"Copyright" Quotes from Famous Books
 ... of The Christian Science Monitor for allowing him to reproduce some of the pictures drawn by Mr. L. Walker for the series of articles which appeared in that paper; to Mr. T. W. Tyrrell, Mr. Anthony J. Smith, and Mr. T. Fisher Unwin for the loan of photographs and pictures of which they own the copyright. ...
— The Inns and Taverns of "Pickwick" - With Some Observations on their Other Associations • B.W. Matz
... from the 1949 book A Martian Odyssey and Others by Stanley G. Weinbaum, pp. 1-27. Extensive research did not uncover any evidence that the U.S. copyright on ...
— A Martian Odyssey • Stanley Grauman Weinbaum
... entirely white, others tinted in bright colours, in accordance with the description given by Bernadette; the amiable and smiling face, the extremely long veil, the blue sash, and the golden roses on the feet, there being, however, some slight modification in each model so as to guarantee the copyright. And there was another flood of other religious objects: a hundred varieties of scapularies, a thousand different sorts of sacred pictures: fine engravings, large chromo-lithographs in glaring colours, submerged beneath a mass of smaller pictures, ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... not, therefore, plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and sentiment, ...
— The Gorgon's Head - (From: "A Wonder-Book For Girls and Boys") • Nathaniel Hawthorne
... into their hands, and retained them as indecent publications. Burned them, I hope he meant, and so, I fear, will all holders of this notorious publication, for prices will advance, and Sir Richard will chuckle to think that indecency is a much better protection than international copyright. ...
— Supplemental Nights, Volume 6 • Richard F. Burton
... this period (February, 1806) at work upon a farce, to be called "Mr. H.;" from which he says, "if it has a 'good run' I shall get two hundred pounds, and I hope one hundred pounds for the copyright." "Mr. H." (which rested solely upon the absurdity of a name, which after all was not irresistibly absurd) was accepted at the theatre, but unfortunately it had not "a good run." It failed, not quite undeservedly perhaps, for (although it has since had some ...
— Charles Lamb • Barry Cornwall
... played pool in the village saloon. He had always liked to read, and had piles of literature in his attic room which was good, because it was cheap. Very few people know that cheap literature is very likely to be good, because it is old and unprotected by copyright. He had Emerson, Thoreau, a John B. Alden edition of Chambers' Encyclopedia of English Literature, some Franklin Square editions of standard poets in paper covers, and a few Ruskins and Carlyles—all read to rags. He talked the book English ...
— The Brown Mouse • Herbert Quick
... for the same thing, and I do not know but I shall have to gratify him and others at the risk of injury to this my vulgar hope of dollars,—that innate idea of the American mind. This I shall settle in a few days. No copyright can be secured here for an English book unless it contain original matter: But my moments are going, and I can only promise to write you quickly, at home and at leisure, for I have just been reading the History again with many, many thoughts, ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, - 1834-1872, Vol. I • Thomas Carlyle and Ralph Waldo Emerson
... he did largely. I am in a position to write the biographies of Mr. Rowley, Mr. Rowley's father and mother, his Aunt Eliza, and the miller's dog; and nothing but pity for the reader, and some misgivings as to the law of copyright, prevail on me to ...
— St Ives • Robert Louis Stevenson
... efforts to console him. "There's nothing to snivel about, old man," he said repeatedly, with a tranquil smile. He then inquired if it was true that there were portraits of him in several of the papers, and was anxious to know if they were like him. He has executed his will, leaving the copyright of his manuscript, his sole assets, to his father, who has been in a comparatively humble position of life, but who will now be raised to a condition of affluence. The father has been interviewed, and stated to a reporter that he has been much gratified by ...
— Punch, Or The London Charivari, Vol. 99., November 29, 1890 • Various
... vigilance is the price of holding a trench. Either side is cudgelling its brains day and night to spring some new trick on the other. If one side succeeds with a trick, the other immediately adopts it. No international copyright in strategy is recognized. We rushed out of the mess hall into the firing-trench, where we found the men on the alert, rifles laid on the spot where the Germans were supposed to ...
— My Year of the War • Frederick Palmer
... under the copyright laws of the United States, is subject to royalty, and any one presenting the play without the consent of the author or his agents, will be liable to penalty under the law. All applications for amateur performances must be made to SAMUEL ...
— Dolly Reforming Herself - A Comedy in Four Acts • Henry Arthur Jones
... Lords below the bar and the strangers in the gallery joined. The excitement of the House was such that no other speaker could obtain a hearing; and the debate was adjourned. The ferment spread fast through the town. Within four and twenty hours, Sheridan was offered a thousand pounds for the copyright of the speech, if he would himself correct it for the press. The impression made by this remarkable display of eloquence on severe and experienced critics, whose discernment may be supposed to have been quickened by emulation, ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... thank Messrs. Houghton, Mifflin & Co., the Century Co., Roberts Brothers, and Charles Scribner's Sons, for permission to use and adapt some of their valuable copyright matter. ...
