapestry in his own drawing-room—welded together in the remembrance of the line from "King Lear" which forms ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... play, the deepest in meaning, the best knit from the first scene to the last. While 'Othello' centres on jealousy, 'Lear' on madness, 'Romeo and Juliet' on love, 'Macbeth' turns on fate, on the supernal influences which compel a man with good in him to a murderous course. The weird witches who surround the bubbling caldron ...
— [19th Century Actor] Autobiographies • George Iles
... him. In the barn he threw himself, face downward, on a heap of loose straw, and there lay motionless. His wife wept alone in her bed, and hardly missed him: it required of her no reflection to understand whither he had gone, or what he was doing. He was crying, like King Lear from the bitterness of an outraged father's heart, to the ...
— Salted With Fire • George MacDonald
... are Hensman and Hinxman. Historians now regard Hengist and Horsa, stallion and mare, as nicknames assumed by Jutish braves on the war-path. Sumpter, Old Fr. sommetier, from Somme, burden, was used both of a packhorse and its driver, its interpretation in King Lear being ...
— The Romance of Names • Ernest Weekley
... did not try to make us slaves. On the contrary, he gave us a representative Constitution, which has lasted a thousand years. We might call him our Manx King Alfred, if the indirections of history did not rather tempt us to christen him our Manx King Lear. His Saga has never been written, or else it is lost. Would that we could recover it! Oh, that imagination had the authority of history to vitalise the old man and his times! I seem to see him as he lived. There are hints of his character in his laws, ...
— The Little Manx Nation - 1891 • Hall Caine
... out the math for the interplanetary ships? I did! Without me they would never have been built!" He turned dramatically, as though he were playing King Lear. "And what do I get for it?" He pointed an accusing finger at Arcot. "What do I get? He is called 'Earth's most brilliant physicist', and I, who did all the hard work, am referred to as 'his mathematical assistant'." He shook his head solemnly. ...
— Islands of Space • John W Campbell
... as present, the inanimate as living, or the abstract as personal. It is closely allied to personification, with which it is often associated. This figure is expressive of intense emotion. The following passage from "King Lear" will ...
— Elementary Guide to Literary Criticism • F. V. N. Painter
... given as a memorial of the late Mr. Sidney Lear by his wife, to whom the cathedral is indebted for many of its modern enrichments. It is entirely of wrought metal, by Skidmore, of Coventry, and a good example of its class. It replaced the organ screen compiled by Wyatt from fragments of the Hungerford and Beauchamp chantries; to erect which ...
— Bell's Cathedrals: The Cathedral Church of Salisbury - A Description of its Fabric and a Brief History of the See of Sarum • Gleeson White
... Shakespeare's, or Lear's, Cliff at Dover is one of the first things to which the transatlantic up-channel traveller's attention is called. Blind old Gloster ...
— The Automobilist Abroad • M. F. (Milburg Francisco) Mansfield
... familiarity which have so much to do with its abiding fascination. And the style and manner of the narration are no less an integral part of it. The book is not only a biography, but an autobiography. Johnson without Boswell is Don Quixote without Sancho, Lear without the Fool, Orestes without Pylades. It is safe to say, not only that a thousand incidents of Johnson's life and conversation would never have been preserved but for Boswell, but that some of the most amusing and remarkable of them ...
— Lippincott's Magazine, Vol. 22, November, 1878 - of Popular Literature and Science • Various
... matter of the machineries of a theatre—of painted clouds, electric lights, and sheets of copper—the world-wise govern the storm as they choose and leave you in it defenceless and lonely as old Lear. To put your heart into life is the most fatal of errors; it is to give a hostage to your enemies whom you can only ransom at the price of your ruin. But what is the use of talking? To you, life will be always Alastor ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... of imaginative literature; if the religious ideal cannot be conceived as possessing the whole soul, we cannot appreciate the religious passion of a John Inglesant; if revenge is no more than spite there can be no Hamlet, nor a Lear if arrogance is unmixed with love and honour. If, to-day, the passion of love is treated more often than any other emotion, that is probably because the one capacity for intense experience, which never seems to desert the human race, is the capacity to identify the sex impulse with ...
