"Color scheme" Quotes from Famous Books
... their hands against the wabbling scenery. It was a wholly gray picture, and almost in a monotone, and yet the flashes of their diamond earrings, no larger than the point of a pin, were distinctly visible, holding their place in, if not dominating, the whole color scheme. ... — Outdoor Sketching - Four Talks Given before the Art Institute of Chicago; The Scammon Lectures, 1914 • Francis Hopkinson Smith
... and its gold was of the lustrous and burnished sort that seems to tangle in its meshes a captive fire glowing between the extremes of amber and tawny copper. Yet hair and cheeks and lips were only the minors of her color scheme. The eyes were regnantly dominant and it was here that the surprising witch-like quality held sway. The school-children had said they did not match, and they did not, for with the sun shining on her the man in the buggy realized that the right one was a rich brown ... — Destiny • Charles Neville Buck
... Schreiber's saga: where Heine's Lorelei combs her hair with a golden comb and has golden jewelry, Schreiber's "bindet einen Kranz fUer ihre goldenen Locken" and "hat eine Schnur von Bernstein in der Hand." Even here the color scheme is the same; otherwise there is no difference: time, place, and events are precisely the same in both. The mood and style are especially similar. The only words in Heine not found in Schreiber are "Kamm" and "bedeuten." Schreiber goes, to be sure, farther than does Heine: he continues ... — Graf von Loeben and the Legend of Lorelei • Allen Wilson Porterfield
... are buff Norman brick. Above this is glass tile or glazed tile, and above the tile is a faience or terra-cotta cornice. Ceramic mosaic is used for decorative panels, friezes, pilasters, and name-tablets. A different decorative treatment is used at each station, including a distinctive color scheme. At some stations the number of the intersecting street or initial letter of the street name is shown on conspicuous plaques, at other stations the number or letter is in the panel. At some stations artistic emblems have been used in the scheme of decoration, as at Astor Place, the beaver ... — The New York Subway - Its Construction and Equipment • Anonymous
... he changed his collars—he pursued a certain fixed rule in choosing them, just as a man in picking out neckties might favor mixed weaves and varied patterns but stick always to the same general color scheme. He might be Vincent C. Marr, which was his proper name, or among intimates Chappy Marr. Then again he might be Col. Van Camp Morgan, of Louisiana; or Mr. Vance C. Michaels, a Western mine owner; or Victor ... — Sundry Accounts • Irvin S. Cobb |