"Handel" Quotes from Famous Books
 ... forgotten the great German song-composers, but even their work is insignificant beside that of the instrumentalists, and has been so affected both in design and in technique by instrumental music as in a great degree to lose its vocal character. The choruses of Handel and Bach are ...
— Wagner's Tristan und Isolde • George Ainslie Hight
... he who has something to assert will go as far in power of style as its momentousness and his conviction will carry him. Disprove his assertion after it is made, yet its style remains. Darwin has no more destroyed the style of Job nor of Handel than Martin Luther destroyed the style of Giotto. All the assertions get disproved sooner or later; and so we find the world full of a magnificent debris of artistic fossils, with the matter-of-fact credibility gone clean out of them, but the form still splendid. And that is why the old masters ...
— Man And Superman • George Bernard Shaw
... time we made it our headquarters, spending one winter at Florence, another at Genoa, where my son and his wife came to meet us, and where I had very great delight in the beautiful singing of our old friend Clara Novello, now Countess Gigliucci, who used to come to my house, and sing Handel to me. It was a real pleasure, and her voice was as pure and silvery as when I first heard her, years before. Another winter we spent at Turin. On returning to Spezia in the summer of 1861, the beautiful comet visible that year appeared for the first time ...
— Personal Recollections, from Early Life to Old Age, of Mary Somerville • Mary Somerville
... Pettengill, that is a fine poem; it is grand when read, but it would be grander still if set to music. I can imagine," Quincy continued, "how those choruses would sound if sung by the Handel and Haydn Society, backed up by a full orchestra and the big organ." And he sang, to an extemporized melody ...
— Quincy Adams Sawyer and Mason's Corner Folks - A Picture of New England Home Life • Charles Felton Pidgin
... seems to be a curious fate reigning over the instruments which have the word 'arch' prefixed to their name. They have no vitality, and somehow or other come to grief. Even the famous archlute, which was still a living thing in the time of Handel, has now disappeared from the concert room and joined Mr. Pepys's 'Arched Viall' in the limbo of things forgotten.... Mr. Pepys's verdict that it would never do... has been fully confirmed by the event, as his predictions usually were, being indeed always ...
— Diary of Samuel Pepys, Complete • Samuel Pepys
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