— Personality in Literature • Rolfe Arnold Scott-James
... think their attitude to life, as you call it, is best expressed in some of Lear's Nonsense Rhymes: "His Aunt Jobiska said, 'Everyone knows that a pobble ...
— Love at Second Sight • Ada Leverson
... characters in some struggle of the wills, whether it be flippant, as in the case of Benedick and Beatrice; or delicate, as in that of Viola and Orsino; or terrible, with Macbeth; or piteous, with Lear. The crowd is more partisan than the individual; and therefore, in following this struggle of the drama, it desires always to take sides. There is no fun in seeing a foot-ball game unless you care about who wins; and there is very little fun in seeing a play unless the dramatist allows ...
— The Theory of the Theatre • Clayton Hamilton
... admitting that the picture drawn may be a true one, the effect had been lessened by the fact that nothing has been left to the imagination. On the other hand there has, since Shakespeare, been nothing so fine as the treatment of Pere Fouan, that peasant King Lear, by his ungrateful family. It has been urged that Zola overdid the horrors of the situation and that no parent would have been so treated by his children. By a singular chance a complete answer to this ...
— A Zola Dictionary • J. G. Patterson
... greatest love-poem ever written. One cannot help feeling that Pindar's Isle of the Blest, whither he was brought by Thetis, whose mother's prayer had moved the Heart of Zeus, to dwell with Cadmus and Peleus, is Achilles' true home; or the isle of the heroes of all time, described by Carducci, where King Lear sits telling OEdipus of his sufferings, and Cordelia calls to Antigone, "Come, my Greek sister! We will sing of peace to our fathers." Helen and Iseult, silent and thoughtful, roam under the shade of the myrtles, while the setting sun kisses their golden hair with its reddening ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley
... Mockery and terror; or,—beneath the moon's Cloud-hurrying glimmer,—to the startled ear, Crazed, madman snatches of old, perished tunes, The witless wit of outcast Edgar there In the wild night; or, wan with all despair, The mirthless laughter of the Fool in Lear. ...
— Weeds by the Wall - Verses • Madison J. Cawein
... The image of George Frederick Cooke, pointing with his long, lean forefinger and uttering Sir Giles's imprecation upon Marrall, never fades out of theatrical history. Garrick's awful frenzy in the storm scene of King Lear, Kean's colossal agony in the farewell speech of Othello, Macready's heartrending yell in Werner, Junius Booth's terrific utterance of Richard's "What do they i' the north?" Forrest's hyena snarl when, as Jack Cade, he met Lord Say in the thicket, or his volumed cry of tempestuous ...
— Shadows of the Stage • William Winter
... himself is the ruminative hermit already mentioned—a species of uninspired Thoreau. His name was Benjamin Lear. So far as his craziness went, he might have been a lineal descendant of that ancient king of Britain who figures on Shakespeare's page. Family dissensions made a recluse of King Lear; but in the case of Benjamin there were no mitigating circumstances. He had no family to trouble him, and ...
— An Old Town By The Sea • Thomas Bailey Aldrich
... editor of Judy) and creator of "Ally Sloper," the British Punchinello, produced at least one memorable book for children. "Queens and Kings and other Things," a folio volume printed in gold and colour, with nonsense rhymes and pictures, almost as funny as those of Edward Lear himself. "The Boy Crusoe," and many other books of somewhat ephemeral character are his, and Routledge's "Every Boy's Magazine" contains many of his designs. Just as these pages are being corrected the news of his ...
— Children's Books and Their Illustrators • Gleeson White
... all the mysteries of his conduct, finds no countenance in the plays of Shakspeare. There man appears as he is, made up of a crowd of passions, which contend for the mastery over him, and govern him in turn. What is Hamlet's ruling passion? Or Othello's? Or Harry the Fifth's? Or Wolsey's? Or Lear's? Or Shylock's? Or Benedick's? Or Macbeth's? Or that of Cassius? Or that of Falconbridge? But we might go on for ever. Take a single example-Shylock. Is he so eager for money as to be indifferent to revenge? Or so eager for revenge as to be indifferent to money? Or ...
