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More "Renaissance" Quotes from Famous Books
 ... epoch of the world's progress shows the supreme importance of speech upon human action—individual and collective. In the Roman Forum were made speeches that affected the entire ancient world. Renaissance Italy, imperial Spain, unwieldy Russia, freedom-loving England, revolutionary France, all experienced periods when the power of certain men to speak stirred other ...
— Public Speaking • Clarence Stratton
... furniture, consisting of kitchen utensils, body and table linen, shirts and chemises, lace, petticoats, trousers, French and Indian cashmeres, an Erard piano, two Renaissance oak chests, Venetian mirrors, Chinese and ...
— Sentimental Education, Volume II - The History of a Young Man • Gustave Flaubert
... philosophic writer, Jordano Bruno, who lived about the same time as Galileo, and was born at Nole in 1550, being fourteen years his senior. At an early age he acquired a great love of study and a thirst for knowledge. The Renaissance and the revival of learning had opened wide the gates of knowledge, and there were many eager faces crowding around the doors, many longing to enter the fair Paradise and explore the far-extending vistas which met their gaze. It was an age of anxious and eager inquiry; the torpor of the last ...
— Books Fatal to Their Authors • P. H. Ditchfield
... austerer and purer life, free from taint of sin and regret. We shall then put in the first group such well-known seers and poets as Epicurus, Lucretius, Horace, Goethe, Shelley, Byron, Walter Pater, Walt Whitman; we shall think of the Greek gods, of the Renaissance artists, the English cavaliers. We shall think of the motto, "Carpe diem," and "Gather ye rosebuds while ye ...
— Problems of Conduct • Durant Drake
... Gothic spirit governed Europe, expressing itself in useless ornament and wanton brutality, the more delicate crafts had no hope of exercise. Even the adventurer upon the road threatened his victim with a bludgeon, nor was it until the breath of the Renaissance had vivified the world that a gentleman and an artist could face the traveller with a courteous demand for his purse. But the age which witnessed the enterprise of Drake and the triumph of Shakespeare knew also the prowess of the highwayman and the dexterity of the cutpurse. Though the art displayed ...
— A Book of Scoundrels • Charles Whibley
... were critical times. There wasn't material and energy to spare for irrelevant details. No doubt when complete peace was achieved there would be a renaissance. Meanwhile he, Lancaster, had his Euripides and Goethe and whatever else he liked, or knew where ...
— Security • Poul William Anderson
... joke on the college. Katharine's secret joke on him had succeeded equally well. The woman-hater's class work had undergone a transfiguration. People noticed it. At the opening of the term he had put Professor Leyne's course in "Renaissance Poets" on his schedule card, because it was a proclaimed snap and because two of the three Rhos who took it the year before had kept their set-papers. Professor Leyne loved to draw covert allusions from what he called "the ocean of ...
— Stanford Stories - Tales of a Young University • Charles K. Field
... where so many people are confined throughout the day in work-shops and studios, a breathing-space becomes a necessity. The gardens of the Luxembourg, brilliant in flowers and laid out in the Renaissance, with shady groves and long avenues of chestnut-trees stretching up to the Place de l'Observatoire, afford the great breathing-ground ...
— The Real Latin Quarter • F. Berkeley Smith
... away, had here in Rome formed a learned school based on the antique; Lessing, in his treatise, the 'Laocoon,' and Winckelmann, by his criticisms on the marbles of the Vatican, had induced a new Classic Renaissance. The painter Raphael Mengs, thus guided, appropriately executed in the Villa Albani the famous fresco of Apollo and the Nine Muses on Mount Parnassus. Again, here are men and manifestations not to ...
— Overbeck • J. Beavington Atkinson
... from time to time, old grammatical forms die away or become obliterated, new names and verbs are borrowed, first from the Norman-French at the Conquest, then from the classical Greek and Latin at the Renaissance; but the continuity of the language remains unbroken, and its substance is still essentially the same as at the beginning. The Cornish, the Irish, and to some extent the Welsh, have left off speaking their native tongues, ...
— Early Britain - Anglo-Saxon Britain • Grant Allen
... in the New Renaissance—yes. In the Deluge that shall engulf the world, his place is in the Ark. I ...
— The Golden Scorpion • Sax Rohmer
... any immediate prospect of their ever doing so? Did the Greeks, who attained the supreme heights in art, find happiness in their art? Their history is the record of one long struggle; and so it was with the renaissance of the Middle Ages, and so it is with us; our sciences and arts can never change the complicated conditions in which we live. They have never developed the sympathy and brotherly love which should exist between man and man; ...
— When Dreams Come True • Ritter Brown
... made the 'petty tour' with his father, mother, and Winifred—Brussels, the Rhine, Switzerland, and home by way of Paris. Aged twenty-seven, just when he began to take interest in pictures, he had spent five hot weeks in Italy, looking into the Renaissance—not so much in it as he had been led to expect—and a fortnight in Paris on his way back, looking into himself, as became a Forsyte surrounded by people so strongly self-centred and 'foreign' as the French. His knowledge of their language being ...
— Forsyte Saga • John Galsworthy
... the Period of the Renaissance in Italy. Authorized translation, by S. G. C. Middlemore. 2 vols. Demy ...
— Legends of the Saxon Saints • Aubrey de Vere
... they had conquered construction, took to imposing ornament. From that time, instead of ornamenting construction, they constructed ornament; and as the Reformation came to the Church in the sixteenth century so to architecture came degradation. And then the Renaissance of pagan types, from which the Gothic had derived its being by a rational development, was by the revivalists of those days hotch-potched into a more or less homogeneous mass, which even the genius of Wren could leave ...
— Bell's Cathedrals: The Cathedral Church of Norwich - A Description of Its Fabric and A Brief History of the Episcopal See • C. H. B. Quennell
... footing that, in 1540, the bishop-duke began the erection at Anizy of a new chateau, to be surrounded with an extensive and beautiful park. The plans were made by the first architects and artists of the Renaissance; the sculptors of Francis I. were employed to decorate the facade with statues—the new buildings were connected with what remained of the earlier chateau by a grand gallery; pavilions flanked the main edifice and adorned the grand ...
— France and the Republic - A Record of Things Seen and Learned in the French Provinces - During the 'Centennial' Year 1889 • William Henry Hurlbert
... interpretation of transition periods given by scientific evolutionism. They did not annihilate the conquests of the preceding civilizations, but they preserved, on the contrary, whatever was vital in them and fecundated them for the Renaissance of a new civilization. ...
— Socialism and Modern Science (Darwin, Spencer, Marx) • Enrico Ferri
... is, perhaps, the most curious jumble in the whole history of architecture,—the lower stories being Palladian; the stories above these being, if anything, Florentine; the summit being, if anything, French Renaissance; while, as regards the interior, the great west staircase, which is said to have cost half a million of dollars, is in the Richardsonesque style; the eastern staircase is in classic style; and a circular staircase in the interior is in the most flamboyant Gothic which ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White
... books of quotable passages, so called because an Italian grammarian, Marius Nizolius, born at Bersello in the fifteenth century, and one of the scholars of the Renaissance in the sixteenth, was one of the first producers of such volumes. His contribution was an alphabetical folio dictionary of phrases from Cicero: "Thesaurus Ciceronianus, sive Apparatus Linguae Latinae e ...
— A Defence of Poesie and Poems • Philip Sidney
... and Mary Howitt are inextricably associated with the England of the early nineteenth century, with the re-discovery of the beauty and interest of their native land, with the renaissance of the national passion for country pleasures and country pursuits, and with the slow, painful struggle for a wider freedom, a truer humanity, a fuller, more gracious life. The Howitts had no genius, nor were they pioneers, but, where the unfamiliar was concerned, they were open-minded ...
— Little Memoirs of the Nineteenth Century • George Paston
... me or merely pulling my leg?" said Mr. Manley. "Surely you can see that Lady Loudwater is pure Italian Renaissance. She is one of those subtle, mysterious creatures that Leonardo and Luini were always painting, compact ...
— The Loudwater Mystery • Edgar Jepson
... already pretty clear to all who look for it honestly and without prejudice. The German Government believed that the Serbian propaganda would annihilate Austria-Hungary, and hoped, moreover, that her last faithful ally would experience a political renaissance as the result of her chastisement of Serbia. That is why they gave Count Berchtold a free hand, in the belief that Count Buelow's success over the Bosnian crisis could be repeated. Meanwhile, however, the situation had changed. Russia and France, relying upon ...
— My Three Years in America • Johann Heinrich Andreas Hermann Albrecht Graf von Bernstorff
... phase (Antiquity, Renaissance) when triumphed the pure imagination, and the play of the free fancy that spends itself in social novels. Between the creation of the mind and the life of contemporary society there was no relation; they were worlds apart, strangers to one another. The ...
— Essay on the Creative Imagination • Th. Ribot
... is with especial reference to the denial of this principle in modern and Renaissance architecture, that I speak of that architecture with a bitterness which appears to many readers extreme, while in reality, so far from exaggerating, I have not grasp enough of thought to embrace, the evils which have resulted among all the orders of European society from the introduction ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin
... exquisite finish, which pleases me beyond measure. Your Rubens are also to my taste, as well as your smallest Watteau. In the salon to the right, I have noticed the Louis XIII cadence-table, the tapestries of Beauvais, the Empire gueridon signed 'Jacob,' and the Renaissance chest. In the salon to the left, all the cabinet full ...
— The Extraordinary Adventures of Arsene Lupin, Gentleman-Burglar • Maurice Leblanc
... the line of the Lunas till it became misty and was lost in the fifteenth century. His father had known Don Francisco III. Lorenzana, a magnificent and prodigal prince of the church, who spent the abundant revenues of the archbishopric in building palaces and editing books, like a great lord of the Renaissance. He had known also the first Cardinal Bourbon, Don Luis II., and used to narrate the romantic life of this Infante. Brother of the King Carlos III., the custom that dedicated some of the younger branches to the church had made him a cardinal ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... threefold. It is the work of a writer intelligently familiar with the Greek and Roman classics, and it thus stands beside Elyot's Governour, which appeared two years before, as one of the earliest illustrations of the influence of the Renaissance on our vernacular literature. It is one of the earliest examples, not only of the employment of the English language in the treatment of scholastic subjects, but of the vindication of the use of English in the treatment of such subjects; and, ...
— An English Garner - Critical Essays & Literary Fragments • Edited by Professor Arber and Thomas Seccombe
... the world's poets lived in a period midway between the highest development of Renaissance civilization and the foundation of our modern civilization, and he was thus at once heir to the rich treasures of a glorious past, and endowed with a poetic, or we might say a prophetic insight that makes his works appeal as closely to the readers of to-day as to those ...
— Shakespeare and Precious Stones • George Frederick Kunz
... suffused with a certain hue of courtliness, even gentleness. The language is of the most refined delicacy, the thought is never boorish or rude; there is the self-collectedness which we find in the poetry of France and Italy during the Renaissance, and in England during the reign of Queen Anne. It exhibits the most exquisite polish, allied with an avoidance of every shocking or perturbing theme. It seems to combine the enduring lustre of a precious metal with the tenuity ...
— Japanese Literature - Including Selections from Genji Monogatari and Classical - Poetry and Drama of Japan • Various
... history of civilization is a history of the famous gathering-places of men. The story of human progress in the West is the story of Memphis, Thebes, Babylon, Nineveh, Cnossus, Athens, Alexandria, Rome, and of medieval, Renaissance, and modern capitals. History is a stream, in the remoter antiquity of Egypt and Mesopotamia confined within narrow and comparatively definite banks, gathering in volume and swiftness as it flows through Hellenic lands, and at last expanding into the broad and deep basin of ...
