"Rhythmical" Quotes from Famous Books
 ... gallery filled the church with its drawling tones, like an enlarged accordion, and the nuns standing beside it intoned the old chant, rhythmical as a march, the "Adeste Fideles," while below the novices and the faithful repeated after each stanza the sweet chorus of ...
— En Route • J.-K. (Joris-Karl) Huysmans
... struggle that he was bound to continue to the end. But these personal confessions are scarce. After all, in oratorio Handel's best music is that in which he seeks to attain the sublime. In his choruses he does attain it: he sweeps you away with the immense rhythmical impetus of the music, or overpowers you with huge masses of tone hurled, as it were, bodily at you at just the right moments, or he coerces you with phrases like the opening of "Fixed in His everlasting seat," or the last (before the cadence) in "Then round about the starry throne." ...
— Old Scores and New Readings • John F. Runciman
... late one afternoon, to the big lake at the headwaters of a wilderness river. Above the roar of rapids far behind, and the fret of the current near at hand, the rhythmical clunk, clunk of the poles and the lap, lap of my little canoe as she breasted the ripples were the only sounds that broke the forest stillness. We were silent, as men always are to whom the woods have spoken their deepest message, and to ...
— Wood Folk at School • William J. Long
... first purely fanciful ballad I ever wrote. I have been at work on it for two months, and I think it is the best piece of literary work I have done, although it is somewhat above the class of work that is popular. You will like it for its rhythmical smoothness and for its weirdness. But Mrs. Field prefers "Krinken," "Marthy's Younkit," et id omne genus. My next verse will be "John Smith, U.S.A.," a poem suggested by seeing this autograph at Gilley's. In it I shall use ...
— Eugene Field, A Study In Heredity And Contradictions - Vol. I • Slason Thompson
... sewing-machine. But, as order is Heaven's first law, it is true that music tends to move in definite, symmetrical groups; and where departure is made from this practise the effect is one most carefully planned. The matter deserves earnest consideration, for, in what is known as the "rhythmical sense," Americans—as a people, in comparison with foreign nations—are still woefully deficient. As rhythm is the basic element in all music, there is nothing in which the listener should more definitely train his faculties than in ...
— Music: An Art and a Language • Walter Raymond Spalding
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