"Garrick" Quotes from Famous Books
... pieces decided their fate. SMOLLETT, before he knew which way his genius would conduct him, had early conceived a high notion of his talents for dramatic poetry: his tragedy of the Regicide was refused by Garrick, whom for a long time he could not forgive, but continued to abuse our Roscius, through his works of genius, for having discountenanced his first work, which had none. RACINE'S earliest composition, ... — Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... theme. The plays are mostly comedy. There are no grand tragedies like those of the old Greek poets. The Chinese have had no such writers as Sophocles or Euripides, no such creators of plays as Shakespeare, and they have no such actors as a Garrick or an Irving. We were invited to seats on the stage—which had no curtains, everything being done openly. In order to reach the stage the guide conducted us down the passageway or aisle through the midst of the audience. Then we ascended a platform at the end of the ... — By the Golden Gate • Joseph Carey
... exhibited on the stage. I should be truly ashamed of finding in myself that superficial, theatric sense of painted distress, whilst I could exult over it in real life. With such a perverted mind, I could never venture to show my face at a tragedy. People would think the tears that Garrick formerly, or that Siddons not long since, have extorted from me, were the tears of hypocrisy; I should know them to be the tears ... — Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... literary leanings and his humour, both heightened to an incalculable degree. We have Elia's word for it that John Lamb the elder "was the liveliest little fellow breathing" with a face as gay as Garrick's, and we know further that he published a small volume of simple verse. From the father, too, the family derived a heavier inheritance, which was to cast its shadow over their lives from the day of Charles's early manhood to ... — Charles Lamb • Walter Jerrold
... with satire, wit, and humour. The Careless Husband of Gibber, and Suspicious Husband of Hoadley, are the only comedies of this age that bid fair for reaching posterity. The exhibitions of the stage were improved to the most exquisite entertainment by the talents and management of Garrick, who greatly surpassed all his predecessors of this and perhaps every other nation, in his genius for acting; in the sweetness and variety of his tones, the irresistible magic of his eye, the fire and vivacity of his action, the elegance of attitude, and the whole pathos ... — The History of England in Three Volumes, Vol.II. - From William and Mary to George II. • Tobias Smollett
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