— Horace and His Influence • Grant Showerman
... yawns; but he bore with the Romantics with a patience hardly to be expected of a man of the Imperial school, who scarcely could make out what the young writers meant. Not so Mme. de Bargeton; she waxed enthusiastic over the renaissance, due to the return of the Bourbon Lilies; she loved M. de Chateaubriand for calling Victor Hugo "a sublime child." It depressed her that she could only know genius from afar, she sighed for Paris, where great ...
— Two Poets - Lost Illusions Part I • Honore de Balzac
... realize how, in spite of the tragic stories or bloodshed and strife that darkened their lives, in spite, too, of the low standard of morals and of the crimes and vices that we are accustomed to associate with Renaissance princes, there was a rare measure of beauty and goodness, of culture and refinement, of love of justice and zeal for truth, among them. As the latest historian of the Papacy, Dr. Pastor, has wisely remarked, we must take care not to paint the state of morals during ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... and I care not who makes her laws." The importance of singing is recognized to a much greater extent in foreign countries, notably in Germany, than in America. In Germany all sing; in America, it is to be regretted, but few sing. There should be a real renaissance in music throughout the country. As an aid in the teaching of music and of song, that marvelous invention, the "talking machine," should be made use of. It would be an excellent thing if a phonograph could be put in every school. Children would become acquainted with the best music; they ...
— Rural Life and the Rural School • Joseph Kennedy
... Elizabeth the old Middle Temple Hall was converted into chambers, and a new hall built. The present roof (says Mr. Peter Cunningham) is the best piece of Elizabethan architecture in London. The screen, in the Renaissance style, was long supposed to be an exact copy of the Strand front of Old Somerset House; but this is a vulgar error; nor could it have been made of timber from the Spanish Armada, for the simple reason that it was set up thirteen years before the ...
— Old and New London - Volume I • Walter Thornbury
... could take a stranger to admire the architecture. Compare that record with the new Boulevards in Antwerp, where almost every house is worth serious study: or with the Ring at Cologne (to keep close home all the time), where one can see whole rows of German Renaissance houses of extraordinary interest. What street in London can be mentioned in this respect side by side with Commonwealth Avenue or Beacon Street in Boston; with Euclid Avenue in Cleveland, Ohio; with the upper end of Fifth Avenue, New ...
— Post-Prandial Philosophy • Grant Allen
... the world has progressed as do the processes of the kindergarten. Artists first received form; then color; the materials, then the synthesis of the two. Notable examples of the world's great compositions may be pointed to in the work of the Renaissance painters, and such examples will be cited; but the major portion of the art by which these exceptions were surrounded offers the same proportion of good to bad as the inverse ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... was assuredly winging its flight, but it would not come till the Church was almost in extremis; till decay of faith following on decay of morals threatened her very existence. The catastrophe was hastened by the fatal pouring of the new wine of the later Renaissance into the old, now worn-out bottles of Mediaevalism, thereby paganising Rome and corrupting the College of Cardinals to so large an extent, that the election to the papacy of a Rodrigo Borgia was ...
— Studies from Court and Cloister • J.M. Stone
... he has been bolstering up the eventual Renaissance. Your father and his kind have kept the seed alive; we shall bring it ...
— Ghetto Comedies • Israel Zangwill
... of St. Pierre, dating from the fifteenth century, a very noble building, with many chapels filled with carvings of the time of the Renaissance in wood, stone, and iron. In the university were one ...
— With the Allies • Richard Harding Davis
... of the Renaissance, as Hadria afterwards called the short-lived epoch, little Martha was visited frequently. Her protectress had expected to have to do battle with hereditary weakness on account of her mother's sufferings, but the child shewed no signs of this. Either ...
— The Daughters of Danaus • Mona Caird
... out problems of form and in delicacy and charm of expression he went beyond his predecessors. He was a many-sided genius, knowing not only in a matter of natural appearance, but in color problems, in perspective, shadows, and light. His art was further along toward the Renaissance than that of any other Giottesque. He almost changed the character of painting, and yet did not live near enough to the fifteenth century to accomplish it completely. Spinello Aretino (1332?-1410?) was the last of ...
— A Text-Book of the History of Painting • John C. Van Dyke
... group seemed to lack flamboyancy. It is true, however, that, except for Guilder's habitual restraint, the celebrated firm of architects was inclined to express themselves flamboyantly, and to interpret Renaissance in terms of Baroque. ...
— Between Friends • Robert W. Chambers
... the grands rhtoriqueurs like MESCHINOT (1415?-1491), or MOLINET (d. 1507), the recognized leader of his day. The last expiring effort of this essentially mediaeval lyric is seen in CLMENT MAROT. He had already begun to catch the glow of the dawn of the Renaissance, but he was rooted in the soil of the middle ages and his real masters were his immediate predecessors. He avoided their absurdities of alliteration and redundant rhyme and their pedantry; but he appropriated the results of their efforts ...
— French Lyrics • Arthur Graves Canfield
... notions came for a time definitely to prevail and to modify the whole trend of English poetry. First of all Jonson was a classicist, that is, he believed in restraint and precedent in art in opposition to the prevalent ungoverned and irresponsible Renaissance spirit. Jonson believed that there was a professional way of doing things which might be reached by a study of the best examples, and he found these examples for the most part among the ancients. To confine our attention to the drama, Jonson objected to the amateurishness and haphazard nature ...
— Cynthia's Revels • Ben Jonson
... window on the left was set a great carved Renaissance writing-table, and upon it burned an electric lamp with an artistic shade ...
— The Stretton Street Affair • William Le Queux
... giving them selected data to work upon. A directive idea may be suggested by a series of ideas which lead the recipient of them to expect that the series will be continued. Then he will not perceive if the series is broken. In the Renaissance period no degree of illumination sufficed to resist the delusion of astrology, because it was supported by a passionate fantasy and a vehement desire to know the future, and because it was confirmed by antiquity, the authority of whose opinions was overwhelmingly ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... but on level with the rest and | delivered the following address... | (III, 559; Farrington's translation). | | Bacon's portrait doubtless resembles | Galileo or Einstein more than it does | the turbulent Paracelsus or the | unquiet and skittish Cornelius | Agrippa. The titanic bearing of the | Renaissance magus is now supplanted | by a classical composure similar to | that of the "conversations" of the | earliest Humanists. Also in Galileo's | DIALOGO and in Descartes's RECHERCHE | DE LA VERIT we find the same | familiar tone and style ...
— Valerius Terminus: of the Interpretation of Nature • Sir Francis Bacon
... delicate architecture, of marvellous sculpture, of fine and deep chasing, which marks with us the end of the Gothic era, and which is perpetuated to about the middle of the sixteenth century in the fairylike fancies of the Renaissance. The little open-work rose window, pierced above the portal, was, in particular, a masterpiece of lightness and grace; one would have pronounced it a ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... principal design, and the portraits of Henry the Seventh and his consort Elizabeth in separate compartments beneath, each kneeling before a faldstool, may be noticed. This window, which in some of the details exhibits an approach to the renaissance style, was presented to Henry the Seventh by the magistrates of Dort in Holland, to adorn his chapel at Westminster. The era of the various specimens of ancient stained glass we meet with in our churches ...
— The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed. • Matthew Holbeche Bloxam
... paper so soon as I am done with this story, that has played me out; the story is to be called When the Devil was well: scene, Italy, Renaissance; colour, purely imaginary of course, my own unregenerate idea of what Italy then was. O, when shall I find the story of my dreams, that shall never halt nor wander nor step aside, but go ever before its face, and ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson
... thing I know quite well, though, is unchanging," she continued, her face losing all the gentle softness which a moment before he had found so fascinating, so reminiscent of those sad, sleepy-eyed women immortalised by the masters of the Renaissance. "That is my hatred of everything and everybody connected ...
— The Profiteers • E. Phillips Oppenheim
... of the day. There was a holy joy in the air. The neighbors, up earlier than usual, hung cloths with flowers or figures, worked in tapestry, along the streets. I went from one to another, by turns admiring religious scenes of the Middle Ages, mythological compositions of the Renaissance, old battles in the style of Louis XIV, and the Arcadias of Madame de Pompadour. All this world of phantoms seemed to be coming forth from the dust of past ages, to assist—silent and motionless—at the holy ceremony. I looked, alternately ...
— An "Attic" Philosopher, Complete • Emile Souvestre
... own National Gallery. It is quaint and imperfect, but of great interest." [Ruskin.] Paolo Uccello (c. 1397-1475), a Florentine painter of the Renaissance, the first of the naturalists. His real name was Paolo di Dono, but he was called Uccello ...
— Selections From the Works of John Ruskin • John Ruskin
... body and stiffness of attitude are faults; but they are noble faults, and give the statues a strange look of forming part of the very building itself, and sustaining it—not like the Greek caryatid, without effort—nor like the Renaissance caryatid, by painful or impossible effort—but as if all that was silent and stern, and withdrawn apart, and stiffened in chill of heart against the terror of earth, had passed into a shape of eternal marble; ...
— The Two Paths • John Ruskin
... in satire so keen, a contempt so bitter, a hatred so remorseless, that it was difficult to believe it a letter from a brother to his sister. Beneath the polished, scornful sentences—vitriol to a tender young heart—surged a tempest of primitive rage that thrust one back into the Renaissance, with its daggers and its smiles. "Let me tell you, then, once and for all," ran one sentence, breaking out fiercely, "that there is but one country on earth which can shelter you and that villain—his own! There I scorn to put my foot or allow the foot of any member of your family, ...
— Margarita's Soul - The Romantic Recollections of a Man of Fifty • Ingraham Lovell
... thought is shown by the fact that he founded no school and left no trace of discipleship. The entire century after his death shows no single European name that need claim the attention of the historian of science. In the latter part of the fifteenth century, however, there is evidence of a renaissance of science no less than of art. The German Muller became famous under the latinized named of Regio Montanus (1437-1472), although his actual scientific attainments would appear to have been important only in comparison with ...
— A History of Science, Volume 2(of 5) • Henry Smith Williams
... Material on the subject of travel in any century is apparently inexhaustible, and one could write many books on the subject without duplicating sources. The following aims no further than to describe one phase of Renaissance travel in clear and sharp outline, with sufficient illustration to embellish but not ...
— English Travellers of the Renaissance • Clare Howard
... of the second volume of my 'Renaissance in Italy' I indulged the hope that I might live to describe the phase of culture which closed that brilliant epoch. It was in truth demanded that a work pretending to display the manifold activity of the Italian genius during the 15th ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... yearn to be at home in poor Warwick Crescent, which must do its best to make me forget my new abode. I forget you don't know Venice. Well then, the Palazzo Manzoni is situate on the Grand Canal, and is described by Ruskin,—to give no other authority,—as 'a perfect and very rich example of Byzantine Renaissance: its warm yellow marbles are magnificent.' And again—'an exquisite example (of Byzantine Renaissance) as applied to domestic architecture.' So testify the 'Stones of Venice'. But we will talk about the place, over a photograph, when I am happy enough ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... insignificance beside the one great wonder of Rimini, the cathedral remodelled for Sigismondo Pandolfo Malatesta by Leo Battista Alberti in 1450. This strange church, one of the earliest extant buildings in which the Neopaganism of the Renaissance showed itself in full force, brings together before our memory two men who might be chosen as typical in their contrasted characters of the transitional ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... triumphs, the conception takes the form of a church. There are no art galleries, no palaces, no magnificent public buildings in the Philippines, but there are hundreds of beautiful churches, of Byzantine and Early Renaissance architecture. You may find them in the coast towns and sometimes even in the mountainous interior, their simple and beautiful lines facing the plaza, their interiors rich with black and white tiling ...