— New National Fourth Reader • Charles J. Barnes and J. Marshall Hawkes
... Weights and Measures Appendix F: Cross-Reference List of Country Data Codes Appendix G: Cross-Reference List of Hydrographic Codes Appendix H: Cross-Reference List of Geographic Names History Contributors and Copyright Information Purchase Information ...
— The 2000 CIA World Factbook • United States. Central Intelligence Agency.
... made to the following authors, publishers, and owners of copyright, who have courteously granted permission to use the ...
— De La Salle Fifth Reader • Brothers of the Christian Schools
... identifying the poet's house; he also warmly defends him from the charge that has been brought against him of servility in accepting it. He points out that it was only after the invention of printing that literature became a money-making profession, and that, as there was no copyright law at Rome to prevent books being pirated, patrons had to take the place that publishers hold, or should hold, nowadays. The Roman patron, in fact, kept the Roman poet alive, and we fancy that many of our modern bards rather regret the old ...
— Reviews • Oscar Wilde
... time before he could find a publisher bold enough to undertake a venture of so novel a character; and so little faith in it had Francisco Robles of Madrid, to whom at last he sold it, that he did not care to incur the expense of securing the copyright for Aragon or Portugal, contenting himself with that for Castile. The printing was finished in December, and the book came out with the new year, 1605. It is often said that "Don Quixote" was at first received coldly. ...
— Don Quixote • Miguel de Cervantes Saavedra
... of dearness by subdividing the cost, and then selling such copies as are still in decent condition at a large reduction. It is this state of things, due, in my opinion, principally to the present form of the law of copyright, which perhaps may have helped to make way for the satirical (and sometimes untrue) remark that in times of distress or pressure men make their first economies on their charities, and their second on ...
— On Books and the Housing of Them • William Ewart Gladstone
... annihilates space and time. Each morning every part knows what every other part is thinking, contemplating, or doing. A discovery in a German laboratory is being demonstrated in San Francisco within twenty-four hours. A book written in South Africa is published by simultaneous copyright in every English-speaking country, and on the following day is in the hands of the translators. The death of an obscure missionary in China, or of a whisky smuggler in the South Seas, is served up, the world over, with the morning toast. The wheat output of Argentine or the gold ...
— Revolution and Other Essays • Jack London
... of this chapter is selected, by kind permission of Dr. Henry Smith Williams, from his "History of the Art of Writing," Copyright, ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 12 (of 12) • S. Rappoport
... pains with the text of A Voyage to Terra Australis. It was never meant to be a book for popular reading, though there is no lack of entertainment in it. It was a semi-official publication, in which the Admiralty claimed and retained copyright, and its author was perhaps a little hampered by that circumstance. Bligh asked that it should be dedicated to him, but "the honour was declined."* (* Flinders' Papers.) The book was produced under the direction of a committee appointed ...
— The Life of Captain Matthew Flinders • Ernest Scott
... were proud to claim him as a compatriot through his mother, and a nautical drama from his pen—The Ocean Wolf, or the Channel Outlaw—was performed at New York with acclamation. He had some squabbles with American publishers concerning copyright, and was clever enough to secure two thousand two hundred and fifty dollars from Messrs Carey & Hart for his forthcoming Diary in America and The Phantom Ship, which latter first appeared in the New Monthly, 1837 ...
— Peter Simple and The Three Cutters, Vol. 1-2 • Frederick Marryat
... this petition read in the United States Senate on February 2, 1837? The booksellers, magazine, periodical and newspaper publishers have before succeeded in defeating one copyright bill. They now bestir themselves again; the United States Senate consigns the petition to the archives; and the piracy goes on as ...
— History of the Great American Fortunes, Vol. I - Conditions in Settlement and Colonial Times • Myers Gustavus
... the copyright," retorted Shirley, "this is one of the chapters of my life that isn't going to be typewritten, much less ...
— The Voice on the Wire • Eustace Hale Ball
... the only profit in a pecuniary sense that he ever obtained from any of his works was by the sale of what he called his Icosian Game. Some enterprising publisher, on the urgent representations of one of Hamilton's friends in London, bought the copyright of the Icosian Game for 25 pounds. Even this little speculation proved unfortunate for the purchaser, as the public could not be induced to take the ...
— Great Astronomers • R. S. Ball
... Copyright, patent rights, or other exclusive rights to the use or profits of any works ...
— Home Rule - Second Edition • Harold Spender
... sanguine temper ran ahead of his labors. Feeling secure of success in England, he was anxious to forestall the piracy of the Irish press; for as yet, the Union not having taken place, the English law of copyright did not extend to the other side of the Irish Channel. He wrote, therefore, to his friends in Ireland, urging them to circulate his proposals for his contemplated work, and obtain subscriptions payable in advance; ...