— The Diary and Letters of Madame D'Arblay Volume 1 • Madame D'Arblay
... for the drama; and I cannot but agree with Schlegel, that Shakspeare has done well and wisely in adhering to the old story.[8] Can we doubt for a moment that Shakspeare, who has given us the catastrophe of Othello, and the tempest scene in Lear, might also have adopted these additional circumstances of horror in the fate of the lovers, and have so treated them as to harrow up our very souls—had it been his object to do so? But apparently it was ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, - Issue 563, August 25, 1832 • Various
... nasty Rats, That have a Lear so drowzy; With Vermin spread they look like Dead, Good Faith they're always Lousie: Pray hold you there, and do not swear, You are not half so sweet; You feed yours up with bit and sup, And give them ...
— Wit and Mirth: or Pills to Purge Melancholy, Vol. 5 of 6 • Various
... this habit Met I my father with his bleeding rings Their precious stones new lost. Shakespeare, Lear, a. 5. s. 3 ...
— The Divine Comedy • Dante
... have so treated her, and as I didn't sleep any more than she did, though, owing to very different feelings about Elizabeth, I made up my mind as to some things I would say to her when she got back. And if she has never read "King Lear" I will see that she hears it read before very long with a glossary, and comments of my own on ingratitude and things of that sort. Also she ...
— Kitty Canary • Kate Langley Bosher
... thou bloody hand; Thou perjured, and thou simular man of virtue, Thou art incestuous: caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... respectable, old-fogyfied times, remember amongst other amusements which we had as children the pictures at which we were permitted to look. There was Boydell's Shakspeare, black and ghastly gallery of murky Opies, glum Northcotes, straddling Fuselis! there were Lear, Oberon, Hamlet, with starting muscles, rolling eyeballs, and long pointing quivering fingers; there was little Prince Arthur (Northcote) crying, in white satin, and bidding good Hubert not put out his eyes; there was Hubert crying; there was little Rutland being run through the poor little ...
— John Leech's Pictures of Life and Character • William Makepeace Thackeray
... mapped-out and circumscribed. But he is far too good a craftsman to do no more than give a mere panorama of that daily Bath programme which King Nash and his dynasty ordained and established. He goes back to the origins; to the legend of King Lear's leper-father; to the Diary of the too-much-neglected Celia Fiennes; to Pepys[55] and Grammont's Memoirs; to the days when hapless Catherine of Braganza, with the baleful "belle Stewart" in her train, made fruitless pilgrimage to Bladud's ...
— De Libris: Prose and Verse • Austin Dobson
... titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest. It's no in makin' muckle mair; It's no in books; it's no in lear; To ...
— The End of the Rainbow • Marian Keith
... comforted, good madam; the great rage, You see is cured in him: and yet it is danger To make him even o'er the time he has lost. Desire him to go in: trouble him no more, Till further settling. KING LEAR. ...
— Waverley Volume XII • Sir Walter Scott
... which I had aimed at giving it an air of distinction had already been compared by one of my teachers to Persian hieroglyphics. In this composition I had constructed a drama in which I had drawn largely upon Shakespeare's Hamlet, King Lear, and Macbeth, and Goethe's Gotz van Berlichingen. The plot was really based on a modification of Hamlet, the difference consisting in the fact that my hero is so completely carried away by the appearance of the ghost of his father, who has been murdered ...
— My Life, Volume I • Richard Wagner
... writer of nonsense verses and their illustrator; the former must let himself go as much as he can, the latter must hold himself in. In Greybeards at Play, Chesterton took the bit between his teeth, and bolted faster than Edward Lear had ever done. The antitheses of such verses as the following ...
— G. K. Chesterton, A Critical Study • Julius West
... of wrath, inheriting the high, hasty temper of his mother. Tobias Lear, his intimate friend and private secretary, says that in the winter of 1791, an officer brought a letter telling of General St. Clair's disastrous defeat by the Indians. It must be delivered to the President himself. He left his family and guests at ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... gentlemen, have had many a hot dispute about its founder. Some say it was Leon Gaur, "a mighty strong giant," who first built caves and dungeons here, in which he confined all the poor stragglers he could catch, and fatted them for his table. Others affirm that it was old King Lear, whom you will sometime read about in Shakspeare, as being afflicted with a very testy temper and two wicked daughters, who were ...
