"Multi-coloured" Quotes from Famous Books
 ... dropping off from the group around Charles Gould till the Administrador of the Great Silver Mine could be seen in his whole lank length, from head to foot, left stranded by the ebbing tide of his guests on the great square of carpet, as it were a multi-coloured shoal of flowers and arabesques under his brown boots. Father Corbelan approached the ...
— Nostromo: A Tale of the Seaboard • Joseph Conrad
... knowing looks the riverside clearings, and pronounce solemn judgment upon the prospects of the season's rice-crop. He knew every settler on the banks between the sea and Sambir; he knew their wives, their children; he knew every individual of the multi-coloured groups that, standing on the flimsy platforms of tiny reed dwellings built over the water, waved their hands and shouted shrilly: "O! Kapal layer! Hai!" while the Flash swept slowly through the populated reach, to enter the lonely stretches of sparkling brown water bordered by ...
— An Outcast of the Islands • Joseph Conrad
... homeward-flying pelicans, fringes of wild duck, black spotted on crimson, and cheap jewellery of opal clouds. 'Notice Me!' She cries, like any other worthless woman. 'Admire the play of My mobile features—the revelations of My multi-coloured soul! Observe My allurements and potentialities. Thrill while I stir you!' So She floats through all Her changes and retires upstage into the arms of the dusk. But at midnight She drops all pretence and bears down in Her natural shape, which depends upon the conscience of the beholder ...
— Letters of Travel (1892-1913) • Rudyard Kipling
... colour is an unreal one; you cannot conceive a colourless line or a colourless space; neither can you conceive a formless relation of colours. In a black and white drawing the spaces are all white and all are bounded by black lines; in most oil paintings the spaces are multi-coloured and so are the boundaries; you cannot imagine a boundary line without any content, or a content without a boundary line. Therefore, when I speak of significant form, I mean a combination of lines and colours (counting white and black as colours) ...
— Art • Clive Bell
... enormous Chinese head in cardboard, was standing in the Wintergarten, the big, dimly-lighted conservatory, near the door of one of the gilt-and-white reception-rooms, rather a stolid-seeming witness of the multi-coloured romp within, when a voice behind him said, "How do you do, Mr. Field?"—a woman's voice, an ...
— The Wit and Humor of America, Volume X (of X) • Various |