— Oliver Goldsmith • Washington Irving
... library. The teacher accompanies them, and they come in school hours. The school reference librarian gives the lesson. For the eighth grade we consider the make-up of the book—the title-page in detail, the importance of noting the author, the significance of place and date and copyright, the origin of the dedication, the use of contents and index. This is followed by a description of bookmaking, folding, sewing and binding, illustrated by books pulled to pieces for the purpose. The lesson closes with remarks on the care of books. ...
— Library Work with Children • Alice I. Hazeltine
... credit of improvements in materially reducing the number of printings, and still maintaining excellence in results, was conceded to them by the Judges.—This company kindly permitted the author to use their copyright of the revised and most correct Bird's Eye View of the Exposition Grounds extant, which gives the readers a very adequate conception of that marvelous creation that—while existing only for such a brief period—has accomplished ...
— By Water to the Columbian Exposition • Johanna S. Wisthaler
... books, and making them the subject of family settlements for the provision of their wives and children! When Tonson, in 1739, obtained an injunction to restrain another bookseller from printing Milton's "Paradise Lost," he brought into court as a proof of his title an assignment of the original copyright, made over by the sublime poet in 1667, which was read. Milton received for this assignment the sum which we all know—Tonson and all his family and assignees rode in their carriages with the profits ...
— Calamities and Quarrels of Authors • Isaac D'Israeli
... "Reminiscences of a Journalist." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884. Mr. Congdon was, for many years, under Horace Greeley, a leading editorial writer for ...
— Seeing Europe with Famous Authors - Vol. II Great Britain And Ireland, Part Two • Francis W. Halsey
... unprofitable. He could sympathise with Gilbert Fenton much more keenly than that gentleman would have supposed possible; for a man suffering from this kind of affliction is apt to imagine that he has a copyright in that species of grief, and that no other man ever did or ever can experience a like calamity. The same manner of trouble may come to others, of course, but not with a similar intensity. Others will suffer ...
— Fenton's Quest • M. E. Braddon
... Copyright, 1895, by Charles Scribner's Sons for the United States of America Printed by the Trow Directory, Printing and Bookbinding Company New York, ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen
... & Dunlap Publishers Made in the United States of America Grosset & Dunlap, Publishers, New York Copyright, ...
— The Story of a Plush Bear • Laura Lee Hope
... (C) 2003 Joseph E. Loewenstein, M.D. This Introduction to Nina Balatka is protected by copyright and/or other applicable law. Any use of the work other than as authorized in "The Legal Small Print" section (found at the end of ...
— Nina Balatka • Anthony Trollope
... literature. The intention is to publish uniformly the best of the decadent writings of various countries, done into English and consistently brought together for the first time. The volumes are all copyright, and are issued in a uniform binding—The Green Tree—designed ...
— Black Spirits and White - A Book of Ghost Stories • Ralph Adams Cram
... Victorian Liberalism to Collectivism which has perceptibly strengthened the State Churches. Yet the fact remains that whereas Byron's Cain, published a century ago, is a leading case on the point that there is no copyright in a blasphemous book, the Salvation Army might now include it among its publications without ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... and that, in fact, scarcely a single pattern of purely home invention is worked in a season. The manufacturers are, however, now roused from their lethargy, and great efforts are made to remedy the evil. Schools of design are established, and copyright of design has just been conferred by act of parliament. In some of our commercial towns, large rooms or galleries are opened to the mechanic, where he may study the beautiful and ideal from casts and models of the ...
— Blackwood's Edinburgh Magazine, No. 327 - Vol. 53, January, 1843 • Various
... made on the title and copyright pages of those contributing to each book, the Committee nevertheless felt that a group list of co-operating firms would ...
— Capitals - A Primer of Information about Capitalization with some - Practical Typographic Hints as to the Use of Capitals • Frederick W. Hamilton
... gentleman had once advised him to write the particulars of it, and had promised him half-a-crown if he would do so. He had written some of them, but had never seen the gentleman again, so he did not get the half-crown; and now he would take sixpence for the copyright of his work. I gave him sixpence, and he drew out a manuscript from an inside pocket of his coat, and handed it to me. It was composed of small sheets of whitey-brown wrapping paper sewn together. ...
— The Book of the Bush • George Dunderdale
... these fugitive pieces were collected into a volume, the copyright of which was sold to one Macrone for L100, who published them under the first and best known title, "Sketches by Boz." The familiar story of "Pickwick," its early conception and its final publication, is ...