— Stories and Legends of Travel and History, for Children • Grace Greenwood
... bruised with the back of a ladle, and give them two or three walms on the fire in the broth; then dish the chines in thin slices of fine French bread, broth them, and lay on them some boiled beef-marrow, boil'd in strong broth, some slic't lemon, and run all over with a lear made of beaten butter, the yolk of an egg or two, the juyce of two or three ...
— The accomplisht cook - or, The art & mystery of cookery • Robert May
... out to dinner by General Washington when he was President. Madam Hancock, whose husband had been President of the Continental Congress and Governor of Massachusetts, complained to General Washington's Secretary, Mr. Lear, that that honor belonged to her. The Secretary told General Washington, the next day, what she said. The General answered that it was his privilege to give his arm to the handsomest woman in the room. Whether the reply was communicated to Mrs. Hancock, or whether she was comforted by it, does ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... Lamb and his sister: indeed the work seems at first to have been intended for Mary's hand alone, but her brother undertook the telling of the stories of the tragedies, and to use his own words, out of the twenty tales he was "responsible for Lear, Macbeth, Timon, Romeo, Hamlet, Othello, for occasionally a tail-piece or correction of grammar, for none of the cuts, and for all of the spelling." When the work was originally produced it had illustrations to which Lamb objected. His reference ...
— Charles Lamb • Walter Jerrold
... names of them, which shows that Saintsbury was right, and I do care more for life than for poetry. No—I take it back. Do you know one of the tragedies—a Bible tragedy too—David—was written in his third period—much about the same time as Lear? The comedy, April Rain, is also a late work. Beckett is a fine ranting piece, like Richard II., but very fine for the stage. Irving is to play it this autumn when I'm in town; the part rather suits him—but who is to play ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson
... night we spent in Philadelphia, and went to the Chestnut Street Theater. Staples had a fondness for theaters, and on these occasions I followed his example. I had been in a theater but one, when I saw Forrest in Boston, in King Lear. At Philadelphia I bought a copy of Byron for three dollars. That ...
— Reminiscences of Sixty Years in Public Affairs, Vol. 1 • George Boutwell
... jelly—eh, Puddock? Two letters come, by Jove, announcing that Dick Devereux's benefit is actually fixed for the Christmas holidays, when his cousin undertakes to die for positively the last time, and his uncle will play in the most natural manner conceivable, the last act of "King Lear."' In fact, this family calamity was rather a cheerful subject among Devereux's friends; and certainly Devereux had no reason to love that vicious, selfish old lunatic, Lord Athenry, who in his prodigal and ...
— The House by the Church-Yard • J. Sheridan Le Fanu
... half-barbaric genius. He flung himself upon life with the irresponsible ardour of the discoverer of a new continent; shaped and re-shaped it as he chose; carved from it now the cynicism of Measure for Measure, now the despair of Hamlet and of Lear, now the radiant magnanimity of the Tempest, and departed leaving behind him not a map or chart, but a series ...
— The Greek View of Life • Goldsworthy Lowes Dickinson
... fairly good playing weather after we once got warmed up, and the 3,000 spectators saw a good game, lasting seven innings, and also saw the All-Americas win by a score of 8 to 4. Mr. and Mrs. Osmond Tearle were that night playing "King Lear" at the Grand Theater, and entertained us very handsomely. On this trip thus far we had had but little opportunity for sight-seeing save the passing glimpses of scenery that we could obtain from the flying train and in the ...
— A Ball Player's Career - Being the Personal Experiences and Reminiscensces of Adrian C. Anson • Adrian C. Anson
... noted, a student of Bergson at the Ecole Normale—found his ideal in the great story of the young girl of Domremy who saved France when all the pomp and wisdom of generals had broken down. And in our own poetry has not Mr. Bottomley rewritten the Lear story, with the focus of power and interest transferred from the old king—left with not an inch of king in him—to a glorious ...
