"Dress circle" Quotes from Famous Books
 ... go the play, and a large and varied assortment of children. It is an odd sight to see a jovial old Mormon file down the parquette aisle with ten or twenty robust wives at his heels. Yet this spectacle may be witnessed every night the theatre is opened. The dress circle is chiefly occupied by the officers from Camp Douglas and the Gentile Merchants. The upper circles are filled by the private soldiers and Mormon boys. I feel bound to say that a Mormon audience is quite as appreciative as any other kind of an ...
— The Complete Works of Artemus Ward, Part 4 • Charles Farrar Browne
... much of habitual correlation, is mixed with all such experiences, that the core of pure sensation is only to be extracted by careful investigation. To take a simple illustration: if you go to the theatre in your own country, you seem to hear equally well in the stalls or the dress circle; in either case you think you miss nothing. But if you go in a foreign country where you have a fair knowledge of the language, you will seem to have grown partially deaf, and you will find it necessary to be much nearer the stage than you would need to be ...
— The Analysis of Mind • Bertrand Russell
... large and fashionable audience had assembled to bid us welcome. The theater, presided over at that time by Jimmy Williamson, an American, was handsomely decorated for the occasion with American flags, and as we took our places in the private boxes and in the section of the dress circle reserved for us, we were greeted with ...
— A Ball Player's Career - Being the Personal Experiences and Reminiscensces of Adrian C. Anson • Adrian C. Anson
... denominated the slips, that is, the sides of the theatre on the same range as the gallery. There was Captain Delmar with all his ladies and all his officers, occupying nearly the whole of the side of the dress circle below us, we having taken our position above him, so that ...
— Percival Keene • Frederick Marryat
... itself to the East. On its surface, Man is much like the acrobat we see at the theatres, who, mounted on his parti-colored ball, faces one way while it moves the other. It must be a queer spectacle to those who, from the planetary dress circle of the universe, are watching us through their opera glasses. It must be still queerer to them when they hear us chanting a Miserere at the approach of an invincible line across the face of Time, as ...
— Observations of a Retired Veteran • Henry C. Tinsley |