— Dickens' London • Francis Miltoun
... he informed me, on an errand of mercy for his stomach. The magazine aboard ship being of dubious character, he had prevailed on himself to supply his concern with a limited number of first-class cereals with his own imprimatur,—copyright and profits to be in his own hands. As some consolation for his absence, I was favored with a brief oral treatise on Fats, considered both dietetically and ethically, with an appendix, somewhat a la Liebig, on the nature, use, and effects of ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... will scarcely be questioned. The copyright of authors has been solemnly adjudged, in Great Britain, to be a right of common law. The right to useful inventions seems with equal reason to belong to the inventors. The public good fully coincides in both cases with the claims of individuals. The States cannot separately ...
— The Federalist Papers • Alexander Hamilton, John Jay, and James Madison
... hindrance to each other. With regard to works published by the Society, they might reasonably expect to be supplied {372} with such as they should choose to possess, on the same terms as if they were the authors, or the owners of the copyright. These, however, are details which, with many others, must be settled by the managers; they are not mentioned as matters of primary ...
— Notes & Queries, No. 53. Saturday, November 2, 1850 • Various
... this time too that Haydn opened a correspondence with William Forster of London, who had added to his business of violin-maker that of a music-seller and publisher. Forster entered into an agreement with him for the English copyright of his compositions, and between 1781 and 1787 he published eighty-two symphonies, twenty-four quartets, twenty-four solos, duets and trios, and the "Seven Last Words," of which we have yet to speak. Nothing of the Forster correspondence ...
— Haydn • J. Cuthbert Hadden
... old; he was a Cambridge man, and intimate with Tennyson, Hallam, and other men of literary mark, and he was himself a minor poet, and warm in the cause of literature. During his parliamentary career, in 1837, he was instrumental in passing the copyright act. He had travelled in Greece and Italy in his twenties; was fond of society, and society of him. A more urbane and attractive English gentleman did not exist; everything that a civilized man could care for was at his disposal, and he made the most of his opportunities. His manners ...
— Hawthorne and His Circle • Julian Hawthorne
... connected with the best papers in London. "The Deemster" was sold for one hundred and fifty pounds (six hundred dollars), the serial rights having produced four hundred pounds (two thousand dollars). He would be glad to-day to purchase the copyright back for one thousand pounds. He had ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell
... our march about the pole would make such a sensation!" said Mrs. Jones. "Your North Pole March will make your fortune, Fred. You should immediately copyright and publish it. You could ...
— Doctor Jones' Picnic • S. E. Chapman
... will not now. It was delayed ... delayed. He cut the plan up into scenes ... I mean into a list of scenes ... a sort of ground-map to work on—and there it lies. Nothing more was done. It all lies in one sheet—and I have offered to give up my copyright of idea in it—if he likes to use it alone—or I should not object to work it out alone on my own side, since it comes from me: only I will not consent now to a double work in it. There are objections—none, be it well understood, in Mr. Horne's disfavour,—for I think of him as well at this moment, ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... printed in boldface is taken from the American Standard Edition of the Revised Bible, copyright, 1901, by Thomas Nelson & Sons, and is ...
— The Gospel of Luke, An Exposition • Charles R. Erdman
... to be equalled—no other than Ottocar—that particular friend, who, in the prologue, tried to get a finis put to his mortal career. The jocose ruffians here enliven the scene—one by being cast into a dungeon for asking Ottocar (evidently the Colburn of his day), an exorbitant price for the copyright of a certain manuscript; the other, by calling the courtier a man of genius, and being taken into his service, as no doubt, "first robber." To support this character, a change of apparel is necessary: and no wonder, for ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... my face. A neighbouring butcher presented me with a choice morsel of steak, not to eat but to wear; and I found it, if I may so express myself without infringing copyright, "grateful and comforting." My enemies had long since scooted, some of them, I had rejoiced to notice, with lame and halting steps. The mutilated kitten had been restored to its owner, a lady of ample bosom, who, carried beyond judgment ...
— Paul Kelver • Jerome Klapka, AKA Jerome K. Jerome
... A "copyright" in heads is a good suggestion, and coming from a publisher too! But apart from "traitors," there are others known to a caricaturist. The House of Commons at one time was rich in them. Some such works of art suffer in being translated. Indeed, what the poet "Ballyhooley" ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... Haines, editor of "Our Animal Friends," and president of the American Society for the Prevention of Cruelty to Animals, for publishing the contents of this chapter in his magazine in time to be included in this volume. Also for copyright privileges in connection with this ...
— Birds of the Rockies • Leander Sylvester Keyser
... perseveringly followed up, led me very wide of your mark, and I was obliged to leave you quite unsatisfied on another point, about which, for one who is not an author, you seem to be singularly excited. To waive my astonishment at the Benthamism of the phrase, pray what is "International Copyright" to Godfrey, that he should weep for such a Hecuba? I should have been as little surprised, had you asked me to inquire the opinion of the Indians as to the best regimen for infants. A veritable author, suffering by ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... volumes. The One-volume edition will be printed from a new fount of Brevier Ancient type, on toned paper, and will be the most compact and readable edition of Shakespeare ever issued in a single volume. The PUBLISHERS are confident that no Copyright Editions of Shakespeare, of corresponding value and importance, have ever been offered to the ...