— Recent Developments in European Thought • Various
... those obsolete elderly persons who quote Shakespeare. "Ah, well," he said, "your mother is like Kent in King Lear—she's too old to learn. Is she as fond as ever of lace? and as keen as ever after a bargain?" He handed a card out of the carriage window. "I have just seen an old patient of mine," he resumed, "in whom I feel a friendly interest. ...
— Heart and Science - A Story of the Present Time • Wilkie Collins
... two fine tragedies of the Grecian poet Sophocles. Mrs. Jameson, in her "Characteristics of Women," has compared her character with that of Cordelia, in Shakspeare's "King Lear." The perusal of her remarks cannot ...
— Bulfinch's Mythology • Thomas Bulfinch
... 31st, I took Louisa, at half-past seven, to the house of Mr. Hawes, an under Secretary of State, to see a beautiful children's masque. It was an impersonation of the "Old Year" dressed a little like LEAR with snowy hair and draperies. OLD YEAR played his part inimitably, at times with great pathos, and then introducing witty hits at all the doings of his reign, such as exploding cotton, the new planet, a subject which he put at ...
— Letters from England 1846-1849 • Elizabeth Davis Bancroft (Mrs. George Bancroft)
... neat, almost like copper-plate, in its precision and elegance, we shall understand what a task it must have been for him to keep up his correspondence. A little later he employed a young New Hampshire graduate of Harvard, Tobias Lear, who graduated in 1783, who served him as secretary until his death, and undoubtedly lightened the epistolary cares of the General. But Washington continued to carry on much of the letter-writing, especially the intimate, himself; and, like the Adamses ...
— George Washington • William Roscoe Thayer
... indirectly preferred a claim to the praise of invention, by not concealing that his supplementary labours were considerable! how selfish his conduct, contrasted with that of the disinterested Gael, who, like Lear, gives his kingdom away, and is content to become a pensioner upon his own issue for a beggarly pittance!—Open this far-famed Book!—I have done so at random, and the beginning of the Epic Poem Temora, in eight Books, presents itself. 'The blue waves of Ullin roll in ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... again. Moreover, though going to sea in the Shannon was not quite the same 'as going to sea in a sieve,' our stay-at-home friends were of the same mind as those of the dear little Jumblies, whom Mr. Lear has made immortal in his New Book of Nonsense; and we were bound to come back as soon as possible, and not 'in twenty years or more,' if we wished them ...
— At Last • Charles Kingsley
... the veil from the "bitter close of all," and to show that the hardest part of her work began when she laid down her sword, and the ending years of her life were the saddest and weariest portion. Never since the days of Lear has such a tale been told of a parent's sacrifice and of a child's ingratitude. In the royal home of the Duke of Bretagne, there was no room for her but for whose love and care he would have been a homeless fugitive. The discarded ...
— The White Lady of Hazelwood - A Tale of the Fourteenth Century • Emily Sarah Holt
... a feud greater than that of the Verona houses. There is always feud where there is not understanding. There is eternal feud between those two camps of misunderstanding, age and youth. This play, written by a young man, shows the feud from the point of view of youth. The play of King Lear shows it from the point of view of age. This play of youth is as lovely and as feverish as love itself. Youth is bright and beautiful, like the animals. Age is too tired to care for brightness, too cold to care for beauty. The bright, ...
— William Shakespeare • John Masefield
... fourth, // Deformed wretched, lame, and deformed, his choice shalbe, // creatures to put the worst to learning, as one good enoughe // commonlie to becum a scholer. I haue spent the most parte // set to lear- of my life in the Vniuersitie, and therfore I can // nyng. beare good witnes that many fathers commonlie do thus: wherof, I haue hard many wise, learned, and as good men as euer I knew, make great, and oft complainte: ...
— The Schoolmaster • Roger Ascham
... decisions from difference of style, wise as they might be, philologically, were, rationally and logically, nonsensical; for Burns, no doubt, wrote his letters as well as his poems, and Shakspeare's 'Sonnets' were written by the hand that wrote 'King Lear,' although, according to these wise doctors, it is assumed to be utterly impossible that the same man can use two styles, or that a man at seventy will write otherwise than he did at thirty. In short, we discovered that there is nothing more arbitrary, more opinionated, ...
