"Diatonic" Quotes from Famous Books
... aerial motion, if our atmosphere embraced our sun, and extended throughout space, we should perhaps hear in the ambient the fundamental chord, resolvable into the diatonic scale—as we look upon the beam of white which the prism decomposes into the solar spectrum, and in the ghostly watches of the night, we might recognize the 'music of the spheres' as the planets rushed around their airy orbits, with ... — The Continental Monthly , Vol. 2 No. 5, November 1862 - Devoted to Literature and National Policy • Various
... come, when the school children will whistle popular tunes in quarter-tones—when the diatonic scale will be as obsolete as the pentatonic is now—perhaps then these borderland experiences may be both easily expressed and readily recognized. But maybe music was not intended to satisfy the curious ... — Essays Before a Sonata • Charles Ives
... and very firm, and the firmness is in the fingers as well; the hand makes up and down movements with loose wrist; the result is a full, bright, crisp tone. One can play these octaves slowly, using weight, or faster with crisp, staccato touch. I play diatonic or chromatic octave scales, with four repetitions or more, on each note—using ... — Piano Mastery - Talks with Master Pianists and Teachers • Harriette Brower
... embellishments. Gregory the Great (Pope of Rome, 590-604) banished these from the song service, founded a school of sacred melody, composed new chants and established the distinctive character of ecclesiastical hymn worship. The Gregorian chant—on the diatonic eight sounds and seven syllables of equal length—continued, with its majestic choral step, to be the basis of cathedral music for a thousand years. In the meantime (930) Hucbald, the Flanders monk, invented sight music, or written notes—happily called ... — The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... the prelude, it is a strong, simple melody, made on the intervals of the diatonic scale, square-cut in rhythm, firm and dignified, and, like the mastersingers, complacent and a trifle pompous in stride. The three melodies which are presented in opposition to the spirit represented by the mastersingers and ... — A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... melody, rhythm, measure; rhyme &c (poetry) 597. pitch, timbre, intonation, tone. scale, gamut; diapason; diatonic chromatic scale^, enharmonic scale^; key, clef, chords. modulation, temperament, syncope, syncopation, preparation, suspension, resolution. staff, stave, line, space, brace; bar, rest; appoggiato^, appoggiatura^; acciaccatura^. note, musical note, notes ... — Roget's Thesaurus of English Words and Phrases: Body • Roget |