— Diary of the Besieged Resident in Paris • Henry Labouchere
... (typically on multiple pages of fan-fold paper) from user-specified text, e.g., by a program such as Unix's 'banner({1,6})'. 3. On interactive software, a first screen containing a logo and/or author credits and/or a copyright notice. ...
— The Jargon File, Version 4.0.0
... qualities, and his uncouth Johnsonian habits were probably the means of erecting a barrier between himself and more cultivated friends. Lockhart, in his life of Scott, speaks of Hogg as a "a true son of nature and genius," and this he undoubtedly was. One who had taught himself to write by copyright the letters of a printed book as he lay watching his flock on the hill side, and whose vivacious imagination, as his own brother informs us, disqualified him from study or research, was not likely while alive to make many close friends in the exclusive and polished circles which ...
— Western Worthies - A Gallery of Biographical and Critical Sketches of West - of Scotland Celebrities • J. Stephen Jeans
... no verra ceevil gin ye bring him when there's naethin' wrang," and Mrs. Macfadyen's face reflected another of Mr. Hopps's misadventures of which Hillocks held the copyright. ...
— Stories by English Authors: Scotland • Various
... been able to find out where the letters are or who has them. One thing is certain: the person who took advantage of Posh's ignorance will not be able to publish his ill-gotten gains in England so long as any copyright exists in the letters. For no letter of FitzGerald's can be published without the consent of Dr. Aldis Wright, and he is not the man to permit capital to be made out of sharp practice with his consent. ...
— Edward FitzGerald and "Posh" - "Herring Merchants" • James Blyth
... Mr. Harold Monro, of The Poetry Book Shop, for permission to include in this volume certain poems of which he possesses the copyright; also the editor of the "Nation" for ...
— Fairies and Fusiliers • Robert Graves
... in Lewis' 1994 Collected Poems. It is the first of Lewis' major published works to enter the public domain in the United States. Readers should be aware that in other countries it may still be under copyright protection. ...
— Spirits in Bondage • (AKA Clive Hamilton) C. S. Lewis
... Mr. Snyder, growing sarcastic, 'that in case Mr. Onions Winter chooses to copyright the book in America, you are to have half-royalties on all copies sold over there. Now about America,' Mark continued after an impressive pause, at the same time opening a drawer and dramatically producing several paper-covered volumes ...
— A Great Man - A Frolic • Arnold Bennett
... Copyright publications which cannot be obtained elsewhere. Books that charm the hearts of the little ones, and of which they never tire. Many of the adventures are comical in the extreme, and all the accidents that ordinarily happen to youthful personages happened to these many-sided little mortals. ...
— The Bobbsey Twins in a Great City • Laura Lee Hope
... made the acquaintance of the great publisher Hachette, a granddaughter of whom was another of the trio. He had left his manuscript at the publishing-house, and after some time was informed that the firm would be happy to publish it, and to pay him in cash for the copyright eight hundred francs—an offer with which he closed immediately. A week or so later he was visited, to his astonishment, by the great publisher in person. "Sir," began the latter, "it is often said that publishers ...
— Lippincott's Magazine, Vol. 22, September, 1878 • Various
... affairs was old Werner. His salary was at first L40, and he was passing rich on it; and it was soon raised to L79. We need trouble no further as to whether on such wages he was poor or rich: he evidently considered himself well-to-do. In fact, even in those days, when copyright practically did not exist, he continually made respectable sums by his compositions, and after he had been twice to England, ever the Hesperides' Garden of the German musician, he was a wealthy man, and was thankful for it. He ...
— Haydn • John F. Runciman
... to reveal all the clues to you now; partly because I might be infringing the copyright of another, partly because I have forgotten them. But the idea roughly is that if a man holds his cigar between his finger and thumb, he is courageous and kind to animals (or whatever it may be), and if he holds ...
— Not that it Matters • A. A. Milne
... piracy from Tindal's Christianity as Old as the Creation: now a piracy a parte post is common enough; but a piracy a parte ante, and by three centuries, would (according to our old English phrase[5]) drive a coach-and-six through any copyright act that man born of woman could frame. 2dly, it is quite contrary to the evidence on Joanna's trial; for Southey's "Joan" of A. Dom. 1796 (Cottle, Bristol), tells the doctors, amongst other secrets, that she never in her life attended—1st, Mass; ...
— Miscellaneous Essays • Thomas de Quincey
... married Miss Catherine Hogarth when he was only twenty-four. He had just published his Sketches by Boz, the copyright of which he sold for one hundred pounds, and was beginning the Pickwick Papers. About this time his publisher brought N. P. Willis down to Furnival's Inn to see the man whom Willis called "a young paragraphist for the Morning ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... emendations which the editor "would not hesitate to adopt it he should ever find an ancient MS. to confirm them" and a final leaf with colophon and anchor. The Scholia, 24 unnumbered leaves, have a separate title, with notice of copyright granted by Paul III. (the fourth pope to grant this privilege) and the Venetian senate; colophon and anchor repeated on last leaf. Italic letter, 30 lines to the page, five-line spaces with guide-letters left ...
— Catalogue of the William Loring Andrews Collection of Early Books in the Library of Yale University • Anonymous
... first and chiefly, to Mr. Clement K. Shorter who placed all his copyright material at my disposal; and to Mr. G.M. Williamson and Mr. Robert H. Dodd, of New York, for allowing me to draw so largely from the Poems of Emily Bronte, published by Messrs. Dodd, Mead, and Co. in 1902; also to Messrs. Hodder and Stoughton, the publishers of the Complete Poems of Emily Bronte, ...
— The Three Brontes • May Sinclair
... teachers may claim original methods of combining these ingredients. Has a reporter any right to make such ideas appear as her own, without due credit to the authors? Whether this sort of work is done in newspapers, or appears in book form, or whether it is in direct violation of copyright laws or not, it is at least discourteous. Poems are sometimes stolen, but the literature of the ...
— The Writer, Volume VI, April 1892. - A Monthly Magazine to Interest and Help All Literary Workers • Various
... without art is simply a commodity; it may be exceedingly valuable to the consumer, very profitable to the producer, but it does not come within the domain of pure literature. It is said that some high legal authority on copyright thus cites a case: "One Moore had written a book which he called 'Irish Melodies,'" and so on. Now, as Aristotle defined the shipbuilder's art to be all of the ship but the wood, so the literary art displayed in Moore's Melodies was precisely ...
— The Atlantic Monthly, Volume 20, No. 122, December, 1867 • Various
... the English book world, but L5 in Dutch currency presses heavily on the budget of a Dutch translation, of which only some hundred or so copies can be sold at a retail price of not quite five shillings, and is an almost prohibitive price to pay for the copyright of a novel which is only used as the feuilleton of a local paper with an edition of under a thousand copies a week. As a fact, many Dutch publishers pay royalties to their foreign colleagues as soon as the publication is important enough to bear the expense; but the majority clearly will only ...
— Dutch Life in Town and Country • P. M. Hough
... original proposal was made to him, not by him to them, the price named being fifteen guineas a letter. He asked permission to duplicate the arrangement with some New York periodical, so as to secure an American copyright. This they refused. I read the correspondence at the time. "Our aim," they said, "in making the engagement, had reference to our own circulation in the United States, which ...
— Marse Henry, Complete - An Autobiography • Henry Watterson
... ESQ. N.B. The proprietorship of this Series is secured in all countries where the Copyright is protected. The authorities on which the History of St. Frances of Rome rests are ...
— The Life of St. Frances of Rome, and Others • Georgiana Fullerton
... become the object of a generous competition between rival Universities. In Utopia, any author has the option either of publishing his works through the public bookseller as a private speculation, or, if he is of sufficient merit, of accepting a University endowment and conceding his copyright to the University press. All sorts of grants in the hands of committees of the most varied constitution, supplemented these academic resources, and ensured that no possible contributor to the wide flow of the Utopian mind slipped ...
— A Modern Utopia • H. G. Wells
... by Katherine E. Wilkie. Copyright (C) 1961 by Scholastic Magazines, Inc. This Scholastic Book Services edition is published by arrangement ...
— Daniel Boone - Taming the Wilds • Katharine E. Wilkie
... Appendix was added by Einstein at the time of the fifteenth re-printing of this book; and as a result is still under copyright restrictions so cannot be added without ...
— Relativity: The Special and General Theory • Albert Einstein
... English, in 1885, by an American lady, Mrs. F. Kelley Wischnewetzky, and published in the following year in New York. The American edition being as good as exhausted, and having never been extensively circulated on this side of the Atlantic, the present English copyright edition is brought out with the full consent of all ...
— The Condition of the Working-Class in England in 1844 - with a Preface written in 1892 • Frederick Engels
... host, "I gave up my other business and devoted myself to the editing and publishing of the paper. At first, the chief pieces in it were selected from books and periodicals—any sources, in short, that were not copyright. I would get an anecdote from one book, and something else from another, anything interesting, in fact, from wherever I could pick it up; of course, now we have a large list of original contributors, but at first that was the way in which it was compiled. In the early days, naturally enough, its ...