— Continental Monthly , Vol. 5, No. 6, June, 1864 - Devoted to Literature and National Policy • Various
... Andronicus. Romeo and Juliet. Timon of Athens. The Life and death of Julius Caesar. The Tragedy of Macbeth. The Tragedy of Hamlet. King Lear. Othello, the Moore of Venice. Anthony and Cleopater. Cymbeline ...
— The First Folio [35 Plays] • William Shakespeare
... Mount Vernon during a portion of his presidency, were bought from the heirs of Pearce by the celebrated Edward Everett and now belong to the Long Island Historical Society. These have been published. His correspondence with Tobias Lear, for many years his private secretary, are now in the collection of Thomas K. Bixby, a wealthy bibliophile of St. Louis. These also have been published. The one greatest repository of papers is the Library of Congress. Furthermore, ...
— George Washington: Farmer • Paul Leland Haworth
... on drink! it gies us mair Than either school or college; It kindles wit, it waukens lear, It pangs us fou o' knowledge. Be 't whisky-gill or penny-wheep, Or onie stronger potion, It never fails, on drinkin deep, To kittle up our ...
— English Poets of the Eighteenth Century • Selected and Edited with an Introduction by Ernest Bernbaum
... gaun, ye broken men?" Quo' fause Sakelde; "come tell to me!" Now Dickie of Dryhope led that band, And the nevir a word of lear ...
— Ballad Book • Katherine Lee Bates (ed.)
... indefinite and mysterious feelings which words cannot render." Berlioz was a passionate lover of German music and of the writings of Shakspere, Goethe, and Scott. He composed overtures to "Waverley," "King Lear," and "Rob Roy"; a cantata on "Sardanapalus," and music for the ghost scene in "Hamlet" and for Goethe's ballad, "The Fisher." He married an English actress whom he had seen in the parts of Ophelia, Portia, and Cordelia. ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... destruction of 272 volumes of the English translation of Balzac's "Les Contes Drolatiques" on the ground that the book was obscene. "Les Contes Drolatiques" is an acknowledged masterpiece, and is not nearly so free spoken as "Lear" or "Hamlet" or "Tom Jones" or "Anthony and Cleopatra." What would be thought of a French magistrate or a German magistrate who ordered a fair translation of "Hamlet" or of "Lear" to be burnt, because of its obscenity? He would be regarded as demented. One can only understand such a judgment ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... power of invention and expression in domestic drama; (King Lear and Hamlet being essentially domestic in their strongest motives of interest). There is a tendency at this moment towards a noble development of our art in this direction, checked by many adverse conditions, which may be summed in one,—the insufficiency of ...
— Selections From the Works of John Ruskin • John Ruskin
... could be so, only if insane. But every great actor and orator must be capable of instantaneous abandonment to his part, and of as instantaneous withdrawal from it,—like the elder Booth, joking one minute at a side-scene and in the next having the big tears of a realized Lear running down his cheeks. An eminent critic says,—"Genius always lights its own fire,"—and this constant double process of mind,—one of self-direction and self-control, the other of absolute abandonment and identification,—each ...
— Atlantic Monthly Vol. 6, No. 33, July, 1860 • Various
... nothing better than those sudden leaps from society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor ...
— Serge Panine • Georges Ohnet
... Lear, Othello, Macbeth, Coriolanus, Antony, Timon, these are names indeed of something more than tragic purport. Only in the sunnier distance beyond, where the sunset of Shakespeare's imagination seems to melt or flow back into the sunrise, do we discern Prospero ...
— A Study of Shakespeare • Algernon Charles Swinburne
... manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... bill?: "It was anciently believed that this bird (the king-fisher), if hung up, would vary with the wind, and by that means shew from what quarter it blew." STEEVENS (apud Dodsley's O. P.),—who refers to the note on the following passage of Shakespeare's KING LEAR, ...
