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More "Hogg" Quotes from Famous Books
 ... (the minister) proposed a grant of L3000 a year to Lord Hardinge and his two next male heirs, and L2000 a year to Lord Gough and his two next male heirs. These propositions received the assent of the house. Mr. Hogg, on the part of the East India Company, announced that the company had made grants of L5000 per year to Lord Hardinge for life, and L2000 per year to Lord Gough. Lord Francis Egerton drew attention to the claims of Sir Harry Smith, which both Sir Robert Peel and ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... many ways, but the two largest classes are sobriquets taken from the names of animals, e.g. Hogg, or from adjectives, either alone or accompanied by a noun, e.g. Dear, Goodfellow. Each of these classes requires a chapter to itself, while here we may ...
— The Romance of Names • Ernest Weekley
... require, to complete the Dramatis Personae. The place of Mrs. Oldmixon, whom we always see with pleasure, and who is never willingly absent when she can contribute to the gratification of the audience, is frequently occupied by Mrs. Hogg, whose infirmities impede those exertions which we are inclined to believe she is willing to make: and Mr. Simpson, who, in some characters, is not a bad performer, is often supplanted by the very sweepings of the ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810 • Various
... picture of "Mary of Scotland, giving her infant to the Care of Lord Mar," Palgrave wrote: "This work is finely painted, and tells its tale with clearness." Among her numerous works are: "The Poet Hogg's First Love"; "Chatterton," the poet, in the Muniment Room, Bristol; "Lady Jane Grey refusing the Crown of England"; "Antwerp Market"; "Queen Mary of Scots' farewell to James I."; "Washing Day at the Liverpool Docks"; "The Princes in the Tower"; ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... who revel in phosphorescent lights and in the rattle of the skeleton are apt to o'erleap themselves; and Scott's Glenfinlas, Lewis's Alonzo the Brave and the Fair Imogene and Southey's Old Woman of Berkeley fall into the category of the grotesque. Hogg intentionally mingles the comic and the terrible in his poem, The Witch of Fife, but his prose-stories reveal his power of creating an atmosphere of diablerie, undisturbed by intrusive mockery. In the poem Kilmeny, he handles an ...
— The Tale of Terror • Edith Birkhead
... Burton—all long and lean and hard, with deep-set, keen eyes and brown, thin faces; Evans, who was supposed to be over-seer, and important enough to arrive late; younger fellows, like Fred Anderson and David Boone (the latter's hair suspiciously smooth and shiny); Hogg, the dour old man who ruled the flower garden and every one but Norah; and a sprinkling of odd rouseabouts and boys, very sleek and well brushed, in garments of varying make, low collars, and the tie the bushman loves "for best"—pale blue satin, with what Wally termed ...
— Mates at Billabong • Mary Grant Bruce
... the keenest relish of a funny prank, and one such he used to act over again in after life with the greatest vivacity of manner. Every one remembers the story told by Jefferson Hogg how Shelley got rid of the old woman with the onion basket who took a place beside him in a stage coach in Sussex, by seating himself on the floor and fixing a tearful, woful face upon his companion, addressing her in thrilling ...
— Recollections of Dante Gabriel Rossetti - 1883 • T. Hall Caine
... in the country, Will could do what Hogg and Burns did (and Hogg had no education at all; he was self-taught, even in writing). Will could pick up traditional, oral, popular literature. "His plays," says Sir Walter Raleigh, "are extraordinarily ...
— Shakespeare, Bacon and the Great Unknown • Andrew Lang
... is certainly a unique production. Though ostensibly a dialogue mainly between himself, Tickler (i.e., Lockhart), and Hogg the Ettrick Shepherd—with other occasional dramatis personae; the main bulk of them (including everything here quoted) was written by Wilson himself—in this form, to produce an original effect. The conversations are, for the most part, thoroughly dramatic, and cover every conceivable ...
— Famous Reviews • Editor: R. Brimley Johnson
... said of De Quincey: "Eccovi, that child has been in hell," we may say, "Eccovi, that child has been in unchildlike haunts, and can't forget the memory of them." In a sense every romancer is a child—such was Ludwig Tieck, such was Scott, such was James Hogg, the Ettrick Shepherd. But each is something more—he has been touched with the wand of a fairy, and knows, at least, some of Elfin Land as well as of ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... very fast with much emotion. "I want you to come and search for my poor uncle. He was certainly in the train from Mycening that ran into a drift. Men went to get help; couldn't get back for three hours. He wasn't there—never arrived at home. My mother is in a dreadful state. Hogg is setting all the men to dig at the Erymanth end. I've got a lot to begin in the Kalydon cutting; but you'll come, Alison, you'll be worth a dozen of them. He might be ...
— My Young Alcides - A Faded Photograph • Charlotte M. Yonge
... "Minstrelsy"—"Auld Maitland"— Professor Child has expressed a suspicion which most readers feel. What Scott told Ellis about it (Autumn, 1802) was, that he got it in the Forest, "copied down from the recitation of an old shepherd by a country farmer." Who was the farmer? Will Laidlaw had employed James Hogg, as shepherd. Hogg's mother chanted "Auld Maitland." Hogg first met Scott in the summer of 1801. The shepherd had already seen the first volume of the "Minstrelsy." Did he, thereupon, write "Auld Maitland," teach his mother it, and induce Laidlaw to take it down from her recitation? ...
— Old Friends - Essays in Epistolary Parody • Andrew Lang
... of verse—Metrical Effusions—was published in 1812. It brought him into correspondence with Southey, and shortly afterwards, through the medium of a set of complimentary verses, he made the acquaintance of Hogg. From this time onwards to 1828 Barton published various volumes of verse. After 1828 his work appeared but rarely in print, but his Household Verses published in 1845 secured him, on the recommendation of Sir Robert ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
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