— A Woman's Impression of the Philippines • Mary Helen Fee
... the best authorities now remaining) the peculiar features, and general characteristics of Decorative Art, as applied to the various materials on which it was employed, whether for sacred or domestic purposes, from the Byzantine, or early Christian period, to the decline of that termed the Renaissance. ...
— Notes & Queries 1850.01.19 • Various
... artist. The schools of Spain were budded on a full-bearing tree. Charles and Philip bought masterpieces, and cared Jittle for the crude efforts of the awkward pencils of the necessary men who came before Raphael. There is not a Perugino in Madrid. There is nothing Byzantine, no trace of Renaissance; nothing of the patient work of the early Flemings,—the art of Flanders comes blazing in with the full splendor of Rubens and Van Dyck. And even among the masters, the representation is most unequal. Among the wilderness of Titians and Tintorets you ...
— Castilian Days • John Hay
... setting down his bag and leaning a green umbrella against it, "has its surprises even at sixty-two. Last night I was ensconced by my own library fire, preparing a paper on the Pagan Renaissance. To-night I am on Baldpate Mountain, with a perforation in ...
— Seven Keys to Baldpate • Earl Derr Biggers
... spirit had by this time penetrated literature, and any poetry wholly divorced from it must be not only artificial—for that alone would prove nothing against it—but unnatural. Claudian is a precursor of the Renaissance in its narrower aspect; the last of the classics, he is at the same time the earliest, and one of the most distinguished, of the classicists. It might seem a mere chance whether his poetry belonged to the fourth or to ...
— Latin Literature • J. W. Mackail
... proudly. "Built every inch of it from the busy little ptomaines. Coral insects nothing on that, eh? And here's the sort of people I practice on. Old Leathersham, now—he has a corking chateau—French Renaissance. And Mrs. Charity Givens—she has a Georgian shack. And, oh, yes, here's Iva Payne. She's one of my most ...
— Ptomaine Street • Carolyn Wells
... Lightning said. "The world is at the beginning of a new cultural revolution. Since the Cold War melted, and freedom of inquiry and research began to live again on both sides of the old Iron Curtain, science has begun a new Renaissance. The cultural ...
— Charley de Milo • Laurence Mark Janifer AKA Larry M. Harris
... the house with screens or light partitions instead of walls lent itself to a style of decoration which was quite as different in its exigencies and character from Occidental mural decorations as was Japanese architecture from Gothic or Renaissance. The first native school of decorative artists was the Yamato-ryu, founded in the eleventh century by Fujiwara Motomitsu and reaching the height of its powers in the twelfth century. In the thirteenth century Fujiwara Tsunetaka, a great painter of this school, took ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... the most extraordinary specimen hitherto produced in England of the licence introduced from Italy at the Renaissance. Although the poem was successful, it did not pass without censure from the moral point of view. Into the conventional outlines of The Affectionate Shepherd the young poet has poured all his fancy, all ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... beards cut as in the time of Henry III, others who are clean shaven, others who have their hair arranged as in the time of Raphael, others as in the time of Christ. So the homes of the rich are cabinets of curiosities: the antique, the Gothic, the taste of the Renaissance, that of Louis XIII, all pell-mell. In short, we have every century except our own—a thing which has never been seen at any other epoch: eclecticism is our taste; we take everything we find, this ...
— The Confession of a Child of The Century • Alfred de Musset
... History starts with the end of the fifteenth century, with the invention of printing, the discovery of America and of the Indies, the Renaissance of the sciences and arts. It concerns itself especially with peoples of the West, of Spain, Italy, France, ...
— History Of Ancient Civilization • Charles Seignobos
... Pinkerton laid down: why the artist can DO NOTHING ELSE? is one that continually exercises myself. He cannot: granted. But Scott could. And Montaigne. And Julius Caesar. And many more. And why can't R. L. S.? Does it not amaze you? It does me. I think of the Renaissance fellows, and their all-round human sufficiency, and compare it with the ineffable smallness of the field in which we labour and in which we do so little. I think DAVID BALFOUR a nice little book, and very artistic, and just the thing to occupy the leisure ...
— Letters of Robert Louis Stevenson - Volume 2 • Robert Louis Stevenson
... dying Bishop is as great a masterpiece as My Last Duchess; it has not a superfluous word, and in only a few lines gives us the spirit of the Italian Renaissance. Ruskin said that Browning is "unerring in every sentence he writes about the Middle Ages, always vital, right, and profound." He added, "I know no other piece of modern English, prose or poetry, in which there ...
— Robert Browning: How To Know Him • William Lyon Phelps
... the Great (B.C. 323) a Greek dynasty, that of the Ptolemies, established itself at Alexandria, and another Greek dynasty at Pergamon. Both were distinguished—like Italian despots of the Renaissance—for the splendour and the culture of their courts, and they rivalled one another in the extent and richness of their libraries; but, if we are to believe Strabo, the library at Pergamon was not begun until the ...
— The Care of Books • John Willis Clark
... of Spenser and of Coleridge. The serious motive, the question of Woman, her wrongs, her rights, her education, her capabilities, was not "in the air" in 1847. To be sure it had often been "in the air." The Alexandrian Platonists, the Renaissance, even the age of Anne, had their emancipated and learned ladies. Early Greece had Sappho, Corinna, and Erinna, the first the chief of lyric poets, even in her fragments, the two others applauded by all Hellas. The French Revolution had begotten ...
— Alfred Tennyson • Andrew Lang
... Faenza Ware, from the pencils of Robbia and Bernard Palizzi; Glass, of the rarest hues and tints, executed by Jean Cousin and other masters of the 15th, 16th and 17th centuries; Limoges enamels of the period of the Renaissance, by Leonard and Courtoise; Roman and Greek antiquities in bronze and sculpture; Oriental and European china, of the choicest forms and colours; exquisite and matchless Missals, painted by Raphael and Julio Clovo; magnificent specimens of Cinque-Cento Armour; Miniatures, illustrative of ...
— Gossip in the First Decade of Victoria's Reign • John Ashton
... remains of Leonardo da Vinci, who was summoned to Amboise by Francis I., king of France, and died there in 1519, is in the late Gothic style; a delicately carved relief over the doorway represents the conversion of St Hubert. The hotel de ville is established in a mansion of Renaissance architecture; a town gateway of the 15th century, surmounted by a belfry, is also of architectural interest. Iron-founding, wool-weaving, and the manufacture of boots and farm implements are ...
— Project Gutenberg Encyclopedia
... or two. The belvedere was lingeringly reminiscent of the vanishing classic, and the decorative woodwork of the porches showed some faint traces of the romantico-lackadaisical style which filled up the years between the ebb of the Greek and the vulgar flood-tide of Second-empire renaissance. Taken altogether, a sedate, stable, decorous old homestead, fit for ...
— With the Procession • Henry B. Fuller
... of the Jews in Italy was favorable, and their literary products derive grace from their good fortune. The Renaissance had a benign effect upon them, and the revival of classical studies influenced their intellectual work. Greek thought met Jewish a third time. Learning was enjoying its resurrection, and whenever their wretched ...
— Jewish Literature and Other Essays • Gustav Karpeles
... had not been a cultivator of mechanical philosophy until Leonardo da Vinci, who was born A.D. 1452. To him, and not to Lord Bacon, must be attributed the renaissance of science. Bacon was not only ignorant of mathematics, but depreciated its application to physical inquiries. He contemptuously rejected the Copernican system, alleging absurd objections to it. While Galileo was on the brink of his great telescopic discoveries, Bacon was publishing doubts as to ...
— History of the Conflict Between Religion and Science • John William Draper
... lions' heads. But Madame Gerard, in her kitchen, where she was always cooking something good for dinner, sometimes thought they made too great an uproar. Then Maria, a real hoyden, in trying to catch her sister, would push an old armchair against a Renaissance chest and make all the ...
— A Romance of Youth, Complete • Francois Coppee
... gem of the Renaissance, and you will love it as I do, I know, but I wish you could have seen Florence first. My brother has a villa at Settignano and I am going there now. The fruit trees in the orchard will be all white with blossom. You remember Romeo's April oath: 'By yonder ...
— Olive in Italy • Moray Dalton
... that all the liberties, reforms and political achievements of society have been gained by nations thrilling and throbbing to one great enthusiasm. The Renaissance does not mean a single Dante, nor Boccaccio, but a national enthusiasm and a "god within all minds." The Reformation is not a single Savonarola, nor Luther, but a universal enthusiasm and "a god within," all heart and conscience. If ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... Michael Angelo and the unrivalled museums of the Vatican, that Rome should have become pre-eminently the artistic centre of the nineteenth century and should have attracted students and lovers of art from all parts of the world. The immortal works of the two great periods, the Greek and the Renaissance,—the art that was forever great because it was the outgrowth of profound religious conviction,—were enshrined in the churches and the galleries of Rome. The leading countries of Europe sent here their aspiring students and established ...
— Italy, the Magic Land • Lilian Whiting
... seen that in this renaissance the keenest students of the exquisite were women. Nevertheless, men were not idle, neither. Since the day of Mr. Brummell and King George, the noble art of self-adornment had fallen partially desuete. Great fops ...
— The Works of Max Beerbohm • Max Beerbohm
... and Petrarch in this Discourse, in tracing the history of Italian Art during the centuries of transition: "With Dante we reach the threshold of the Renaissance. He stands on the verge of the middle ages; in him the old order ends. With Petrarch the new order begins." It is not so much as a poet, however, that Petrarch counts in this process from one period to another; but rather as an intellectual pioneer, leading the way into the great pagan ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys
... having soon made the poem intolerable to him (vol. i, page 300). Turner's paintings he finds untrue, in that the earth-region is habitually as bright in tone as the air-region. Moreover, Turner scatters his detail too evenly. In Greek statues the hair is falsely treated. Renaissance painting, even the best, is spoiled by unreal illumination, and non-rendering of reflected light in the shadows. Venetian gothic sins by meaningless ornamentation. St. Mark's Church may be precious archaeologically, but is not aesthetically ...
— Memories and Studies • William James
... proximity would be of any value. Cecily inclined towards London, feeling that there only would her husband find incentives to exertion; but Reuben was more disposed to settle somewhere on the Continent. He talked of going back to Italy, living in Florence, and—writing something new about the Renaissance. Cecily shook her head; Italy she loved, and she had seen nothing of it north of Naples, but it was the land of lotus-eaters. They would go there again, but not until life ...
— The Emancipated • George Gissing
... the three great names of the noblest period of the Renaissance take our minds from the host of fine artists who worked alongside them. Nevertheless beside these giants a whole host of exquisite artists have place, and not least among them the three painters with whom Mr. Leader Scott has dealt in these pages. Fra Bartolommeo linking up with the ...
— Fra Bartolommeo • Leader Scott (Re-Edited By Horace Shipp And Flora Kendrick)
... though any one cared a farthing for the rats! If I omit this believe me it is but on account of the multitude and splendour of those who have attended at the production of this volume. For the stories in it are copied straight from the best authors of the Renaissance, the music was written by the masters of the eighteenth century, the Latin is Erasmus' own; indeed, there is scarcely a word that is mine. I must also mention the Nine Muses, the Three Graces; Bacchus, the Maenads, ...
— The Path to Rome • Hilaire Belloc
... very well for that show of improvement which deepens the sentiment of the neighboring antiquity and decay in Latin towns. As for the cathedral, which faced the convent from across the Square, it was as cold and torpid a bit of Renaissance as could be found in Rome itself. A red-coated soldier or two passed through the Square; three or four neat little French policemen lounged about in blue uniforms and flaring havelocks; some walnut-faced, blue-eyed old citizens and peasants ...
— A Chance Acquaintance • W. D. Howells
... ephemeral empire of the Gauls the old Celtic influence had but little part. "If there took place," said M. Camille Jullian before the Academie des Inscriptions in 1896, "as we would willingly believe, a Celtic renaissance at the opening of the third century, it was entirely superficial, and doubtless slightly factitious; it resembled that reaction in the life, the language, the traditions of the provinces which the French Romanticism brought about in 1815. Like that, it in no way changed ...
— Paris from the Earliest Period to the Present Day; Volume 1 • William Walton
... reason of its old fashion. She had a very sweet, kind face, all cockled with wrinkles like a sheet of crumpled tissue paper, but very beautiful in its age. It was a face that a modern French painter would have loved to paint—a face that a sculptor of the Renaissance would have delighted to reproduce in faithful, ...
— The Dictator • Justin McCarthy
... epileptics, enthusiastic seekers after martyrdom, the very types that we are compelled to suppose probable among the apostles and disciples of the early Christian era. Certainly no mind stands further removed from the Renaissance." ...
— Ivory Apes and Peacocks • James Huneker
... narrow political sect who believe that law is only a human edict supported by physical force,—this sect which had its origin in the dark decades of the nineteenth century when the materialistic philosophy prevailed—is dying out, under the influence of a general renaissance. There are, it is to be believed, many who will be ready and willing to accept as true the statement, which every student of political history must admit to be true, that the philosophy of the American Revolution was a religious philosophy. ...
— "Colony,"—or "Free State"? "Dependence,"—or "Just Connection"? • Alpheus H. Snow
... training and study for its appreciation, and confined at the best to a limited circle. But Ciceronian prose is practically the prose of the human race; not only of the Roman empire of the first and second centuries, but of Lactantius and Augustine, of the mediaeval Church, of the earlier and later Renaissance, and even now, when the Renaissance is a piece of past history, of the modern world to which the ...
— Latin Literature • J. W. Mackail
... a pause. "Is there anything amusing about being loved?" she thought; "what patient women the great coquettes of the world must have been! How I wish I were a crisp intelligent old maid, with a talent perhaps for gardening or books on the Renaissance!" ...
— Balloons • Elizabeth Bibesco
... study of mathematics, painting the while, and apparently aiming at a fusion of both pursuits. He subsequently read for the bar for a short time, and, finally, adopting art as his sole profession, threw himself heart and soul into a Renaissance movement as the apostle of a new style. The peculiarities of his manner soon brought him into notoriety, and a school of imitators grouped itself around him. His pride became a proverb. In 1870 he was offered the cross of the Legion of Honour, and refused it, arrogantly declaring that he would ...
— Paris under the Commune • John Leighton
... Pater, "Leonardo da Vinci," in The Renaissance. | | For an account of scientific experiments on the time and | | stress rhythm of this sentence, see W. M. Patterson, The | | Rhythm of Prose, New York, 1916, ch. iv. An idea of the | | complexity may be obtained from Patterson's attempt to | | indicate it by musical ...
— The Principles of English Versification • Paull Franklin Baum
... Racine, surrounded by his brilliant circle of lords and ladies, represented an almost incalculable development of ceremonious culture, in idea, in apparel, and in general surroundings, since the day when, about a hundred years before, while the blossom of the Renaissance was barely expanded, the popinjay King Henry II looked on at the first crude sketch of a French classical play. Stage, scenery, appointments, audience, critic, music, actors, and authors, all now bore witness to and adorned, as they ...
— The Great Events by Famous Historians, Volume 11 • Various
... almost obliterated the expression of creative energy in the Western World, the Renaissance, the Reformation and the industrial revolution, following in quick succession, proclaimed its reawakening, and to-day there is scarcely a group of people—in Egypt, in Ireland, in Korea, in the Philippines, or in dark, enslaved Africa that does not hold a ...
— The Next Step - A Plan for Economic World Federation • Scott Nearing
... itself a champion of virtue. In other words, Washington addresses an audience which had passed through the Puritan Revolution, while Machiavelli spoke to men who were familiar with the ideals and crimes of the Italian Renaissance. ...
— George Washington • William Roscoe Thayer
... from the belfry, I stopt in the yard before a handsome porch of the Renaissance, the second story of which is formed of a series of small triumphal arches, with inscriptions. The first is dedicated to Caesar; the second to Augustus; the third to Agrippa, the founder of Cologne; the fourth ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various
... It was doubtless this renaissance of mental activity that reminded us of the Kawa and of William Henry Thomas. Great heavens, what would he think of us? Here nearly a month had elapsed, we were mostly married and had never given him a thought. We were filled with compunction. ...
— The Cruise of the Kawa • Walter E. Traprock
... arts which lay at the base of exploration, as in so many other fields, Italy was far in advance of all other Western countries. Through the Middle Ages she preserved much of the heritage of ancient skill and learning; by her Renaissance studies she recovered much that had been temporarily lost; and in geographical science she early made progress of her own. "The greatness of the Germans, the courtesy of the French, the valor of the English, and the wisdom of the Italians" is the tribute paid by a fifteenth- century Portuguese ...
— European Background Of American History - (Vol. I of The American Nation: A History) • Edward Potts Cheyney
... clerical specialist. The church, it must be remembered, was often regarded as consisting not of the whole body of the faithful, but simply of the clergy, who continued to claim a monopoly of its privileges after they had ceased to enjoy a monopoly of its intelligence and virtue. The Renaissance had been a new birth of secular learning, not a revival of clerical learning. Others besides the clergy could now read and write and understand; town chronicles took the place of monastic chronicles, secular poets of divines; ...
— The History of England - A Study in Political Evolution • A. F. Pollard
... was no fear of that; indeed, he had no thought of the kind. Leaving the dangerous ground behind him, he glided easily and naturally into impersonal subjects. From Italy he began to talk of Florence, of Pico della Mirandola, and the painters of the Renaissance. He strove his utmost to interest her, and with his vast stock of acquired knowledge, and his wonderfully artistic felicity of expression, he talked on and on, wandering from country to country, and age to age, ...
— The New Tenant • E. Phillips Oppenheim
... affable mind, and a very happy disposition. Sprung from an excellent father, who, though of no great education, entered with real enthusiasm into the movement of the Renaissance and all the liberal novelties of his time, the son corrected the excessive enthusiasm, vivacity, and tenderness he inherited by a great refinement and justness of reflection; but he did not abjure the original groundwork. ...
— Literary and Philosophical Essays • Various
... work of Goethe, without awakening to a whole world of imagination and beauty, to which England had hitherto been dead. With all its shortcomings, the discovery of German literature was a greater revelation than any made to Europe since the classical Renaissance. ...
— English literary criticism • Various
... all out by herself. When asked what she meant, she was smilingly vague, with a glance at Edith's youngsters. But she threw out hints about the church and even Christianity, as though it were falling to pieces. She spoke of a second Renaissance, "a glorious pagan era" coming. And then she exploded a little bomb by ...
— His Family • Ernest Poole
... canons of beauty, I wonder?" Matravers remarked. "I hold myself a very poor judge of woman's looks, but I can at least recognize the classical and Renaissance standards. The beauty which this woman possesses, if any, is of the decadent order. I do not recognize it. I cannot ...
— Berenice • E. Phillips Oppenheim
... King James version was made just after the literary renaissance, the classical learning of to-day is far in advance of that day. The King James version is occasionally defective in its use of tenses and verbs in the Greek and also in the Hebrew. We have Greek and Hebrew scholars who are able more exactly to ...
— The Greatest English Classic A Study of the King James Version of • Cleland Boyd McAfee
... sunken garden, Dante and Virgil might have moved, and yet, Lilly, aching with the analogy which could not conjure, could only call up rather foolishly the three-color magazine advertisement of a low-streamline motor car, drawn up before just such Renaissance magnificence. ...
— Star-Dust • Fannie Hurst
... when this truthful history actually opens, as it had been when Sir Denzil's workmen set the last tier of bricks of the last twisted chimney-stack in its place. The grand, simple masses of the house—Gothic in its main lines, but with much of Renaissance work in its details—still lent themselves to the same broad effects of light and shadow, as it crowned the southern and western sloping hillside amid its red-walled gardens and pepper-pot summer-houses, its gleaming ponds and watercourses, ...
— The History of Sir Richard Calmady - A Romance • Lucas Malet
... became established among his Harvard intimates that he was in Rome, and those of them who were abroad that year looked him up and discovered with him, on many moonlight excursions, much in the city that was older than the Renaissance or indeed than the republic. Maury Noble, from Philadelphia, for instance, remained two months, and together they realized the peculiar charm of Latin women and had a delightful sense of being very ...
— The Beautiful and Damned • F. Scott Fitzgerald
... rhetoric. For this reason, it should not be read as a reliable account of the Roman Civil War. However, as a work of poetic literature, it has few rivals; its powerful depiction of civil war and its consequences have haunted readers for centuries, and prompted many Medieval and Renaissance poets to regard Lucan among the ranks of ...
— Pharsalia; Dramatic Episodes of the Civil Wars • Lucan
... courageous heart. The faint fragrance of her exquisite flesh clung to it still. He held it to his lips and kissed it. Then he stopped, to turn about and look upward at the tall hostelry behind him. High up below the renaissance cornice he beheld the lights glow forth in the rooms which he knew ...
— The Voice on the Wire • Eustace Hale Ball
... poetry from the Renaissance onwards is second to none in richness of thought and beauty of diction, but it lacks the highest quality of all—universality of interest and appeal. Our poets have turned a cold shoulder to the activities and aims of the working ...
— Songs of the Ridings • F. W. Moorman
... surface so many characteristic attributes of Mediaeval Gothic architecture as is to be observed in this land, extending from the Romanesque types of Frejus, Perigueux and Angouleme to that classical degeneration commonly called the Renaissance, a more offensive example of which could hardly be found than in the conglomerate structure of St. Etienne du Mont at Paris, or the more modern and, if possible, even more ugly Cathedral Churches at Arras, Cambrai, ...
— The Cathedrals of Northern France • Francis Miltoun
... Siward, all that he had aroused in her of love, of intelligence, of wholesome desire and sane curiosity—the intellectual restlessness, the capacity for passion, the renaissance of the simpler innocence—had subsided into the laissez faire of dull quiescence. If in her he had sown, imprudently, subtle, impulsive, unworldly ideas, flowering into sudden brilliancy in the quick magic of his companionship, now those flowers were dead under the ...
— The Fighting Chance • Robert W. Chambers
... you front the gate of the Cambron, so called from the brambles that grew about that small, charming, pinnacled edifice, which was built upon the spot of Wamba's old gate in Alfonso VI's time, and was then completely Moorish in style. In 1576 it was restored and took on its present half renaissance, half ...
— Legends, Tales and Poems • Gustavo Adolfo Becquer
... fluttered past her like an outworn sound. "But the young woman of our day does not pretend to all this; alas, no! She is honestly shorn. There is nothing to do about it; the only thing is to keep the loss within limits. In a few generations we shall probably experience a renaissance; everything comes in cycles. But for the present we are sadly denuded. Only our business life beats with a healthy, strong pulse. Only our commerce lives its deed-filled life. Let us place our faith in that! From it ...
— Shallow Soil • Knut Hamsun
... set out upon a round of inspection, and admired the new morning-room that had been devised for Lady Mabel, in the very latest style of Dutch Renaissance—walls the colour of muddy water, glorified ginger-jars, ebonised chairs and tables, and willow-pattern plates all round the cornice; curtains mud-colour, with a mediaeval design in dirty yellow, or, in ...
— Vixen, Volume III. • M. E. Braddon
... enduring ethic under every code. But practically some of the best Englishmen that ever lived could see nothing but filth and idolatry in the starry piety of the Brahmin. And it is equally true that practically the greatest group of artists that the world has ever seen, the giants of the Renaissance, could see nothing but barbarism in the ...
— Heretics • Gilbert K. Chesterton
... honoured, while the body was regarded as the vile source of evils. This doctrine has had many disastrous consequences, and it is not surprising that in consequence of it celibacy should have been regarded as the ideal state. Art fell from the Greek ideal until the Renaissance, with its return to that ideal, brought new vigour. When the ancient spirit was born again its influence reached science and even religion, and the Reformation was a defence of human nature. The Lutheran doctrines resumed the principle of a "development ...
— The World's Greatest Books - Volume 15 - Science • Various
... Duke of Ferrara instead of Earl of Gloster, they would have said that Edmund could have been nothing but an Italian. Change the name and country of Richard III., and he would be called a typical despot of the Italian Renaissance. Change those of Juliet, and we should find her wholesome English nature contrasted with the southern dreaminess of Romeo. But this way of interpreting Shakespeare is not Shakespearean. With him the differences of period, race, nationality and locality have little bearing ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... extolled. Ireland, then, in the late fifth century and the sixth, holds the lamp. Its light passes to England in the middle of the seventh century, and from thence, near the end of the eighth, to the Court of Charlemagne, where it initiates the Carolingian Renaissance. In the ninth century, when England is a prey to the Danes, the Carolingian Court and the great abbeys of Germany are enjoying a vigorous intellectual life, stimulated and enriched by scholars from Italy and from Ireland. In a general view the tenth and ...
— The Wanderings and Homes of Manuscripts - Helps for Students of History, No. 17. • M. R. James
... country. The deepest need of the country can be satisfied by no smaller propaganda. The instruments for such service we already have. The country school, the country church, neighborhood fellowship, and the Young Men's Christian Association provide the means for a moral and spiritual renaissance in the country. There is no easier way to obtain a healthy rural family life than by a skilful, serious, and large-hearted use of our moral institutions in concrete, courageous, and modern ...
— Rural Problems of Today • Ernest R. Groves
... it came in that double revolution which we call the Renaissance and the Reformation. In considering them we must confine ourselves as closely as we can to ...
— The Unity of Civilization • Various
... it, least of all could they study the work of Goethe, without awakening to a whole world of imagination and beauty, to which England had hitherto been dead. With all its shortcomings, the discovery of German literature was a greater revelation than any made to Europe since the classical Renaissance. ...
— English literary criticism • Various
... country where there had never been any sculpture or any painting, nor any architecture to signify. They were talking about reviving the Gothic, but Rodney did not believe in their resurrections or in their renaissance or in their anything. "The Gael has had his day. The Gael is passing." Only the night before he and Harding had had a long talk about the Gael, and he had told Harding that he had given up the School of Art, that he was leaving Ireland, and Harding had thought that this was ...
— The Untilled Field • George Moore
... little. Aged nineteen he had made the 'petty tour' with his father, mother, and Winifred—Brussels, the Rhine, Switzerland, and home by way of Paris. Aged twenty-seven, just when he began to take interest in pictures, he had spent five hot weeks in Italy, looking into the Renaissance—not so much in it as he had been led to expect—and a fortnight in Paris on his way back, looking into himself, as became a Forsyte surrounded by people so strongly self-centred and 'foreign' as the French. His knowledge of their language being derived from ...
— Forsyte Saga • John Galsworthy
... very sympathetic to me. He is tainted with the perfidy of the man who has made a pact with the enemy (with the Church, the aristocracy, with those in power), and then conceals the fact. Philosophically, in spite of his enthusiasm for the Renaissance, he appears vulgar and pedestrian to me, although he towers above all his contemporaries on account of the success of a single invention, that of Don Quixote and Sancho, which is to literature what the discovery of ...
— Youth and Egolatry • Pio Baroja
... the family circle. And we realize how, in spite of the tragic stories or bloodshed and strife that darkened their lives, in spite, too, of the low standard of morals and of the crimes and vices that we are accustomed to associate with Renaissance princes, there was a rare measure of beauty and goodness, of culture and refinement, of love of justice and zeal for truth, among them. As the latest historian of the Papacy, Dr. Pastor, has wisely remarked, we must take care not to paint the state of morals ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... The Renaissance brought back technical freedom and a certain inspiration, unhappily a retrospective and exotic one. The art cut praiseworthy capers in the face of the public, but nobody could teach the public itself to dance. If several ...
— The Life of Reason • George Santayana
... it in argument. They follow it, without remorse or mitigation, wherever it leads them. It is Iago's logic that makes him so terrible; his mind is as cold as a snake and as hard as a surgeon's knife. The Italian Renaissance did produce some such men; the modern German imitation is a grosser and feebler thing, brutality trying to emulate the glitter and flourish ...
— England and the War • Walter Raleigh
... coherency, and inward logic of his dreams, in the profundity of his meditations, in the superhuman grandeur of his conceptions, he is, indeed, their fellow and their equal. His genius is of the same stature and the same structure; he is one of the three sovereign minds of the Italian Renaissance. Only, while the first two operated on paper and on marble, the latter operates on the living being, on the sensitive and suffering ...
— The Origins of Contemporary France, Volume 5 (of 6) - The Modern Regime, Volume 1 (of 2)(Napoleon I.) • Hippolyte A. Taine
... do really say that Englishmen are only Sea-Germans, as our haddocks were only sea-horses. They do really say that the nightingales of Tuscany or the pearls of Hellas must somehow be German birds or German jewels. They do maintain that the Italian Renaissance was really the German Renaissance, pure Germans having Italian names when they were painters, as cockneys sometimes have when they are hair-dressers. They suggest that Jesus and the great Jews were Teutonic. One Teutonist I read actually explained the fresh energy of the French ...
— The Crimes of England • G.K. Chesterton
... at the start win universal favor? It is because he had direct genius, the clear vision of a "primitive" (an artist of the pre-Renaissance). His materials were just those of a graduate who, having left college, has satisfied his curiosity. Grasping the simple and ingenious, but strong and appropriate tools that he himself has forged, he starts out in the forest of romance, and instead of being overcome by the enchantment ...
— Une Vie, A Piece of String and Other Stories • Guy de Maupassant
... schools where you have the last word in modern education, to the Holy Stairs at the Lateran, where you will see the pilgrims mounting on their knees as if Luther and his protest had never happened. Or you can, in five minutes, walk from the Renaissance period to ...
— Humanly Speaking • Samuel McChord Crothers
... these same sentiments and ideals softened and ennobled by the sweet spirit of the Christian religion. We see the conversion of England in the very process of its accomplishment. We see the beauties of Paganism and those of Christianity blending with each other, much as the Medieval and the Renaissance are blended in Spenser. In the one aspect Andrew is the valiant hero, like Beowulf, crossing the sea to accomplish a mighty deed of deliverance; in the other he is the saintly confessor, the patient sufferer, whose whole trust is in ...
— Andreas: The Legend of St. Andrew • Unknown
... never religious, and it is often immoral, but it is always suffused with a certain hue of courtliness, even gentleness. The language is of the most refined delicacy, the thought is never boorish or rude; there is the self-collectedness which we find in the poetry of France and Italy during the Renaissance, and in England during the reign of Queen Anne. It exhibits the most exquisite polish, allied with an avoidance of every shocking or perturbing theme. It seems to combine the enduring lustre of a precious ...
— Japanese Literature - Including Selections from Genji Monogatari and Classical - Poetry and Drama of Japan • Various
... propinquis suis, salutem. Quod petitis fieri non potest.—Valete. Consult Tiraboschi, Storia della Letteratura Italiana, vol. vii., cap. v.; Gregorovius, Geschichte der Stadt Rom in Mittelalter; Burkhardt, Die Kultur der Renaissance in Italien, and Voigt in ...
— De Orbe Novo, Volume 1 (of 2) - The Eight Decades of Peter Martyr D'Anghera • Trans. by Francis Augustus MacNutt
... of Quebec cling more vivid and enduring memories than belong to any other city of the modern world. Her foundation marked a renaissance of religious zeal in France, and to the people from whom came the pioneers who suffered or were slain for her, she had the glamour of new-born empire, of a conquest renewing the glories of the days of Charlemagne. Visions of a hemisphere controlled from Versailles ...
— Old Quebec - The Fortress of New France • Sir Gilbert Parker and Claude Glennon Bryan
... make the Renaissance; the Renaissance made printing. Printing did not begin the publication and dissemination of books. There were libraries of vast extent in ancient Babylon, Egypt, Greece, Rome. There were universities centuries before Gutenberg where the few instructed the many in the learning treasured ...
— Printing and the Renaissance - A paper read before the Fortnightly Club of Rochester, New York • John Rothwell Slater
... my data; I visited the places where she had lived. I repeatedly went to Modena and Mantua, whose archives are inexhaustible sources of information regarding the Renaissance, and from them I obtained most of my material. My friends there, as usual, were of great help to me, especially Signor Zucchetti, of Mantua, late keeper of the Gonzaga archives, and Signor Stefano ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... mean school of intellectual training. Viewed in relation to the subsequent mental activity of New England, it may be said to have occupied a position somewhat similar to that which the polemics of the medieval schoolmen occupied in relation to the European thought of the Renaissance, and of the age of Hobbes and Descartes. At the same time the Puritan theory of life lay at the bottom of the whole system of popular education in New England. According to that theory, it was absolutely ...
— The Beginnings of New England - Or the Puritan Theocracy in its Relations to Civil and Religious Liberty • John Fiske
... had not yet attained the dignity of a place at the table but sat in a high-chair at Persis' left and drummed with her spoon upon the adjustable shelf which served the double purpose of keeping her in place and supporting her bowl of bread and milk. The renaissance of the high-chair was responsible for a curious surge of emotion through Joel's consciousness. Persis herself had once occupied that chair and for a moment his sister's matronly figure at the head of the table was singularly ...
— Other People's Business - The Romantic Career of the Practical Miss Dale • Harriet L. Smith
... Middle Ages the schoolmen took sides in this controversy, but there was no general agitation upon the subject. The "Dark Ages" had set in, and remained until the Renaissance and the revival of learning in the fifteenth and sixteenth centuries. The European countries had been greatly agitated by the Crusades, which had collateral issues of an important character. Turbulent spirits had been weeded but, ...
— The Doctrines of Predestination, Reprobation, and Election • Robert Wallace
... grudge he had against the War. It killed the arts in the very hour of their renaissance. "Eccentricities" by Morton Ellis, with illustrations by Austin Mitchell, and the "New Poems" of Michael Harrison, with illustrations by Austin Mitchell, were to have come out in September. But it was not conceivable that they should ...
— The Tree of Heaven • May Sinclair
... farthing for the rats! If I omit this believe me it is but on account of the multitude and splendour of those who have attended at the production of this volume. For the stories in it are copied straight from the best authors of the Renaissance, the music was written by the masters of the eighteenth century, the Latin is Erasmus' own; indeed, there is scarcely a word that is mine. I must also mention the Nine Muses, the Three Graces; Bacchus, the ...
— The Path to Rome • Hilaire Belloc
... instinctive, to remember that our forefathers reached these shores by virtue of knowledge which they owed to the astronomical researches of Egyptians and Chaldeans, who inspired the astronomers of Greece, who inspired those of the Renaissance in Italy, Spain, and Germany, keeping alive and developing not merely the art of measuring space and time, but also that conception of order in external nature without which the growth of organized knowledge, which we call science, ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... a strange spectacle in this closing fifteenth century: All the concentrated splendor from the fall of Byzantium hanging over her like a luminous cloud before dispersing as the Renaissance; Lorenzo de' Medici, at Florence, directing the intellectual currents of Europe; Angelo and Raphael creating the world's sublimest masterpieces in art; her great Genoese son uncovering another hemisphere; Savonarola, like an inspired prophet of ...
— A Short History of France • Mary Platt Parmele
... volume of my book on the "Renaissance in Italy" does not pretend to retrace the history of the Italian arts, but rather to define their relation to the main movement of Renaissance culture. Keeping this, the chief object of my whole work, steadily in view, I have tried to ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... saturated with what painters call the "feeling" of that classic land. He expressed the charm of the old hill-cities of Tuscany, the look of certain lonely grass-grown places which, in the past, had echoed with life; he understood the great artists, he understood the spirit of the Renaissance, he understood everything. The scene of one of his earlier novels was laid in Borne, the scene of another in Florence, and I moved through these cities in company with the figures whom Mark Ambient had set so vividly upon their ...
— The Author of Beltraffio • Henry James
... century. Queen Margrethe was the daughter of Valdemar IV., known as "Atterdag," because of his favourite proverb: "I Morgen er der atter en Dag."[11] This powerful monarch kept his subjects in such incessant turmoil by his numerous wars for acquiring territory "that they had not time to eat"! The Renaissance chapel erected by Christian IV., in which his tomb stands, is very beautiful. This popular monarch, alike celebrated as architect, sailor, and warrior, was one of the most impressive figures in Danish history. The mural paintings of the chapel represent scenes ...
— Denmark • M. Pearson Thomson
... as an artistic complexity of motive going to show that Schiller had progressed in the knowledge of life and become aware that human heroism is apt to be more or less mixed with base alloy. One writer[45] thinks it shows "how intelligently he had studied the Italian Renaissance and how correctly he had grasped its spirit." But this is to give him a credit that he does not fully deserve. The simple truth is that 'Fiesco' was written very hastily and that its author had spent precious little time in studying the Italian Renaissance, though it must be admitted that he possessed ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... the days of chivalry and the dawn of the Renaissance, Bohemia continued to stroll along all the highways of the kingdom, and already to some extent about the streets of Paris. There is Master Pierre Gringoire, friend of the vagrants and foe to fasting. Lean and famished as a man whose very existence ...
— Bohemians of the Latin Quarter • Henry Murger
... life the Native Son has soaked in an art atmosphere potentially as strong and individual as ancient Greece or renaissance Italy. The dazzling country side, the sulphitic brew of races, the cosmopolitan "city" have taken care of that. That art-spirit accounts for such minor California phenomena as photography raised to unequalled art levels ...
— The Native Son • Inez Haynes Irwin
... Middle High German Period, culminating about 1200 A. D. This was in Germany, as elsewhere in Europe, a time of abundant literary activity. It is the period of the renaissance of the heroic legends of the first period, and their remaking into developed epic poetry; of the writing of romances of chivalry and of antiquity; of the development of the lyric poetry of the Minnesingers; of the growth of popular fables and tales and of the drama. In short, ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... architecture of his town house that he remained conservative, immovable, one might almost say Early-Victorian-Christian. His country house at Dulwich-on-the-Sound was a palace of the Italian Renaissance. But in town he adhered to an architecture which had moral associations, the Nineteenth-Century-Brownstone epoch. It was a symbol of his social position, his religious doctrine, and even, in a way, of his ...
— The Unknown Quantity - A Book of Romance and Some Half-Told Tales • Henry van Dyke
... own stock she may claim, St. Catherine Adorni, born in 1447. But the Renaissance passed her by, giving her, it is true, by the hands of an alien, the streets of splendid palaces we know, but neither churches nor pictures; such paintings as she possesses being the sixteenth century work of foreigners, Rubens, Vandyck, Ribera, ...
— Florence and Northern Tuscany with Genoa • Edward Hutton
... from King John, and there are few older boroughs in the country. Originally a walled town, Fore Street is still crossed by the East Gate, which has been rebuilt in comparatively modern times. Within is a room decorated by an early Renaissance frieze and 'linen-pattern' panelling. The upper stories of some of the old houses project over the lower ones, and in the High Street they jut quite across the pavements, and rest upon columns, making piazzas or covered ways along the street. Such piazzas are very uncommon in England, ...
— Devon, Its Moorlands, Streams and Coasts • Rosalind Northcote
... there be such a thing as cumulative acquirement for the race of men, so that a new generation starts with an available capital of associations and ideas of which the generation last preceding it owned but a part? Take such words as "feudalism," "the Crusades," "the Renaissance," "the printing press," consider how much they mean to us, and then remember that to a man of the third century they would have been empty sounds conveying absolutely no meaning. What all this goes to show is that human nature is a map which is continually unrolling. To say that the entirety ...
— A Short History of the Book of Common Prayer • William Reed Huntington
... has been bolstering up the eventual Renaissance. Your father and his kind have kept the seed alive; we shall bring ...
— Ghetto Comedies • Israel Zangwill
... seems to regard our stories as being a premonition of the freedom and gaiety of the Renaissance rather than as especially characteristic of the times of Romance. All that one need remark upon such misconception is that it only proves that Mr. Pater knew less of Romance Literature than he did of his favourite subject. The freshness, the gaiety, the direct outlook into life are peculiar ...
— Old French Romances • William Morris
... again; it had been unopened for more than two hundred and fifty years. It was during these alterations that the cenotaph standing over the vault was removed further east to where it now stands. It is a typical piece of Renaissance work, florid, intricate, insistent on the ghastliness of death. The effigy of the archbishop, stern and noble, lies on its marble bed supported by stacks of gilt-clasped books; underneath, a grating reveals a medley ...
— Highways and Byways in Surrey • Eric Parker
... delicacy and charm of expression he went beyond his predecessors. He was a many-sided genius, knowing not only in a matter of natural appearance, but in color problems, in perspective, shadows, and light. His art was further along toward the Renaissance than that of any other Giottesque. He almost changed the character of painting, and yet did not live near enough to the fifteenth century to accomplish it completely. Spinello Aretino (1332?-1410?) was the last of the great Giotto followers. He carried out the teachings of ...
— A Text-Book of the History of Painting • John C. Van Dyke
... action follows criticism and discussion in the group, as volition follows thinking in the case of the individual. One hundred years ago college education was classical. In the time of the Renaissance and the Reformation a revival of interest in the classics produced a reaction against mediaevalism, and in time fastened a curriculum upon the universities that was composed mainly of the ancient languages, ...
— Society - Its Origin and Development • Henry Kalloch Rowe
... tended to be lost to sight in the naturalistic revival of the Renaissance, which derived its inspiration solely from those periods of Greek and Roman art which were pre-occupied with the expression of external reality. Although the all-embracing genius of Michelangelo kept the "Symbolist" tradition alive, it is the work of El Greco that merits the ...
— Concerning the Spiritual in Art • Wassily Kandinsky
... treatment of the hero is as far from the classical spirit as anything which William Morris wrote. He preserves little of the directness or fierce temper of the early epic. Rather does his Ulysses think and speak like some bold adventurer of the Renaissance, with the combination of ardent curiosity and reflective thought which was the mark of that age. Even so Tennyson himself, as he passed from youth to middle life, and from that to old age, was ever trying to achieve one more 'work of ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... Shelbyville—and the noncommissioned substantial first citizens of the county, were shaking hands among themselves, and nodding and smiling, full of the fine feeling of that moment. It was a triumph of chivalry, they said; they had witnessed the renaissance of the old spirit, the passing of which, and the dying out and dwindling of it in the rising generation, they had so long and ...
— The Bondboy • George W. (George Washington) Ogden
... chivalry, Mrs. Newberry," replied the young lawyer, "and, like any other renaissance, it must adapt itself to new times and circumstances. For instance, when we build a Greek portico, having no Pentelic marble near at hand, we use a pine-tree, one of nature's columns, which Grecian art at its best could only copy and idealize. Our knights are not weighted down with heavy armor, ...
— The House Behind the Cedars • Charles W. Chesnutt
... dear young Spirit of the Renaissance, I am not yet dead, not even dying. Slowly I am doing the stations of the Cross in this most thorough institution. I am delighted with my experience. Here is concentrated every form of torture and annoyance to which one can be legally subjected. ...
— The Letters of Franklin K. Lane • Franklin K. Lane
... of this brief and full existence was already near at hand. Some of his work was done; for already there had been Dutch teachers admitted into Nangasaki, and the country at large was keen for the new learning. But though the renaissance had begun, it was impeded and dangerously threatened by the power of the Shogun. His minister—the same who was afterwards assassinated in the snow in the very midst of his bodyguard—not only held back pupils from going ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 3 (of 25) • Robert Louis Stevenson
... A stage of Renaissance design, which did not jar with the surrounding architecture, was erected in the depth of the portico at the end ...
— The Invader - A Novel • Margaret L. Woods
... 1611. It is based on a story in Painter's "Palace of Pleasure," translated from the Italian novelist, Bandello; and it is entirely possible that it has a foundation in fact. In any case, it portrays with a terrible vividness one side of the court life of the Italian Renaissance; and its picture of the fierce quest of pleasure, the recklessness of crime, and the worldliness of the great princes of the Church finds only too ready corroboration in ...
— The Duchess of Malfi • John Webster
... home in poor Warwick Crescent, which must do its best to make me forget my new abode. I forget you don't know Venice. Well then, the Palazzo Manzoni is situate on the Grand Canal, and is described by Ruskin,—to give no other authority,—as 'a perfect and very rich example of Byzantine Renaissance: its warm yellow marbles are magnificent.' And again—'an exquisite example (of Byzantine Renaissance) as applied to domestic architecture.' So testify the 'Stones of Venice'. But we will talk about the place, over a photograph, when ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... recognition by revelation of death. We have, again, adroit ways of shutting the gate upon that sackcloth which is the sign of death. A recent writer allows that Shakespeare, Raleigh, Bacon, and all the Elizabethans shuddered at the horror and mystery of death; the sunniest spirits of the English Renaissance quailed to think of it. He then goes on to observe that there was something in this fear of the child's vast and unreasoned dread of darkness and mystery, and such a way of viewing death has become obsolete through ...
— The world's great sermons, Volume 8 - Talmage to Knox Little • Grenville Kleiser
... could all go back to our makers!" sighed the Gubbio plate, thinking of Giorgio Andreoli and the glad and gracious days of the Renaissance: and somehow the words touched the frolicsome souls of the dancing jars, the spinning teapots, the chairs that were playing cards; and the violin stopped its merry music with a sob, and the spinnet ...
— Bimbi • Louise de la Ramee
... written or spoken, are powerless to express my present state of mind. In the first place, our dinner on Thursday is impossible, and in the second, I have lost Narcisse and forever. You commented favourably upon that supreme of lobster and the Ris de Veau a la Renaissance we tasted last week, but never again will you meet the handiwork of Narcisse. He came to me with admirable testimonials as to his artistic excellence; with regard to his moral past I was, I fear, culpably negligent, for I now learn that all the time he presided over my stewpans he was wanted ...
— The Cook's Decameron: A Study in Taste: - Containing Over Two Hundred Recipes For Italian Dishes • Mrs. W. G. Waters
... of the most remarkable features of New York is the Grand Central Terminal. The exterior finish is granite and Indiana lime-stone; the style somewhat Doric, modified by the French Renaissance. Over the entrance to the main building is a great arch surmounted by a statuary group wherein Mercury, symbolizing the glory of commerce, is supported by Minerva and Hercules who represent mental ...
— The Greatest Highway in the World • Anonymous
... it has not learned all the needed lessons of the situation in which it finds itself, is nevertheless rapidly becoming free from capitalist illusions and is reorganizing itself accordingly, industrially and politically. Of this renaissance, the C.I.O. is the ...
— Labor's Martyrs • Vito Marcantonio
... "The Winter's Tale," "Daffodils that come before the swallow dare" but not "King Lear." What is "King Lear" but poor life staggering in the fog?' and the slow cadence, modulated with so great precision, sounded natural to my ears. That first night he praised Walter Pater's 'Essays on the Renaissance:' 'It is my golden book; I never travel anywhere without it; but it is the very flower of decadence. The last trumpet should have sounded the moment it was written.' 'But,' said the dull man, 'would you not have given us time to read it?' 'Oh no,' was the retort, 'there ...
— Four Years • William Butler Yeats
... Chapter II. Greek Medicine Chapter III. Mediaeval Medicine Chapter IV. The Renaissance and the Rise of Anatomy and Physiology Chapter V. The Rise and Development of Modern Medicine Chapter VI. ...
— The Evolution of Modern Medicine • William Osler
... jewels to hide a certain sharpness of skeleton. Yet it may be beautiful, still; the poets derided the wrinkles of Diane de Poitiers at the very moment when King Henry II idealized her with the homage of a Don Quixote; an atmosphere of physical beauty and decay hangs about the whole Renaissance. ...
— Mont-Saint-Michel and Chartres • Henry Adams
... found in Symonds's volume on "The Fine Arts" in the series "The Renaissance in Italy," and are also scattered through the pages of Ruskin's "Modern Painters" and Hazlitt's "Essays on the Fine Arts." The volume on Correggio in the series "Great Masters in Painting and Sculpture" is valuable chiefly for a complete list of Correggio's ...
— Correggio - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... orator has endeavored to present his views on the race problem in the United States. Primarily polemic and ex-parte, this work will hardly attract the attention of the investigator. But when an author like this one, a man of reputation and influence among his people, writes on such subjects as the "renaissance" of the Negro, his constitutional status, and discusses Alexander Hamilton, Frederick Douglass, and Abraham Lincoln, the serious reader might well pause to give this ...
— The Journal of Negro History, Volume 2, 1917 • Various
... the psalms recited, their probable dates, the circumstances of their composition, the sublimity of their thought, the peculiarity of their Hebrew style, the rhythm and poetry of the Hebrews. But the dwelling on these thoughts leads to distractions. Again, some priests, like the clerics of the Renaissance and post-Renaissance times, despise and dislike the Breviary for its alleged barbarous style. These unworthy and foolish sentiments are met with, very rarely. They are opposed to the priestly spirit, which should love and respect the Scripture extracts, God's inspired words. The ...
— The Divine Office • Rev. E. J. Quigley
... history there are no sporadic instances, no isolated facts, so this flower of our century—the recognition of the rights of all created things, with all that it involves—belongs to universal history. It is the product of the Reformation and the Renaissance, with roots only the records of Rome and ...
— Memories of Jane Cunningham Croly, "Jenny June" • Various
... Pope's Poisoner, a Tale of the Borgias." That is a historical romance, I got it up out of Histories of the Renaissance. The hero (Lionardo da Vinci) is the Pope's bravo, and in love ...
— The Disentanglers • Andrew Lang
... with Ronsard. Both were destined to suffer eclipse as great and sudden as had been their glory. Ronsard was succeeded by Malherbe and by French literature, properly so-called; Chiabrera was the last of the great Italians, and after him literature languished till the second renaissance under Manzoni. Chiabrera, however, was a man of merit, apart from that of the mere innovator. Setting aside his epics and dramas (one of the latter received the honours of translation at the hands of Nicolas Chretien, a sort of scenic ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 1 - "Chtelet" to "Chicago" • Various
... throughout the world, having at one time 12,000 students from all parts of Europe. These universities continued to exert a powerful influence until Catholicism triumphed over the abortive attempts at religious reform, and there settled down over the brilliant Italy of the Renaissance an unprogressive and anti-intellectual influence from which she has ...
— Colleges in America • John Marshall Barker
... genius. Certainly I have never known a more gifted woman. The diversity, the scope, and the depth of her knowledge are simply amazing. In conversation it is difficult to broach any subject, no matter what it is, that she has not mastered. Her acquaintance with the mediaeval, Renaissance and modern schools of painting, and with every form and work of art industry is unsurpassed even by those men who have devoted their entire lives to these studies. I have on one and the same evening heard her converse on Venetian art with Ludovic Passini, proving herself his equal in ...
— The Secret Memoirs of the Courts of Europe: William II, Germany; Francis Joseph, Austria-Hungary, Volume I. (of 2) • Mme. La Marquise de Fontenoy
... which linked two islands of high six-story houses, attracted my attention. It threw upon the pavement a shadow which the sunshine, penetrating between the badly joined boards, striped with beautiful parallel streaks of gold, such as one sees on the fine black satins of the Renaissance. I strolled over to it ...
— The Memoirs of Victor Hugo • Victor Hugo
... interest, and perhaps of instruction. The hundred years that passed by between the age of Chaucer and the age of Erasmus were, in Southern Europe, years of the most eager life. We hear very often—too often, perhaps—of what is called the Renaissance. The energy of delight with which Italy welcomed the new birth of art, of literature, of human freedom, has been made familiar to every reader. It is not with Italy, but with England and with Oxford, that we are concerned. How did the University and the colleges prosper in that strenuous time when ...
— Oxford • Andrew Lang
... to "disengage" the subtle and peculiar pleasure that each picture, each poem or personality, has in store for us; but of analysis and explanation of this pleasure—of which he speaks in the Introduction to "The Renaissance"—there is no more. In the first lines of his paper on Botticelli, the author asks, "What is the peculiar sensation which his work has the property of exciting in us?" And to what does he finally come? "The peculiar character of Botticelli is the result of a blending in him of a sympathy for humanity ...
— The Psychology of Beauty • Ethel D. Puffer
... literature dealing with the later evolution of perpetual motion devices. The most comprehensive treatment is H. Dircks, Perpetuum mobile, London, 1861; 2nd ser., London, 1870. So far as I know there has not previously been much discussion of the history of such devices before the renaissance. ...
— On the Origin of Clockwork, Perpetual Motion Devices, and the Compass • Derek J. de Solla Price
... India has her renaissance. She is preparing to make her contribution to the world of the future. In the past she produced her great culture, and in the present age she has an equally important contribution to make to the culture of the New World which is emerging ...
— Creative Unity • Rabindranath Tagore
... translations of this passage, with its context, by Chapman and Pope—(or the school of Pope), the one being by a man of pure English temper, and able therefore to understand pure Greek temper; the other infected with all the faults of the falsely classical school of the Renaissance. ...
— Proserpina, Volume 1 - Studies Of Wayside Flowers • John Ruskin
... Biblical concordance which is in folio. This lies on a high shelf near the window.[168] He begs to have the works of St. Justin, which will be found in the shelves on the left as you enter his monastery-cell. But not all his requests are for theological works. A true son of the Renaissance, he finds entertainment or instruction in communing with the best of antiquity. When in this mood he asks for his Aristotle bound in sheep's-skin; it will be found in the shelves on the right as you enter ...
— Fray Luis de Leon - A Biographical Fragment • James Fitzmaurice-Kelly
... I said, is the strength of the old French story. For the Renaissance has not only the sweetness which it derives from the classical world, but also that curious strength of which there are great resources in the true middle age. And as I have illustrated the early strength of the Renaissance by the story of Amis and Amile, a story which comes from the North, in which ...
— The Renaissance - Studies in Art and Poetry • Walter Pater
... a dealer in goat's flesh, Fr. bouc, has ousted flesher. German still has half a dozen surnames derived from names for this trade, e.g. Fleischer, Fleischmann, [Footnote: Hellenized as Sarkander. This was a favourite trick of German scholars at the Renaissance period. Well-known examples are Melancthon (Schwarzerd), Neander (Neumann).] Metzger, Schlechter; but our flesher has been absorbed by Fletcher, a maker of arrows, Fr. fleche. Fletcher Gate at Nottingham was ...
— The Romance of Names • Ernest Weekley
... the world's progress shows the supreme importance of speech upon human action—individual and collective. In the Roman Forum were made speeches that affected the entire ancient world. Renaissance Italy, imperial Spain, unwieldy Russia, freedom-loving England, revolutionary France, all experienced periods when the power of certain men to speak stirred other ...
— Public Speaking • Clarence Stratton
... Art, in the Low Countries, had remained purely Flemish, or, to speak more accurately, faithful to native tendencies, all through the sixteenth century the attraction of the Italian Renaissance became more and more apparent. We know that Van der Weyden, in 1450, and Josse van Ghent, in 1468, visited Italy, but they went there more as teachers than as students. Their works were appreciated by the Italian patrons for their intense originality and for their technical perfection. ...
— Belgium - From the Roman Invasion to the Present Day • Emile Cammaerts
... oaken furniture seemed almost as black as ebony. At the time of the decoration of the sleeping-room below, and the improvements made in the parlour, the ancient furniture, which had been bought at various epochs, had been carried upstairs. There was a great carved chest of the Renaissance period, a table and chairs which dated from the reign of Louis XIII, an enormous bedstead, style Louis XIV, and a very handsome wardrobe, Louis XV. In the middle of these venerable old things a white porcelain stove, and the little toilet-table, ...
— The Dream • Emile Zola
... the building is largely Vermont marble, and the style that of the modern Renaissance, somewhat in the manner of the period of Louis XVI, with certain modifications to suit the conditions of to-day. It is rectangular in shape, 390 feet long and 270 feet deep, built around two inner courts. ...
— Handbook of The New York Public Library • New York Public Library
... street may be seen men who have their beards cut as in the time of Henry III, others who are clean shaven, others who have their hair arranged as in the time of Raphael, others as in the time of Christ. So the homes of the rich are cabinets of curiosities: the antique, the Gothic, the taste of the Renaissance, that of Louis XIII, all pell-mell. In short, we have every century except our own—a thing which has never been seen at any other epoch: eclecticism is our taste; we take everything we find, this for beauty, ...
— The Confession of a Child of The Century • Alfred de Musset
... fed; tiny wars that had sprung up between smaller nationalities must be attended to and armistice commissions dispatched; the rehabilitation of railroads and river transportation demanded attention; coal mines must be operated and labor difficulties adjusted. This economic renaissance had to be accomplished in face of nationalistic quarrels and the social unrest that threatened to spread the poison of communistic revolution as far west as the Rhine ...