— The Idler Magazine, Volume III, March 1893 - An Illustrated Monthly • Various
... property, and actually induced his unconscious victim to sell the property, unknown to the editor. When the bargain was concluded, the plot was discovered; but it was then too late, and the wily Director took possession of the copyright of the paper and the printing office on behalf of the company. The services of the editor, however, were not to be bought, he refused to barter away his independence, and retired—taking with him the respect of ...
— Railway Adventures and Anecdotes - extending over more than fifty years • Various
... China are foretold by the Government almanac published annually in Peking by a bureau of astrology attached to the Board of Rites. The almanac is a Government monopoly, and any infraction of its copyright is a penal offence. "It monopolises the management of the superstitions of the people, in regard to the fortunate or unlucky conjunctions of each day and hour. No one ventures to be without it, lest he be liable to the greatest ...
— An Australian in China - Being the Narrative of a Quiet Journey Across China to Burma • George Ernest Morrison
... first success of their publication occasioned any elation to the Essayists, and I cannot recollect any signs of it at the time. The Annual Report mentions that a substantial profit was realised on the first edition, and states that the authors had made over the copyright, "valued at about L200," to the Society; but these details are included in a paragraph headed "Publications," and the Essays are not mentioned in the general sketch of the work of ...
— The History of the Fabian Society • Edward R. Pease
... alas! My poor copyright too—into other hands pass; And my friend, the Head Devil of the "County Gazette" (The only Mecaenas I've ever had yet), He who set up in type my first juvenile lays, Is now see up by them for the rest of his days; And while Gods ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... as his word. When Charles called again, at the end of a week, he received twenty guineas for the copyright of the volume. He was quite satisfied, and it gave him much pleasure to transmit the money to Isabella. Jane told him, in her answer, that she had considered the money as disposed of before it arrived, as ...
— Principle and Practice - The Orphan Family • Harriet Martineau
... to Mr. Heinemann, the owner of the copyright of Dykes Campbell's edition of Coleridge's Poetical Works (Macmillan & Co., 1893) for permission to use that text (one of the most carefully edited texts of any English poet) in this volume of selections. My aim, in making these selections, ...
— Poems of Coleridge • Coleridge, ed Arthur Symons
... law in the United States and offered advice during a lively discussion of this subject. But uncertainty remains concerning the price of copyright in a digital medium, because a solution remains to be worked out concerning management and synthesis of copyrighted and out-of-copyright pieces ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly
... in modern play-writing has not been included in this volume. Because of copyright complications the works of Mr. Masefield, Mr. Shaw, Mr. Drinkwater, and Sir James Barrie are not here represented. The plays by these writers that seem best fitted to use by teachers and pupils in high schools, together ...
— The Atlantic Book of Modern Plays • Various
... amusing to know that Victor Hugo contested the rights of Italian librettists to borrow their plots from French plays. When "Lucrezia Borgia," composed for Milan in 1834, was produced at Paris in 1840, the French poet instituted a suit for an infringement of copyright. He gained his action, and "Lucrezia Borgia" became "La Rinegata," Pope Alexander the Sixth's Italians being metamorphosed ...
— Great Italian and French Composers • George T. Ferris
... time was kept in suspense by the scantiness of his funds. This threatening obstacle, however, disappeared when his friend the pianoforte-maker and publisher, Camille Pleyel, paid him 2,000 francs for the copyright of the Preludes, Op. 28. Chopin remarked of this transaction to Gutmann, or in his hearing: "I sold the Preludes to Pleyel because he liked them [parcequ'il les aimait]." And Pleyel exclaimed on one occasion: "These are my Preludes [Ce sont mes Preludes]." Gutmann thought that Pleyel, ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... idea that nature has any cunning devices by which she may hide seeds away where they will remain "almost imperishable" for ages, is not entirely new with Professor Marsh, nor is it any suggestion that would be protected by copyright. In finding the winds, birds, quadrupeds, and other assumed agencies of distribution improbable, he seeks, with Dr. Dwight, for "the seeds of an ancient vegetation," and, finding none by actual observation, concludes that nature has some occult, ...
— Life: Its True Genesis • R. W. Wright
... Notice b. Circular 15: Renewal of Copyright c. Circular 15t: Extension of Copyright Terms d. Circular 22: Highlights of Copyright Amendments Contained in the Uruguay Round Agreements Act (URAA) e. ...
— Supplementary Copyright Statutes • Library of Congress. Copyright Office.
... field, for as early as 1622 the Coranto, or journal of "current" foreign news, appeared. In 1641, on the eve of the civil war, the Diurnall of domestic news was issued. In 1643, when Parliament appointed a licenser, who gave copyright protection to the "catchword" or newspaper title, journalists became a "recognized body." "Newsbooks" and especially "newsletters" grew in popularity. Only a few years after the Restoration, there appeared The London Gazette, which has been continued ...