— The Jew of Malta • Christopher Marlowe
... needs examples; but for love, see p. 176, note, for fear, p. 161 ; for remorse, see Othello after the murder; for anger see Lear after Cordelia's first speech to him; for resolve, see p. 175 (J. Foster case). Here is a pathological case in which GUILT was the feeling that suddenly exploded: "One night I was seized on entering ...
— The Varieties of Religious Experience • William James
... revising my edition of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, ...
— Life Of Johnson, Vol. 2 • Boswell
... threatened with the humiliation of gracing Caesar's triumph, she snatches a dagger, exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence against ...
— The World I Live In • Helen Keller
... And it is just such moods that transform and elevate what otherwise would be absurd to the nobly serious; that changes the impossible into the possible; just as an exalted mood or mind is, or was, the primary difference between Hamlet, or Macbeth, or Lear, and any of the forgotten Bowery melodramas of a ...
— Children of the Whirlwind • Leroy Scott
... leans her cheek upon her hand, And prattles to the night. Anon, a reverend form With tattered robe and forehead bare, That challenge all the torments of the air, Goes by! And the pent feelings choke in one long sigh, While, as the mimic thunder rolls, you hear The noble wreck of Lear Reproach like things of life the ancient skies, And commune with the storm! Lo! next a dim and silent chamber, where Wrapt in glad dreams, in which, perchance, the Moor Tells his strange story o'er, The gentle Desdemona chastely lies, Unconscious of the loving murderer ...
— War Poetry of the South • Various
... you could trust them; But they are the people's creatures; poor men give them Their power at the church, and take it back at the ale-house: Then what's the friar to the starving peasant? Just what the abbot is to the greedy noble— A scarecrow to lear wolves. Go ask the church plate, Safe in knights' cellars, how these priests are feared. Bruised reeds when you most need them.—No, my Lord; ...
— The Saint's Tragedy • Charles Kingsley
... days of judgment seemed concentrated in that frown of gigantic darkness. Beneath it the landscape seemed to grow livid as a corpse, and terror to fill with trembling the very trees and grasses. Oedipus and Orestes and King Lear rolled into one could hardly have accounted for that angry sky. Such a sky it must have been that carried doom to the cities of the plain. And, after all, it was only Colin and I innocently ...
— October Vagabonds • Richard Le Gallienne
... when he heard his name bandied from one to the other across the table, with some vile jest tacked to it "like a tin kettle to a dog's tail," he awoke to the full measure of his misery—the cup was full. Fate had done her worst, and he might have exclaimed with Lear, "spit, fire-spout, rain," there was nothing in store for ...
— The Confessions of Harry Lorrequer, Complete • Charles James Lever (1806-1872)
... are exhibited in daily, homespun dress, and stalking abroad through the centuries, the generous and brave nobility of King Lear, Caesar, Othello, and Hamlet, will be seen in marked contrast to Shylock, Brutus, Cassius, Iago, Gloster and Macbeth. His fools and wits were philosophers, while many of his kings, queens, dukes, lords and ladies were sneaks, frauds ...
— Shakspere, Personal Recollections • John A. Joyce
... Saints' Day, after wandering awhile about a swampy churchyard in the suburb of Maria Hilf, to see the melancholy spot of light which glimmered at each grave-head, I went to the Burg Theatre, and witnessed Shakespeare's play of "King Lear" (and the best actor in Vienna played the Fool); and further, that I spent the evening of Christmas Day in Daum's coffee-house in reading Galignani's Messenger, in order to bring myself, in imagination at least, as near ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie
... in an accent much broader than the provincial dialect—"na, my faither was owre puir for giein me ony buke lear." This seemed to satisfy the damsel, and she intrusted him with the letter in its unclosed state, only enjoining him to show it to nobody, and give it into the hands of ...
— Wilson's Tales of the Borders and of Scotland, Volume III • Various
... better than follow Dr. Prior on this word: "Harlock, as usually printed in 'King Lear' and in Drayton, ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... rounded with a sleep." The easy-going persons who reluct at the idea of a pessimistic Shakespeare should turn the pages of Troilus and Cressida, Measure for Measure, and Timon of Athens. What we guessed as we read Hamlet and Lear grows a certainty as ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys |
