"Rhythm" Quotes from Famous Books
 ... selection in virtue of their profound utility. They are called into play by a specialised presentation such as the sight or the scent of the female at, or a little in advance of, a critical period of the physiological rhythm. There is no necessity that the male should have any knowledge of the end to which his strenuous activity leads up. In presence of the female there is an elaborate application of all the energies of behaviour, just because ages of ...
— Evolution in Modern Thought • Ernst Haeckel
... wrapped about her from the other side. They varied this when it pleased them with balancings and steps and posturings that were not sufficiently extravagant to bring any comment from the other dancers, but which were so full of grace and feeling for time and rhythm, that Van Bibber continually reversed his partner so that he might not for an instant lose sight of ...
— Cinderella - And Other Stories • Richard Harding Davis
... certain movements, and the song and dance go together, so there are, no doubt, certain thoughts that lead to certain tones of voice, or modulations of sound, and change "the words of Mercury into the songs of Apollo." There is a striking instance of this adaptation of the movement of sound and rhythm to the subject, in Spenser's description of the Satyrs accompanying Una ...
— Lectures on the English Poets - Delivered at the Surrey Institution • William Hazlitt
... was bearing her swiftly through the night, his hoof-falls echoing in a dull rhythm. The wind still came in gusts, blowing straight into her face, but it was warm and pleasant. When she had passed through the gate of the ranch the road went between wire fences, straight north to Cameron City. Now and then a group of horses, ...
— Peak and Prairie - From a Colorado Sketch-book • Anna Fuller
... how few have command of themselves—know absolutely what they want to do, and then are able to do it. One skater, in the language of the ice, can do the actual work, but has no form. It may be she lacks temperament, has no abandon, no rhythm; is stiff, or, while full of life, has bad arms. It is as necessary that the fancy skater should learn the correct position of the arms as that the solo dancer should. Certain lines must be preserved, say, from fingers of right arm through to ...
— Woman as Decoration • Emily Burbank
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