— Woodrow Wilson and the World War - A Chronicle of Our Own Times. • Charles Seymour
... this occasion I knew that something was up. I found Florence some days before, reading books like Ranke's History of the Popes, Symonds' Renaissance, Motley's Rise of the Dutch ...
— The Good Soldier • Ford Madox Ford
... the graceful clerestory and vaulting. The galleries of the transepts have ornamented oak fronts, and were used by the lay portion of the ancient congregation. There is a frescoed ceiling belonging to the sixteenth century. Notice the Renaissance tomb of Lord De la Warr (1532) on the south side of the chancel with its curious carvings and in the south transept those of Countess Phillippa of Arundel (1428) and her second husband, Adam de Poynings; also several others, some of which are without inscriptions, but possibly ...
— Seaward Sussex - The South Downs from End to End • Edric Holmes
... editions saw the light; French, Spanish, English, and German versions followed each other in rapid succession, and the Cortegiano was universally acclaimed as the most popular prose work of the Italian Renaissance. "Have you read Castiglione's Cortegiano?" asks the courtier Malpiglio, in Tasso's dialog. "The beauty of the book is such that it deserves to be read in all ages; as long as courts endure, as long as ...
— Conversation - What to Say and How to Say it • Mary Greer Conklin
... the Renaissance, I saw that Jim would be taught the grievous thing called wisdom—would learn his limitations and to form habits tamely contrary to his natural Greek likings. Then would he honorably neglect rabbits and all fur, cease pointing droves of pigs, and quit the silly chase of robins. Under check-cord ...
— The Boss of Little Arcady • Harry Leon Wilson
... hatred of the Church for the arts and the letters and the sciences of the Greek and Roman civilizations was not quite so much of a folly as we might be apt to suppose. The priests recognized in a vague way that anything like a revival of the older civilizations would signify moral ruin. The Renaissance proves that the priests were not wrong. Had the movement occurred a few hundred years earlier, the result would probably have been a universal corruption I do not mean to say that the Church at any time was exactly conscious of what she was doing; she ...
— Books and Habits from the Lectures of Lafcadio Hearn • Lafcadio Hearn
... change our ideals of human quality. Not that we would give up what we have loved: we would add what a new life demands. In a new age men must acquire a new capacity, must be men upon a new scale, and with added qualities. We shall need a new Renaissance, ushered in by a new "humanistic" movement, in which we shall add our present minute, introspective study of ourselves, our jails, our slums, our nervecenters, our shifts to live, almost as morbid as medieval religion, a rediscovery of the round world, and of man's place in it, now that ...
— On Being Human • Woodrow Wilson
... the second volume of my 'Renaissance in Italy' I indulged the hope that I might live to describe the phase of culture which closed that brilliant epoch. It was in truth demanded that a work pretending to display the manifold activity of the Italian genius during the 15th century and the first quarter of the 16th, should ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... children have found welcome and entrance into the most exclusive of French homes. The publishers of this American adaptation take pleasure in introducing Madame Foa's work to American boys and girls, and in this Napoleonic renaissance are particularly favored in being able to reproduce her excellent story of ...
— The Boy Life of Napoleon - Afterwards Emperor Of The French • Eugenie Foa
... salt of the earth," "the aristocracy of humanity." Everything on the page of history that had amounted to anything was German. The ancient Greeks had been of Germanic origin; German, too, the great artists of the Italian Renaissance. The men of the Mediterranean countries, with the inherent badness of their extraction, had falsified history. . ...
— The Four Horsemen of the Apocalypse • Vicente Blasco Ibanez
... it were closed against us as a residence. The village was full of marvelous old houses rich in frescoes, oriel windows, gables and turrets, but this dwelling, standing in a dignified situation on an eminence, was a prince amongst its compeers. The architecture, which was Renaissance, might belong to a bad style, but the long slopes of roof, the jutting balconies, the rich iron-work on the oblong facade, the painted sun-dial and the coats-of-arms now fading away into oblivion, the grotesque gargoyle which in the form of a dragon's head frowned upon the world,—each ...
— Lippincott's Magazine, Volume 11, No. 26, May, 1873 • Various
... A renaissance of mediaeval feeling the movement in art assuredly involved, but the essential part of it was another thing, of which mediaevalism was palpably independent. How it came to be considered the fundamental element is not difficult to show. ...
— Recollections of Dante Gabriel Rossetti - 1883 • T. Hall Caine
... it was not till more than one hundred years later that it began to attain to any wide recognition. And in England this recognition has been mainly due to Mr Pater's delightful essay in his early work "Studies in the History of the Renaissance." Since the publication of this book in 1873, the story of Aucassin and Nicolette has had an ever-growing train of admirers both in England and America, and various translations have appeared on both sides of the Atlantic. It has also been translated into several other European ...
— Aucassin and Nicolette - translated from the Old French • Anonymous
... the old mirror above the chimney. As I sat reading in the great armchair, I kept looking round with the tail of my eye at the quaint, bright picture that was about me, and could not help some pleasure and a certain childish pride in forming part of it. The book I read was about Italy in the early Renaissance, the pageantries and the light loves of princes, the passion of men for learning, and poetry, and art; but it was written, by good luck, after a solid, prosaic fashion, that suited the room infinitely more nearly than the matter; ...
— Essays of Travel • Robert Louis Stevenson
... back streets of London and Geneva with pursuits, homicides and dynamitings. "Nostromo" is a long record of treacheries, butcheries and carnalities. "A Point of Honor" is coloured by the senseless, insatiable ferocity of Gobineau's "Renaissance." "Victory" ends with a massacre of all the chief personages, a veritable catastrophe of blood. Whenever he turns from the starker lusts to the pale passions of man under civilization, Conrad fails. "The Return" is a thoroughly infirm piece of writing—a ...
— A Book of Prefaces • H. L. Mencken
... lay north and south. But Papal Rome, as the head and heart of a spiritual empire, was still a world-power; and the disunited Italian states were first in the commercial enterprise of the age as well as in the glories of the Renaissance. North of the Papal domain, which cut the peninsula in two parts, stood three renowned Italian cities: Florence, the capital of Tuscany, leading the world in arts; Genoa, the home of Caboto and Columbus, teaching the world the science ...
— Elizabethan Sea Dogs • William Wood
... he proved a good right to, for he used it with a high intelligence and to admirable effect. It seems to me that though he added little or nothing to the resources of art, as Rossetti undoubtedly did, he employed the precedents of past art, and especially of the Italian renaissance, to better effect than any other artist of our epoch; and, in borrowing as he did, he only followed the example of most of the great old masters, who used material of any kind found in their predecessors' works, in perfectly good conscience. His industry was prodigious, ...
— The Autobiography of a Journalist, Volume II • William James Stillman
... beauty of the world—of youth and fame and flowers—and turned him both to serious epicureanism and to serious writing. By the year 1550 he was leading the young men of France in a great literary renaissance—a reaction against the lifeless jingle of ballades and punning rhymes. Like du Bellay, he asked himself and his contemporaries: "Are we, then, less than the Greeks and Romans?" And he set out to lay the foundations in France of a literature as individual in its genius as the ancient ...
— Old and New Masters • Robert Lynd
... remember that we are here dealing with a region of very ancient civilization. Taste has been slowly developed, artistic culture is of no mushroom growth. Alsace formed the highroad between Italy and Flanders. In M. Hallays' words, already during the Renaissance, aesthetic Alsace blended the lessons of north and south, her genius was a product of good sense, experience and a feeling of proportion. And he points out how in the eighteenth century French taste influenced Alsatian faience, woven stuffs, ironwork, sculpture, wood-carving and furniture, ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... the Celtic Renaissance was a surprise, and even to Irish writers deeply interested in their country the phenomenon or movement, call it which you will, was not appreciated as of much significance at its beginning. Writing in 1892, Miss Jane Barlow was not hopeful ...
— Irish Plays and Playwrights • Cornelius Weygandt
... universities in the United States is most instructive in this respect. Nearly every one of them has suffered greatly from the want of some such general plan. One has but to visit almost any one of them to see buildings of different materials and styles—classical, Renaissance, Gothic, and nondescript —thrown together in a way at times fairly ludicrous. Thomas Jefferson, in founding the University of Virginia, was wiser; and his beautiful plan was carried out so fully, under ...
— Volume I • Andrew Dickson White
... do the processes of the kindergarten. Artists first received form; then color; the materials, then the synthesis of the two. Notable examples of the world's great compositions may be pointed to in the work of the Renaissance painters, and such examples will be cited; but the major portion of the art by which these exceptions were surrounded offers the same proportion of good to bad as the inverse ratio ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... analysis. The farmer is learning, through chemistry and other forms of science, new ways of making his farm productive, and the educated agriculturist is rising to be an intellectual factor in the development of our country. Everywhere we see Life awakening—a great renaissance! ...
— The Warriors • Lindsay, Anna Robertson Brown
... on his solitary pinnacle, there was no figure in modern literature at the time of the Renaissance to compare with the men of antiquity; there was no art to compete with their sculpture; there was no physical science but that which Greece had created. Above all, there was no other example of perfect intellectual freedom—of the unhesitating acceptance of reason as the sole guide to truth ...
— Harvard Classics Volume 28 - Essays English and American • Various
... this new movement of ours is a very different affair. We deny the snobbish English assumption that the uneducated are the dangerous criminals. We remember the Roman Emperors. We remember the great poisoning princes of the Renaissance. We say that the dangerous criminal is the educated criminal. We say that the most dangerous criminal now is the entirely lawless modern philosopher. Compared to him, burglars and bigamists are essentially moral men; my heart goes out to them. They accept ...
— The Man Who Was Thursday - A Nightmare • G. K. Chesterton
... his death, the good bishop's bones reposed beneath some gorgeous tomb, bedizened with the incongruous half-Pagan statues of the Renaissance; but this at least is certain, that Rondelet's disciples imagined for him a monument more enduring than of marble or of brass, more graceful and more curiously wrought than all the sculptures of Torrigiano or Cellini, Baccio Bandinelli or Michael Angelo himself. ...
— Historical Lectures and Essays • Charles Kingsley
... the popularity and influence of Avicenna, five centuries after his time, can be readily derived from the number of commentaries on him issued during the Renaissance period by the most distinguished medical scholars and writers of that time. Hyrtl, in his "Das Arabische und Hebraeische in der Anatomie," quotes some of them,—Bartholomaeus de Varignana, Gentilis de Fulgineis, Jacobus de Partibus, Didacus Lopez, Jacobus de Forlivio, Ugo Senesis, ...
— Old-Time Makers of Medicine • James J. Walsh
... to the director of the Renaissance Theatre and besides acquainted him with artists of note. An introduction to the Grand Opera however was out of the question for one who was an utter stranger. Through Heinrich Laube, then in Paris, he made the acquaintance of Heine, who was much surprised ...
— Life of Wagner - Biographies of Musicians • Louis Nohl
... one time at Sweet Springs while convalescing at that fashionable Missouri watering-place from an attack of the jaundice. This cottage was, as I was informed, an ingenious combination of Gothic decadence and Norman renaissance architecture. Being somewhat of an antiquarian by nature, I was gratified by the promise of archaism which Alice's picture of our future home presented. We picked out a corner lot in,—well, no matter where; ...
— The House - An Episode in the Lives of Reuben Baker, Astronomer, and of His Wife, Alice • Eugene Field
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