"Loggia" Quotes from Famous Books
 ... your hair to me that I may climb up,' Andrea called laughingly from the terrace below to Donna Maria, where she stood between two pillars of the loggia ...
— The Child of Pleasure • Gabriele D'Annunzio
... used throughout, except in the portals, where Sienna marble gives a deep note of color. The highly ornamental floral light-standards between the columns occur elsewhere throughout the court. The cornice is edged with red Spanish tiles and above the colonnade runs a richly decorated loggia that, with its suggestion of southern influences, enhances the warm, sunny atmosphere of the court. The repeated figure of the flower-decked and garlanded "Flower Girl" is by A. Stirling Calder. A conventionalized frieze in delicately colored arabesque runs between the balcony and the columns, ...
— The Architecture and Landscape Gardening of the Exposition • Louis Christian Mullgardt
... attention under Cimabue to design in order to make use of it in sculpture, he was held by so much the best architect in Tuscany, that not only did the Florentines found the last circle of the walls of their city under his direction, in the year 1284, and make after his design the Loggia and the piers of Or San Michele, where the grain was sold, building them of bricks and with a simple roof above, but by his counsel, in the same year when the Poggio de' Magnuoli collapsed, on the brow of S. Giorgio above S. Lucia in the Via de' Bardi, they determined by means of a public decree ...
— Lives of the Most Eminent Painters Sculptors and Architects - Volume 1, Cimabue to Agnolo Gaddi • Giorgio Vasari
... was designed with the patriotic purpose of enshrining the Liberty Bell. The Bell stands in a loggia between two wings, the architectural motif following that of Independence Hall. On the walls of the loggia are two mural lunettes of distinction by Edward Trumbull of Pittsburg. Their deep glowing color and massive ...
— The Sculpture and Mural Decorations of the Exposition • Stella G. S. Perry
... designed and built by Vespignani in pure fifteenth-century style. It is built against the Torrione, the ancient round tower constructed by Saint Leo the Fourth about the year 850. In 1894 Leo the Thirteenth made a further extension, and joined another building to the existing one by means of a loggia, on the spot once occupied by the old barracks of the papal gendarmes, who are still lodged in the gardens, and whose duty it is to patrol the precincts by day and night. Indeed, the fact that two dynamiters were caught ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
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