— Halleck's New English Literature • Reuben P. Halleck
... Die Woche have taken offense at the words "Copyright by ..." (in English) and demand that this English formula be rendered hereafter in German. This desire, springing from patriotic motives, is easily understood, but unfortunately cannot be carried out for the form "Copyright by ..." is demanded by ...
— New York Times Current History; The European War, Vol 2, No. 5, August, 1915 • Various
... steals gags and points bodily—can be pursued and punished under the copyright law, but the chooser is a kind of sneak thief who works gags and points around to escape taking criminal chances, making his material just enough different to evade the law. A chooser damages the originator of the ...
— Writing for Vaudeville • Brett Page
... Copyright, 1916, by Doubleday, Page & Company All rights reserved, including that of translation into foreign ...
— Booker T. Washington - Builder of a Civilization • Emmett J. Scott and Lyman Beecher Stowe
... small, and his eyes dark and piercing. "He was," writes Mr Gabriel Neil, who enjoyed his friendship, "of plain simple manners, with a well-cultivated mind; he loved debate, and took pleasure in good-humoured controversy." The copyright of "The Course of Time" continues to produce emolument ...
— The Modern Scottish Minstrel, Volume IV. - The Songs of Scotland of the Past Half Century • Various
... San Francisco, without permission, had dramatized "The Gilded Age," and that it was being played by John T. Raymond, an actor of much power. Mark Twain had himself planned to dramatize the character of Colonel Sellers and had taken out dramatic copyright. He promptly stopped the California production, then wrote the dramatist a friendly letter, and presently bought the play of him, and set in to rewrite it. It proved a great success. Raymond played it for several years. Colonel ...
— The Boys' Life of Mark Twain • Albert Bigelow Paine
... to acquire the information, for the saleswoman is polite and the prices fit my purse. America is going to war, and Catholic boys are being drafted to be trained for battle; so for ten cents I obtain a firmly bound little pamphlet called "God's Armor, a Prayer Book for Soldiers." It is marked "Copyright by the G.R.C. Central-Verein," and bears the "Nihil Obstat" of the "Censor Theolog." and the "Imprimatur" of "Johannes Josephus, Archiepiscopus Sti. Ludovici"—which last you may at first fail to recognize as a well-known city on the Mississippi ...
— The Profits of Religion, Fifth Edition • Upton Sinclair
... "A Tour Through the Pyrenees." By special arrangement with, and by permission of, the publishers, Henry Holt & Co. Copyright, 1873.] ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... talk, who were not more than three months old, and trained the nurses to work on his principles and by his methods. This will hardly be done in this country, at least at present; but to supply the place of such a class, a lady of Boston has prepared and published, under copyright, Froebel's First Gift, consisting of six soft balls of the three primary and the three secondary colors, which are sold in a box, with a little manual for mothers, in which the true principle and plan ...
— Atlantic Monthly, Vol. 10, No. 61, November, 1862 • Various
... fully protected by the copyright law, all requirements of which have been complied with. In its present printed form it is dedicated to the reading public only, and no performance of it, either professional or amateur, may be given without the written permission of the owner of the acting rights, who ...
— The Climbers - A Play in Four Acts • Clyde Fitch
... Page & Company All Rights Reserved Copyright, 1922, by Talbot Mundy, and the Ridgway Company Printed in the United States at the Country Life Press, Garden ...
— Caves of Terror • Talbot Mundy
... one concerned in the book trade to assume the risk of bringing out "The Spy." That had to be taken by the author himself. In the case of this novel, we know positively that Cooper was not only the owner of the copyright, but of all the edition; that he gave (p. 066) directions as to the terms on which the work was to be furnished to the booksellers, while the publishers, Wiley & Halsted, had no direct interest in it, and received ...
— James Fenimore Cooper - American Men of Letters • Thomas R. Lounsbury
... soon exhausted, and the call for the "Book of Nonsense" continuing, I added a considerable number of subjects to those previously-published, and having caused the whole to be carefully reproduced in woodcuts by Messrs. Dalzell, I disposed of the copyright to Messrs. Routledge and Warne, by whom the volume was published in ...
— Nonsense Books • Edward Lear
... to "permission", "copyright" and similar are from the original text. They are retained solely ...
— Dramatized Rhythm Plays - Mother Goose and Traditional • John N. Richards
... a brief outline, in faultless English, of your religious, political and police court convictions, your views on Mr. LLOYD GEORGE, and any ideas you may have about the Law of Copyright. ...
— Punch, Or The London Charivari, Vol. 146., January 14, 1914 • Various
... by G. W. Dillingham Company All rights reserved The author reserves all stage rights, which includes moving pictures. Any infringement of copyright will be dealt ...
— You Should Worry Says John Henry • George V. Hobart |
